Congratulations – you’ve finished your first draft! But now comes the real work. The old adage goes that ‘writing is rewriting’ and that is absolutely true in film and television. A big part of screenwriting is learning how to receive feedback and how to implement it. Most professional writers go through numerous drafts and rounds of feedback before taking their scripts to the market. Just think about the first time you tried anything new – a new instrument, a new workout program, or a new screenplay. Unless you’re a natural, your first attempt isn’t usually your best. It’s the practice – or in this case, the rewriting – that helps you get better and will allow you to create something truly special.

Too many aspiring writers think the hard work is over after the first draft. A first draft is a milestone accomplishment, but ultimately just one rung up the bigger ladder. But rewriting and polishing is not always an intuitive process – it’s hard to determine what to change or how much to change it. A big part of rewriting or polishing is learning how to listen to others, and realizing that even a solo screenplay can become a collaborative process.

Steve Desmond is a WGA screenwriter whose screenplays have been voted onto the prestigious industry Black List four times in the past five years, including in 2020 with his latest script, The Saturday Night Ghost Club. He sold his sci-fi adventure screenplay, Harry’s All-Night Hamburgers, to Warner Bros in a bidding war, with an Oscar nominated producer attached. FilmNation (Arrival, The King’s Speech) hired him to adapt the Stoker-award-winning horror novel The Cabin at the End of the World. He’s also been hired to work on projects for Legendary Pictures, Sony, Blumhouse, Mandalay, and IM Global, amongst others. His short film, Monsters, that he wrote and directed, has amassed over two million views online and screened in over 100 film festivals worldwide, winning 45 awards. Steve has found his voice as a sought-after screenwriter by mastering the art of the rewrite and his excited to share what he knows with the Stage 32 community.

Exclusively for Stage 32, Steve will give an in-depth and practical deep dive of the art of rewriting and polishing that you can take back to your own screenplay or pilot. Steve will share how best to utilize feedback and explain the difference between a rewrite and a polish. He will go through the psychological components of rewriting and show you how to make an effective plan to go through the rewrite process, and then how best to execute it. Next Steve will talk about how to actually trim your script by focusing on scenes and characters and how to work with producers and executives, including how to receive notes and maintain communication. He will then give you tools you can use to determine when you’re actually done. Expect to walk away with a slew of tools and ideas you can use to rewrite your own project and make it the best it can be.

Praise for Steve's Previous Stage 32 Webinars:

"This was fantastic. Steve offered so much insight, dozens of little nuggets that rang true or gave me pause to think of something I'd never considered before."
-Ed K."Perfectly laid out, clear and concise material taught by a genial host!"
-George P.
"Steve was fantastic. His examples and insights were on point. Thanks!"
-Adam H.
"I made 3 pages of notes; good pertinent topics with simple fundamental answers presented. Very helpful, worth the time and fee."
-Thomas W.

• Utilizing Feedback
• Finding your five trusted readers
• Preparing questions for your readers
• The art of listening and ruminating
• How to keep busy while you wait for feedback
• Is this a Rewrite or a Polish?
• Compiling a notes doc
• Deciding which projects are worth rewriting
• The Psychological Components of Rewriting
• How to separate the project from the person
• Passionate but not precious
• Redoing Your Homework
• Finding your theme
• Redoing your research
• Making a Plan
• Making a goals doc
• The benefits of outlining
• Allowing your story to take over
• Executing Your Plan
• Doing the little things first
• Using your first act as a test run
• How to Trim
• What is the purpose of each scene?
• What is the purpose of each character?
• Thinking like an editor
• Killing your darlings
• How to Work with Producers and Executives
• Receiving notes
• Maintaining communication
• How to Know When You’re Done
• How many rounds of feedback should you do?
• Staying out of the 95-100% zone
• Case Studies
• PRETTY WOMAN
• E.T.
• FATAL ATTRACTION
• STAR WARS: A NEW HOPE
• Q&A with Steve

All levels of directors (advanced, intermediate and beginner) looking to take a deep dive of the art of rewriting and polishing that you can take back to your own screenplay or pilot.

All levels of writers (advanced, intermediate and beginner) looking to take a deep dive of the art of rewriting and polishing that you can take back to your own screenplay or pilot.

Producers looking to take a deep dive of the art of rewriting and polishing that you can take back to your own screenplay or pilot.

Actors looking to take a deep dive of the art of rewriting and polishing that you can take back to your own screenplay or pilot.