Summary
About this time in a normal year, filmmakers from around the world would be locking down their plans to travel to Santa Monica and attend the internationally renowned American Film Market (AFM). One of the biggest film acquisition, development and networking events in the world, AFM has provided a forum for thousands of films to find funding and acquisition deals since its founding in 1981. Yet this year will be different. Like most events right now, AFM has made the shift to virtual, and with that comes new rules, new expectations, and a new landscape. If you’re hoping to attend the AFM this year and leave with a deal in hand, it’s important you understand what the market will look like and how you can adjust your strategy to find success.
With the AFM moving virtual, it will be even more competitive and challenging to access sales agents, buyers, and potential international partners. You will need to know who the players are and how to get their attention - all while working on different time zones and communicating virtually. Trying to understand this new way of doing business adds another layer of complexity as you navigate your market strategy, but don't worry. This new form of market is intended to be fruitful for all - and, most importantly, fun!
Alexia Melocchi is a partner at Little Studio Films, and for over two decades has produced and sold award winning movies that have earned nearly $1 Billion dollars in box office returns worldwide. Her clients have bought and partially financed films such as LA LA LAND, PEPPERMINT, THE BOY, TWILIGHT, TEEN SPIRIT and THE BANKER. Amongst her personal producing credits are the DURAN DURAN documentary directed by David Lynch, SERVICE TO MAN released through Entertainment Studios, and SOL DE MEDIANOCHE released on HBO. Alexia is also the host of THE HEART OF SHOW BUSINESS podcast, where she discusses the behind-the-scenes of how Hollywood truly works. Alexia has built much of her success on attending major film markets and intimately knows what it takes to stand out and get the deals you’re after in these forums, whether virtual or otherwise.
Alexia will guide you through how to work this virtual edition of the American Film Market to get the meetings you’re after and find success for your project. She will begin by outlining the cultural differences that you can expect at this year’s AFM and the global market shifts that are taking place. Then she’ll delve into AFM as a whole and what their new virtual format is going to look like this year, including their Industry Offices, LocationEXPO, On Demand Theatre, Conference, Networking Pavilion, and Advisor Network. She’ll provide you with a rundown of the specific sales agents, distributors, and producers attending AFM this year that you should know. Alexia will then teach you how to handle the virtual obstacles taking place at the market this year, including the online meeting landscape how to work Zoom like a professional, and how to handle time zones. She’ll give you tips on how best to prepare for AFM, how to make appointments ahead of time and select your target list, how to access your targets, and how to use database platforms to hone your plan, including AFM Connect, Cinando, IMDBPro, and Variety Insight. Next Alexia will explain how you should approach buyers. She’ll walk you through the perfect approach for buyers and how to get your message across in a limited time frame to the right person. She’ll also show you what you really need to have ready before AFM begins and other relationship building tips to keep in mind beyond AFM. Finally, Alexia will expand to show you current trends overseas. She’ll talk about production challenges and updates in a COVID-19 era and why you should be planning ahead for the good times. The path to success continues to alter, and the push to virtual is challenging for everyone, but with the lessons and tips that Alexia will provide, you will leave with a solid understanding of how to roll with the punches and find the opportunities you’re after.
Praise for Alexia's Stage 32 Webinar:
"Really great. Actually useful, practical advice. Wasn't full of bullshit platitudes, Alexia shot straight with us, but was also positive and encouraging. All in all, really appreciated the way she gave an overview of AFM and how to best take advantage of it."
-Max W.
"Alexia did a fantastic job of making it all relatable and cutting through the noise."
-Clint G.
"I really did gain some needed information on how to address this film market online"
-Craig H.
"Alexia is clearing very experienced & she is so gracious in sharing her wisdom with all of us. I'm truly grateful that you all put on this webinar!"
-Becca G.
What You'll Learn
- Cultural Differences and Market Shifts
- Overview of the American Film Market (AFM) and the new Virtual Format
- Industry Offices
- LocationEXPO
- On Demand Theatre
- Conference, Panels, Workshops, Conversations and Presentations
- Networking Pavilion
- Advisor Network
- Who’s Attending the AFM and Who Should You Know?
- Sales agents
- Distributors
- Producers
- Handling the Virtual Obstacles
- Online meeting landscape
- How to work Zoom like a professional
- How to handle time zones
- Preparing for the AFM
- How to make appointments and select your target list
- How do you access your targets?
- Database platform overview
- AFM Connect
- Cinando
- IMDBPro
- Variety Insight
- How Do You Approach Buyers?
- The perfect approach for buyers
- How to get your message across in a limited time frame to the right person
- What do you really need to have to be ready for the AFM
- Relationship building tips beyond AFM
- Current Trends Overseas
- Information is power
- Production challenges and updates in a COVID-19 era
- Planning ahead for the good times
- Q&A with Alexia
Who Should Attend
All levels of directors (advanced, intermediate and beginner) looking to learn how to work this virtual edition of the American Film Market to get the meetings you’re after and find success for your project.
All levels of writers (advanced, intermediate and beginner) looking to learn how to work this virtual edition of the American Film Market to get the meetings you’re after and find success for your project.
Producers looking to learn how to work this virtual edition of the American Film Market to get the meetings you’re after and find success for your project.
Actors looking to learn how to work this virtual edition of the American Film Market to get the meetings you’re after and find success for your project.
Executive
Alexia Melocchi has had recent distribution deals with clients like Lionsgate, STX, Lakeshore, TF1, The Asylum, Mister Smith, and projects such as ANNA, PEPPERMINT, THE BOY 2, and SHAUN THE SHEEP. Alexia has placed over 100 titles in the last 5 years.
Alexia Melocchi is a partner in Little Studio Films and for over two decades has produced and sold award-winning movies, documentaries, and shorts, often partnering with emerging filmmakers she has personally discovered and mentored.
Her latest films by Little Film Studios are THE PANTANI AFFAIR which is with Amazon Studios Europe, A SOUL JOURNEY (Palm Springs International Film Festival and winner of URBANWORLD), and the upcoming mini-series THE MONKEY CLUB with Oscar-winner writer/producer Ron Bass.
Little Film Studios also partially financed RIDE ABOVE directed by Christian Duguay, THE DESPERATE HOUR starring Naomi Watts, and WRONG TURN.
In June 2020, Alexia signed a representation and development agreement with writer Seoras Wallace after connecting through Stage 32. Alexia says, "I would have never found him had it not been for Stage 32." Read the full story here.
On behalf of her international distributor clients, Alexia has acquired film and television shows from all over the world for release in the Middle East, Italy, Greece, Spain, Canada, South America and Australia.
Her clients have bought and partially financed films such as LA LA LAND, PEPPERMINT, THE BOY, TWILIGHT, TEEN SPIRIT AND THE BANKER. She is the host of THE HEART OF SHOW BUSINESS podcast. He company Little Studio Films acted as the sales representative for a DURAN DURAN documentary which sold in every major international territory and received a theatrical release, SERVICE TO MAN released through Entertainment Studios co-produced with Joel Zwick, and SOL DE MEDIANOCHE released on HBO.
Alexia is fluent in five languages (Italian, Greek, French, Spanish and English), a personal asset that has allowed her to be involved in the financing and distribution of movies that have earned nearly $1 Billion dollars in box office returns worldwide. Always in the know of trends in film and television, she attends all major film festivals in the United States and internationally (CANNES, NATPE, BERLIN, VENICE, TORONTO, AFM, MIPTV) and has been frequently invited as an expert panelist on the Film Business at high profile film and television conventions.
Credits
