Having a known or in-demand actor in your independent film can make all the difference in whether it succeeds or not. A name actor gives your film a sense of legitimacy, which attracts new investors and more interested distributors. It also gives your film more opportunities for press and buzz, and will convince more people to watch it once it is released. That famous actor is very likely what you need to clinch your film, actually get it made, and have it ultimately find an audience and a home. But there’s a big, glaring problem with this truth: You need a name actor to get funding, but you need that funding in order to get the name actor. It ends up being a vicious circle, a catch-22 that can come across as frustratingly insurmountable, a barrier for entry that no independent filmmaker can get beyond.

Let’s not mince words. Landing high level talent for your film is HARD, especially if your funding hinges on that actor saying yes. But at the same time, this isn’t the unsolvable puzzle it may at first seem. It comes down to finding the right investors and giving them what they need to say yes. This means pulling out all of the stops, preparing correctly, and doing the hard work. You’ll never be the only filmmaker going after top level talent, but you might be one of the few who’s able to do it the right way. First, it’s vital to understand what the “right way” actually is and what you need to know to do this right. Acquiring a talent is always going to be a hustle, but knowing what it takes and how to navigate this world can give you a serious edge.

Independent feature film producer Franco Sama has produced an impressive array of over twenty independent feature films including cult favorite GUNS, GIRLS AND GAMBLING starring Gary Oldman, Christian Slater and Dane Cook, which was released theatrically acquired by Universal Pictures. Other films Franco has produced include; BLACK LIMOUSINE starring David Arquette, Vivica A. Fox and Bijou Phillips, TOOTH AND NAIL starring Michael Madsen and Vinnie Jones, THE PENITENT MAN, starring Lance Henriksen and Andrew Keegan and PAID, starring Corbin Bernsen and Tom Conti. Franco’s company Samaco Films continues to fund and develop independent films from burgeoning filmmakers. After nearly two decades of experience in film finance, distribution and packaging, Franco has come to understand how to crack the code and attract top level talent to independent films. He’s ready to share what he’s learned exclusively with the Stage 32 community.

Franco will go in-depth on how exactly an independent filmmaker can find both cast and funding for their project. He will begin by explaining what budget range you should be aiming for to allow you to acquire the talent you’re looking for. He’ll then teach you the steps you must take before reaching out to either talent or investors. He will explain how to tap into an investor’s mindset and use it to your advantage, including why it might be easier for you to raise $5 million than $500,000, and how you should frame your project as an opportunity for investors. He’ll explain what development funding is, how it works, and why it’s now necessary in today’s landscape. Next, he will delve into how you should be building a strong team for your project before you start approaching talent. He’ll lay out the seven critical people you will need to bring on from the beginning, why you need an executive producer, how to choose the “right” director and casting director, and whether you can attract major talent as a first time director. Franco will explain the importance of acquiring international sales estimates and will lay out what your presentation deck to investors should look like to find funding and gain the cast you’re looking for. He will also talk about how pre-sales work and how many you need to be seen as successful. He’ll then start talking about the actual casting process, including how to create a realistic actor’s wish list, deciding between “A-List” and “B-List” actors and whether or not they pass Franco’s “Parentheses Test”. He’ll explain casting with an eye towards sales and then explain the difference between letters of intent, letters of commitment, and phone verification when going after talent. He’ll also break down contingency investments and how to know when to employ deferment and back-end offers with actors. Franco will explain how to make legitimate offers to actors and agents and how to ensure they’re never empty offers. He’ll go into how “pay or play” works in this world and why going out too early to actors can destroy your casting choices. Finally Franco will explain how you can use tax incentives to help with casting. Expect to leave with a thorough and comprehensive understanding of the steps you need to take to bring on your dream actor.

Praise for Franco's Stage 32 Webinar:

"One word - Invaluable."

- Larry S.

“Head & shoulders above the usual webinars on film distribution and finance. Franco actually knows his stuff and has a track record to back it up. Really good presentation.” – Scott B.

This was incredibly illuminating and really entertaining at the same time. I'm so glad I watched this"

-Glenda T.

Wow. I cannot believe how much I learned from this webinar. Franco is the best.

-Terrence R.

• What Budget Range Will Allow You to Acquire the Talent you’re Looking For?
• The Steps You Must Take BEFORE Reaching out to Either Talent or Investors
• How to Tap into an Investor’s Mindset
  • Why it’s easier to raise $5 million than $500,000
  • How to frame your project as an opportunity
• Development Funding: How It Works and Why it’s Now Necessary
• Building a Strong Team for Your Project Before Approaching Talent
  • The 7 critical people you will need from the beginning
  • Why you need an executive producer and how to find one
  • Choosing the “right” director
  • Choosing the “right” casting director
  • Can You Attract Major Talent as a First Time Director?
• The Critical Importance of Acquiring “Must Have” International Sales Estimates
• What Your Investor’s Presentation Deck Should Contain and Look Like
• The Importance of Pre-Sales and How to Navigate Them
• How to Create a “Realistic” Actors’ Wish List
  • A-list actors vs. B-List actors
  • Franco’s “Parentheses Test”
• Casting with an Eye Towards Sales
• Letters of Intent vs. Letters of Commitment vs. Phone Verification
• Understanding “Contingency Investments”
• Knowing how and when to employ Deferment and Back-end offers
• Making Legitimate, Not Empty, Offers To Actors And Agents
• How “Pay or Play” Works
• Why Going Out Too Early To Actors Can Destroy Your Casting Choices
• Taking Advantage of Tax Incentives to Help with Casting
• Q&A with Franco

All levels of screenwriters (advanced, intermediate and beginner) looking to learn how exactly an independent filmmaker can find both cast and funding for their project.

All levels of directors (advanced, intermediate and beginner) looking to learn how exactly an independent filmmaker can find both cast and funding for their project.

Producers (advanced, intermediate and beginner) who want to learn how exactly an independent filmmaker can find both cast and funding for their project.

Actors who want to learn how exactly an independent filmmaker can find both cast and funding for their project.