Ask any executive where most screenplays go wrong, and they'll tell you it's in the second act. That's because many screenwriters type FADE IN knowing their opening (Act I) and closing (Act III) inside out, but haven't thought through how to bridge the gap (Act II). Struggling to nail the second act is more common than you might think. After all, how many times have you watched a film and thought that it dragged in the middle?

Most writers will agree that the second act is the hardest to nail and usually starts out feeling way too short or way too long. But it’s for this reason that the second act is where you should be spending a lot of your time to ensuring you’re getting it right.

Introducing a great concept and fantastic, deeply drawn characters is, of course, a staple of Act I, but the second act is where the heart of the narrative happens and where momentum must be found. Your second act must propel you through to the climactic third act. But this is easier said than done. Writing an effective second act requires many drafts, a solid plan or outline, and some tips and tricks to help get you there. Yet this process is crucial. If your second act stalls, anyone reading your material will likely quit right there and then. But if you can make your second act strong, by this fact alone, your script will be head and shoulders above most scripts that are coming down the pipeline and better your chances of your script getting discovered or even produced.

We're going to help you make your second act sing.

ABOUT YOUR STAGE 32 EDUCATOR

Jason Mirch is a feature film, television, branded entertainment, and digital content producer and executive with over 15 years in the industry. Most recently, he produced a 3D animated feature film starring Jacob Tremblay, Christopher Lloyd, Mel Brooks, Kenan Thompson, and Carol Kane. Mirch was the Head of feature and television development at Image Nation, a finance and production company based in Abu Dhabi, UAE. There, he supervised the Image Nation contributions in the development of FLIGHT, THE HELP, THE BEST EXOTIC MARIGOLD HOTEL, CONTAGION and more. Prior to his work at Image Nation, Mirch was Co-Head of Development at Zadan/Meron Productions (CHICAGO, FOOTLOOSE, THE BUCKET LIST) where he was actively involved in developing a slate of feature film projects for New Line, Paramount, Summit Ent., and CBS/Paramount. He also developed and sold television projects and mini-series to CBS, NBC, Fox, ABC, and Lifetime.

Jason will will give you an in depth look into how to successfully navigate the structure of your second act. He will be citing specific examples from films in several different genres as well as providing you tools to apply to your own writing.

PRAISE FOR JASON'S TEACHINGS:

"Plan on listening to it again and again!" - Peggy R.

"Jason had so much good information to share, he did it at a breakneck speed. It was hard to digest it all at once. The good news is we can revisit the webinar after the fact." - Michael G.

"Jason was great. He answered all questions and presented the information effectively!" - Barbie D.

• The Reasons Why Most Second Acts Fail
• Using Elements of a Solid Act One to Set Up Act Two
• Inciting incident
• Main tension
• Locking in your protagonist 
• Identifying the Protagonist’s Goal and Obstacles
• Using your protagonist’s flaw to keep him from reaching his goal
• How to write dialogue the serves a purpose
• Dealing with obstacles and going through change
• How Act Two Fits into the 3 Act Structure
• And why there are actually four acts, not three
• Structuring Act Two
• Constructing Act Two part 1
• Crafting the midpoint into a turning point
• Changing the game in Act Two part 2
• Attempts and Consequences
• And using it to increase tension
• How to Effectively Weave in a Meaningful Sub-Plot
• Constructing a Believable “All Is Lost” Moment
• Propelling Your Narrative into Act 3
• Main Culmination
• Q&A with Jason 

All levels of screenwriters (advanced, intermediate and beginner) looking to improve their craft.

All levels of screenwriters (advanced, intermediate and beginner) who struggle with writing "long" second acts.

All levels of screenwriters (advanced, intermediate and beginner) who have great opening and closing ideas, but have trouble bridging the gap between Act I and Act III

All levels of screenwriters (advanced, intermediate and beginner) who have difficulty with plot, subplot, or character action.

Producers who want to better understand how to read scripts and identify flaws in a script.

All levels of directors (advanced, intermediate and beginner) trying to avoid a "sluggish" second act in their film

Actors who want to take control of their careers by writing a compelling feature film script with a strong second act.

All Development Executives.

Anyone looking to become a professional script reader.

"Jason had so much good information to share, he did it at a breakneck speed. It was hard to digest it all at once. The good news is we can revisit the webinar after the fact."

- Michael G.

"Plan on listening to it again and again!"

- Peggy R.

"Jason was great. He answered all questions and presented the information effectively!"

- Barbie D.