Think about the classic images of a director—sitting in a canvas chair, making a frame with your fingers and thumbs, yelling ‘action’ or ‘cut’. None of those things could even come up when you’re directing for animation, though. Honesty, the job of an animation television director doesn’t even exist within the public lexicon. If you’re not already directly within the television animation industry, you might not even have a basic sense of what goes into this line of work. Yet the role of an animation director is very real and getting to this level on an animated television show can be rewarding and lucrative.

Top animated shows like THE SIMPSONS, BOB’S BURGERS, BOJACK HORSEMAN, PEPPA PIG and RICK AND MORTY succeed because of the top directing talent at the helm. If you’re a writer, an artist, an illustrator, a storyboard artist, a director or just passionate about animated television, there is a path forward to get into this landscape and work towards directing episodes of your dream animated show. But it might help to have a blueprint to get there, understand how the world of animated TV works, how people become directors within this world, and what directors actually do. Veteran director Mike Disa is here to offer you this very opportunity.

Mike Disa is the director of the hit Netflix series PARADISE PD and has been in the animation industry for over twenty-five years. Mike found success working with studios such as Dreamworks, Disney, Warner Bros., Paramount, and many others. Over a fascinating career, Mike has worked with some of the greatest and most infamous people in Hollywood including Steven Spielberg, Eric Goldberg, Ralph Bakshi, Glenn Close, Steve Oedekerk, David Tennant, Amy Poehler, Adam Sandler, Jeffery Katzenberg and Roy Disney. Mike Disa has extensive knowledge of countless facets of animated TV and film.

Mike will give you the nuts and bolts on the overall landscape and the details of what it takes to direct for animated TV. Mike will begin by discussing what it actually is that a TV animation director does and how it differs from other types of directing. He’ll go over the relationship between storyboarding and directing and one can, but doesn’t necessarily, lead to the other. He’ll discuss the how to be successful, valuable, and noticed while working on animated TV and how that will differ at an indie company compared to a larger studio. Mike will then walk you through the different types of animated TV, including children’s scripted, prime time scripted, anime, and premise-driven unscripted, and how the role and expectations of the director differ from one category to another. Next, Mike will delve into the general TV animation pipeline, the 9 steps you should expect from script to finished product. Mike will discuss the dangers of getting typecast within the animation world and how to navigate this tricky area. He will then walk you through 13 necessary skills you will need to learn and display in order to become a director and what skills might not be as important as you think. Mike will prepare you for the biggest challenges of this line of work and go through 5 common mistakes directors make. He’ll then discuss what sort of pathway there is to creating your own animated show and the way to make a lot of money in this line of work. He’ll finally give some practical advice on how to better succeed within the world of animation, including the benefits of getting an agent and the possibility of switching to live action down the line.

Praise for Mike's Webinar:

"Mike is clear, insightful and conveys ideas and concepts very well. It was an excellent webinar!"

-Jon P.

"Mike Disa was amazingly generous with his time and information. And he was real. It doesn't get better than that. I'll be able to apply his insights and the information he shared immediately. I'm so glad I decided to participate."

- Elizabeth A.

"The webinar was excellent and very well paced. I truly appreciated the honesty and straightforwardness of the presenter. I learned a lot and look forward to the next one."

- Jerry M.

"Great information, Mike did an awesome job and I will look forward to his next webinar."

- Diane M.

• Definition of a TV Animation Director and How it Differs from Other Types of Directing
• The Relationship between Directing and Storyboarding
• 13 Necessary Skills You Will Need As an Animated TV Director
  • And unnecessary skills you don’t need to worry about aka. “Nobody Cares If You Can Do That”
• Pathway to Becoming a TV Director
• Types of Animated Shows & How Different a Director’s Role is On Each
  • Pre-School
  • Educational
  • Prime Time
  • Children’s Action
  • Children’s Comedy
  • Anime
  • Premise Driven Unscripted
• Navigating the Pitfalls of Being Typecast within Animated TV
  • Action vs. Comedy
  • Children’s vs. Prime Time
  • Preschool vs. 6 to 13
  • “Girlie” shows
• The Difference Between Big Studio And Small Studio Directing
• Style vs. Workmanship
• Biggest Challenges of Directing for Animated TV
• 5 Most Common Mistakes of an Animated TV Director
• How to Make Actually Make a Living in this Field
• The Shelf Life of a TV Director
• Why You Should NOT Become a TV Director
• Is There a Pathway to Creating Your Own Show?
• Do You Need an Agent?
• Is it Too Late to Get Into Live Action?
• Q&A with Mike

All levels of screenwriters (advanced, intermediate and beginner) looking to delve into animated TV projects.

All levels of screenwriters (advanced, intermediate and beginner) looking to delve into animated TV projects.

Producers (advanced, intermediate and beginner) looking to delve into animated TV projects.

Producers (advanced, intermediate and beginner) who want to delve into animated TV projects.

Actors who want to delve into animated TV projects.

"Mike Disa was amazingly generous with his time and information. And he was real. It doesn't get better than that. I'll be able to apply his insights and the information he shared immediately. I'm so glad I decided to participate." - Elizabeth A.

"The webinar was excellent and very well paced. I truly appreciated the honesty and straightforwardness of the presenter. I learned a lot and look forward to the next one." - Jerry M.

"Great information, Mike did an awesome job and I will look forward to his next webinar." - Diane M.

"Really appreciated Mike's enthusiasm!" - Kate D.

"Excellent webinar. I think that I learned more than I expected to about animation writing and how it relates to working in the industry. I had a good time watching this and appreciate how kind everyone was with their time." - Kari H.

"I believe such given information was highly inspirational, utterly legit and true regarding the industry and show business. I've always wanted to learn what it takes to write an idea for an animated series, and how to put it on screen, and this webinar truly answered these vital questions. Conclusively, I would really take these tips into consideration during the writing of my ideas, and would highly recommend them to those who are ambitious to spread their stories world-wide." - Mohammed H.

"Mike was very informative. He was friendly and open very easy to listen to. I learned some valuable lessons.." - Lind J.

"The stories and ideas and descriptions were excellent. Straight talk from a true professional." - Don S.

"This was really helpful. Thank you for examples of scripts to download to read. This was very helpful." - Robin L.