In today’s climate, independent filmmakers and producers are expected to make their movies on lower and lower budgets. This is hard enough for a simple or grounded drama, but what if your film includes supernatural elements or other aspects that require effects? How can you keep the budget low while still including the monsters, explosions, illusions, and other that can only be made possible special and visual effects? As it turns out, it’s more possible than you might think, especially with the right preparation.

Whether you need to work with practical special effects or include visual effects in post, the key is always careful planning ahead of time. There are many pitfalls that producers and filmmakers can run into when working with effects, including going over budget and not getting the result your film needs, but these can always be overcome with the appropriate preparation, research and understanding ahead of time. So how exactly do experienced indie producers prep for effects? What can be done in early pre-production and throughout? And how can you make sure that, even on a low budget, your effects are, well, effective? Let’s explore.

Micah Gallo is an award-winning writer, director, cinematographer, producer and post-production expert who has been making films for over ten years and has worked on effects and post-production for over 40 feature films. A filmmaker from an early age, Micah’s fascination with visual composition and technology inspired him to cofound the award winning post-production facility Lit Post where he built the company up and collaborated with other top artists to design new cutting-edge effects previously unavailable for independent films. As a filmmaker, Micah has earned several Best Director and Best Cinematography awards as well as the Emerging Cinematography award for Achievement in Cinematography from the International Cinematographers Guild. Micah most recently served as writer, director, producer and post production supervisor on the celebrated cult creature feature ITSY BITSY, starring Bruce Davison (X-MEN) and Denise Crosby (STAR TREK: THE NEXT GENERATION). Micah’s excited to bring his experience both as a writer/director and as a post-production expert to the Stage 32 community.

Using his experience both as a filmmaker and an effects guru, Micah will walk you through the steps you need to take as an independent filmmaker to include visual effects and special effects into your film at any budget. He’ll go through the process of analyzing your script with an eye for effects, how to research and get bids from vendors, and incorporating effects into both your shot lists and storyboards. Micah will also give you tips on how to handle the critical lighting and video testing phase of effects and how you can work with your DP, AD, and production designer to ensure everyone’s on the same page. Micah will also lay out how to handle effects while on set and how you should be shooting for VFX. He will also teach you how to navigate effects shots in post-production.

Throughout, Micah will be providing specific examples from his own award-winning film ITSY BITSY, which heavily used both special effects and VFX, and using this as a case study you can take back to your own project.

• The Need for Effects
  • What’s the difference between visual effects and special effects, and when do you need each?
• The First Steps in Planning for Effects
  • Reworking your script
  • How to do an effective effects breakdown
  • The storyboarding process
  • How many effects shots are you looking at?
• Bringing in Outside Help
  • Can you handle the effects on your own or do you need help?
  • How to find effects vendors
  • Which are the right fit for your project?
  • Red flags to look out for
  • Approaching vendors and getting bids
  • What makes a good contract with a vendor?
• Using Pre-production to Prep for Your Effects
  • Creating a not-to-exceed budget
  • The critical testing phase,
    • Video tests
    • Lighting tests
  • Schedule of creation of elements
  • Working with your DP, AD and production designer
  • Making your shooting schedule
• Implementing Special Effects On Set
  • Stage is preferable, have control of environment
  • Safety to humans
  • Practice Makes Perfect
  • Clarity to Cast and Crew
• Shooting for VFX
  • Building your VFX plan
  • Data you need to capture for VFX additions
  • Clean Plates
  • 360 lighting view
  • Green or blue screen elements
• Effects in Post Production
  • Handling missing shots
  • Shot labeling system for VFX
  • The critical VFX tracking excel document
  • Exporting from Editing System and Importing Drafts
  • Management
• Q&A with Micah

All levels of directors (advanced, intermediate and beginner) looking to learn how to analyze your script with an eye for effects, how to research and get bids from vendors, and incorporating effects into both your shot lists and storyboards.

All levels of writers (advanced, intermediate and beginner) looking to learn how to analyze your script with an eye for effects, how to research and get bids from vendors, and incorporating effects into both your shot lists and storyboards.

Producers looking to learn how to analyze your script with an eye for effects, how to research and get bids from vendors, and incorporating effects into both your shot lists and storyboards.

Actors looking to learn how to analyze your script with an eye for effects, how to research and get bids from vendors, and incorporating effects into both your shot lists and storyboards.