Streamers like Netflix, Hulu, Amazon, and HBO Max have quickly become the holy grail for many filmmakers hoping to get their film produced and find success. And it’s no mystery why. With a subscriber base in the tens of millions (Netflix has 74 million subscribers alone!), there might not be a better place for your film to be seen and enjoyed across the globe. And streamers ARE picking up a lot of content, a staggering amount even. Netflix recently announced it is releasing 40 more films this year—that’s twice what most major traditional studios make in a whole year, all in just a few months. That said, even with this huge volume of new content Netflix and the other streamers continue to pick up and produce, it is not easy to get your film noticed or considered at these platforms, especially if you’re not already an established filmmaker. This is not to say it’s impossible, but it does require finesse, strategy, luck, and an understanding of how exactly streamers find their original films.

For as prominent as streaming platforms have become, the process behind how a film actually finds its way into their libraries is opaque and enigmatic. With so little information on the inner workings of the streamers, it can seem confusing, maybe even impossible to get your own proverbial foot into the portal and get your project noticed. After all, there isn’t exactly a submission platform to upload your script for Amazon to review. The truth is, unless you’re already established or have that ‘in’ with a streamer, it’s very unlikely to get straight through and have them consider your work blind. There IS another way though, a way to get your project to a streamer, not by going through but by going around.

Michael Schulman is a Feature Story Analyst for Netflix as part of its Independent Original Film Division, and his job revolves around evaluating feature screenplay submissions and deciding which ones to pass up to the executives to consider. Prior to his role at Netflix, Michael spent nearly a decade in the story department at CAA where he found projects for CAA clients. Over his storied career, Michael also served as an agent at ICM’s Motion Picture Literary Department and held numerous studio creative executive positions at Orion, TriStar, and Disney where he worked to develop film and television projects with some of the top talent in the industry. Michael is very familiar with what it takes for a script to find its way to decisionmakers since this has been a key feature of his job for over a decade.

As a companion piece to his previous webinar that details the script evaluation process at Netflix and other streamers, Michael will teach you a smarter and more viable way to get your own feature film considered by streaming platforms, not by targeting the streamers themselves, but instead focusing on their content suppliers. He’ll begin by laying out how the normal streamer system works and go over specific reasons why your script might NOT be as good of a fit for them as you think. Michael will then delve into how “outsiders” can get in the streaming game by taking advantage of resources along the way and better understanding the content pipeline. He’ll explain what streamer “originals” actually are and show how streamers rely on production companies to fill their slate. Michael will show you how you can use this to your advantage by finding your way in with specific production companies and what you can do to make them want to produce your film with you.

Michael will even offer a live demonstration, showing how to find the right production companies for your own project and the best contacts within them.

Getting your work on Netflix and other streamers will never be easy, but you will leave this webinar with a better understanding of the best way forward.

Praise for Michael's Previous Stage 32 Webinar

"I loved Michaels honestly. His advice is invaluable."

-Linda R.

"Very genuine, authentic, knowledgeable."

-Lissa C.

"Michael was highly competent, extremely knowledgeable about his subject, and not afraid to share hard truths about the industry that many just won't be upfront about."

-Lee T.

"Michael did not sugarcoat anything. He gave honest information that clarified a lot of questions I had."

-Nikki J.

• Why the Normal Streamer System Is Not Designed for “Outsider” Access
  • The true nature of streamers (hint- they’re not as much of content creators as you might think)
  • What readers and execs at streamers are ACTUALLY looking for
  • A more accurate view of how streamers actually develop most feature films
• Why the Project You Want to Submit to Streamers Might Not Be What They’re Looking For
  • Mandates
  • The need for packaging
  • Scope and scale
  • Flaws in the script that can’t be ignored
• The Streamer “Algorithm”
  • The key to understanding the streamers’ mentality
  • A look into how streamers categorize and describe films
  • Typical streamer features vs. traditional studio films
  • Streamers sell subscriptions, not movie tickets—why this matters
  • “Bigness” defined
• How “Outsiders” can get in the game
  • A hard truth
  • Types of projects to avoid if your goal is the streamers
  • Resources to take advantage of before you start writing and before you start selling
• If You Can’t Go Through, Go Around
  • What streamer “Originals” are, really
  • A look at the streamer content pipeline
• Identifying and Targeting Streamer Suppliers
  • Which suppliers or production companies will be the best bet for your own project?
  • Do these suppliers work with new filmmakers?
  • Live Demonstration: How to find production companies that can lead you to the streamers
  • How to contact and get your in
• What Will Make a Supplier Want to Produce Your Film?
  • What production companies with streamer deals are looking for and how this differs from the streamers themselves
  • Elements that should be in place before production companies will consider you
• Q&A with Michael

All levels of directors (advanced, intermediate and beginner) looking for a way to get your own feature film considered by streaming platforms.

All levels of writers (advanced, intermediate and beginner) looking for a way to get your own feature film considered by streaming platforms.

Producers looking for a way to get your own feature film considered by streaming platforms.

Actors looking for a way to get your own feature film considered by streaming platforms.