

Summary
Learn about all aspects of sound for film and TV from an award-winning composer, sound designer, dubbing mixer and film producer!
Because it is a visual medium, it is often easy to overlook how important sound is for film and TV. The shot could be perfect, but your audience will immediately be pulled out of it without superior sound. Since the end of the silent film era and the rise of synchronized dialogue, the significance of sound in film has only grown. Producers, Directors, and Editors need to know how to navigate the complexities of audio post-production. Mastering this crucial aspect can mean the difference between a film that merely exists and one that resonates profoundly with its audience.
As a filmmaker, you may find yourself facing unexpected challenges in audio post-production, either because you underestimated its importance or were unaware of the necessary steps. Common missteps include poor location sound recording, relying too heavily on the myth that "we’ll fix it in post," and mismanaging the collaboration between location sound and post-production teams. This webinar aims to address these pitfalls by providing a clear roadmap for the audio post-production process, emphasizing the importance of good location sound, and offering strategies to avoid costly mistakes and delays.
The webinar will be led by Sefie Carmel, an award-winning composer, sound designer, dubbing mixer and film producer. He has been creating soundtracks for films, TV, commercials and games for over 3 decades. Sefie’s diverse credits range from work on A-list Hollywood feature films with the likes of Ridley Scott, John Woo, Chris Columbus, Cameron Macintosh, and Kevin Reynolds; to mixing, remixing and mastering tracks for David Bowie, Phil Collins, Bruno Mars, Michael Bublé, Massive Attack, BB King and many more. He has a deep understanding of the audio landscape, from capturing pristine location sound to the intricacies of post-production processes. Sefi brings practical insights and expert advice to help filmmakers understand and navigate the audio post-production journey.
In this exclusive online webinar, you will learn how to prepare audio during production, including planning the soundtrack, ensuring good location sound, and selecting the right team. You will debunk common myths like "we’ll fix it in post" and understand the critical role of your location sound team in saving time and money. You will also dive into the specifics of post-audio, covering budgeting, dialogue editing, ADR, sound design, Foley, and final mixing. By the end of the class, you will have a thorough understanding of the audio post-production workflow, setting you up to deliver high-quality sound for your film.
What You'll Learn
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How to Prepare Audio During Production
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Planning the soundtrack for your film, based on genre, script and budget
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The importance of good location sound and how to get it
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Choosing your location sound team
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“We’ll Fix It In Post” - debunking common myths
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How your location sound team can save you a lot of money and headaches in post.
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ADR - a double-edged sword?
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Hiring the Right Team
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Getting your location sound team and your post-production team on the same page
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Choosing a Sound Designer
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Choosing a composer/music for your film
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Getting Into Post Audio
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Budgeting audio post
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Understanding the audio post process
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Dialogue editing
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ADR
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Sound design
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Track lay
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Foley
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Pre-mixing
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Final mixing
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Print mastering
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Various sound formats
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- Delivering Audio for Distribution
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Understanding the sound components and deliverables
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Delivery Process- How it works
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“The Tip Ex Effect”
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- Q&A with Sefi
Who Should Attend
Filmmakers of all levels who want to learn how to create better-quality sound in their films
Producers of all levels who want to better understand how to better budget for quality sound
Executive

Sefi Carmel is an award winning London based composer, sound designer, dubbing mixer and film producer. He has been creating soundtracks for films, TV, commercials and games for over 3 decades.
His diverse credits range from work on A list Hollywood feature films with the likes of Ridley Scott, John Woo, Chris Columbus, Cameron Macintosh, and Kevin Reynolds; to mixing, remixing and mastering tracks for David Bowie, Phil Collins, Bruno Mars, Michael Bublé, Massive Attack, BB king and many more.
He has enjoyed success creating scores and soundtracks for Netflix, Amazon, Disney, UIP, Buena Vista,, Scott Free, BBC, MTV, ITV, National Geographic, Discovery, Sky, Five, Channel 4, and many more.
His soundtracks are an exciting hybrid of epic, cinematic orchestral and cutting edge electronic music, using superb live musicians coupled with larger than life sound design, mixed in earth shattering Dolby Atmos to create that immersive cinema experience.
IMDb credits:
https://m.imdb.com/name/nm1205887/
Website:
www.soundtrack-creation.com