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How to Write a TV Series Bible
How to Write a TV Series Bible
Taught by Michael Poisson
On Demand
$49.00
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Summary

In the competitive TV and streaming landscape of serialized dramas, complex comedies, and sprawling genre epics, series bibles have become essential selling tools to help writers illustrate their visions. A dynamic and intriguing bible can create interest in your project, and push your pitch or spec script over the edge to a sale. It’s your chance to lay out the larger arc of your story, list examples of future episodes, and explain the broad themes your show will explore. It conveys confidence to producers and executives by saying: “I've thought about this in the long run, and I have a slew of awesome ideas to explore in series.”

Because there is no standard industry way to format your bible, they can be extremely confusing to create. Executives receive bibles as small as 4 pages (a mini-bible, really) and as long as 27 pages. Should it include your personal connection to the material? In-depth character bios? Visual motifs? Artist’s renderings of the setting and characters? Although bibles can vary greatly from project to project, there are some general rules and strategies to follow to make sure yours stands out from the pack as professional, polished, and powerful.

Michael Poisson's career is one that has been filled with incredible ambitious drive and creative passion. He is a veteran television executive and is currently a writer on HBO Max's Tom Swift and previously wrote on the hit Netflix series Raising Dion, as well as Adult Swim's Robot Chicken. But Michael’s story begins with his first industry job at CAA where he broke the glass ceiling for men everywhere and became their first ever male receptionist (before then, CAA had segregated based on sex: guys in the mailroom and girls in reception). From there he worked his way up to Rick Lefitz’s desk at CAA in TV Packaging, before jumping to Ryan Reynolds and Allan Loeb’s TV pod, DarkFire TV, for two years. He moved on to work as the Director of Development at Krysten Ritter’s company, Silent Machine Entertainment, where he worked closely with writers to develop their ideas to pitch to studios and networks. Michael has also had numerous successes as a screenwriter.

In what has become an ultra-competitive environment, Michael will teach you the ins and outs of creating a compelling and willing TV bible. Starting with the proper formatting, how to introduce dynamic characters, and moving through how to include active and engaging episode examples, Michael will show you what grabs and keeps an executive's attention. Michael will also discuss artwork, articles and visual aids and whether your bible truly needs them or if they should be left out entirely. He will show you how to create and present carefully crafted, season long arcs that include strong and relatable themes. Always a challenge for writers, producers, and filmmakers putting together a series bible, Michael will teach you how to be clear and concise in explaining your direction for the series. He will spend quality time explaining and teaching the importance of a strong wrap up and closing beat and how to nail both. Michael will even teach you how to identify and decide which network or platform may be best for your show.


PRAISE FOR MICHAEL'S TEACHINGS:

"Answered so many of my questions about bible writing. Took away my fears as well! I can't wait to get started." -- Mia L.

"Demystification complete." -- Lorraine R.

"Michael has energy and knowledge to spare. Best investment I've made in years." -- Regina K.

"Some really great organizational/structural ideas for a bible." -- Rebecca S

 

What You'll Learn

  • What is a Series Bible?
    • 4 Things Your Series Bible Should Accomplish
  • Bible Basics
    • 5 Simple Steps, Including the Perfect Length
  • Logline
    • How to Sell Your Show in 1-2 Sentences
    • Examples of Loglines
    • 4 Elements of Your Logline to Include
    • Exercises to Help You Craft Your Logline
  • Theme
    • What Questions You Need to Ask Yourself When Writing About Theme
    • How to Know if You Have a Strong Enough or Relatable Enough Theme
  • World Of Your Show
    • How to Make a Unique & Interesting World
    • 4 Exercises to Work with When Writing Your World
  • Characters
    • 5 Elements to Consider When Writing Your Characters in Your Bible
    • Who Do You Include and Why?
    • How Much Detail Should You Go Into?
  • Presenting Your Story
    • Choosing the Best Option, How to Write it and Pros and Cons of Each
    • Option 1: Entire Season, Episode by Episode
    • Option 2: Season Arcs & Episode Examples
    • Option 3: Character Arcs & Episode Examples
  • Episode Examples
    • 3 Ways You Can Present Your Episodes and How to Write Them
  • Future Season Arcs
    • How Many Seasons Should You Include?
    • How to Write Future Season Arcs in Your Bible
  • Tone and References
    • How to Be Clear on the Tone of Your Show
    • What References Matter?
  • Personal Connection
    • Identifying What It is About the Material that Relates To You
  • Format of the Bible
    • What Are Extra Things You Can Include to Make Your Bible Stand Out?
  • Deciding Where Your Home Should Live
  • Q&A with Michael

Who Should Attend

  • All writers of television
  • Feature writers looking to transition into TV
  • Writers who have been challenged by TV writing
  • Writers looking to give themselves a competitive edge when pitching their projects
  • Writers looking for representation
  • Filmmakers with a show idea to pitch
  • Producers with a show ideal to pitch or who better want to understand what to look for in a bible
  • Aspiring Showrunners
  • Development Executives
  • Any other creative looking to control their content and move into television writing, filming or producing

Executive

Michael Poisson
Michael Poisson
at Producer, Executive Story Editor & Emmy-nominated writer

Michael grew up in Harrisville, Rhode Island during the 1990’s NBC sitcom boom and WB teen dramedy craze, which should explain his obsession with comedic angst. He attended Emerson College in Boston where he majored in Visual and Media Arts with a concentration in Television.

Michael’s first industry job was at CAA where he broke the glass ceiling for men everywhere and became their first male receptionist ever (before then, CAA had segregated based on sex: guys in the mailroom and girls in reception). From there he worked his way up to a desk in TV Packaging, before jumping to Ryan Reynolds and Allan Loeb’s TV pod, DarkFire TV. He currently works as the Director of Development at Krysten Ritter’s company, Silent Machine Entertainment, where he works closely with writers to develop their ideas to pitch to studios and networks.

On the writing side, Michael co-wrote the comedic-musical stage show: ARMAGEDDON: A Night of Laughs and Pleasant Songs, which enjoyed a sold-out run in the LA Fringe Festival in 2011. He has placed in numerous writing competitions including: Top 5 Sitcom Pilots in the Austin Film Festival writing competition, and 1st Place in TVWriter.com’s comedy pilot competition. Michael is also a comic book geek and wrote the graphic novel The Arcs which was published by Fanboy Comics and premiered at the Comikaze Expo in November of 2013. http://www.thearcscomic.com/

Testimonials

"Some really great organizational/structural ideas for a bible." - Rebecca S

Credits

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