Let's talk about that hook, though.
The opening scene is a BFD in any story. Your page one is a big part of what will sell your script. If you create a page one that grabs your reader by the throat and says "c'mere boy" then you've won a big part of the battle.
One of the things that gets praised the most and highest about my written work is my page one. So I thought I'd talk about the hook shot, that very first thing anyone looking at your script will see.
First impressions are everything, right?
A lot of newer writers I know would take that statement and blow up a building in the first scene. And yes, that will grab attention. But not every movie is DIE HARD so you might need to compel your reader without explosives in some stories.
Maybe. One day.
Know how I make a great page one? Really really?
Micro fiction for practice. And no, I'm not joking.
If you can tell an entire story that moves a reader with only 300 words, you can write any dang thing and make it compelling with surgical precision.
Micro fiction and flash fiction as practice will up your screenwriting game like nobody's business. It will teach you to distill every sentence down to its most impactful. Every line does triple and quadruple duty. the writing is no longer a dance around boxing match. It becomes a wild and chaotic flurry of fists and feet that leave your reader battered... And they'll stand up after the fight asking for another round.
Super short fiction can help you become capable of the most unbelievable hook scenes in the business.
You'll learn to live inside subtext. Make what isn't written as important as what is.
There is a con to this that you should definitely be aware of: I absolutely have to watch my pacing. My pacing can be relentless if I don't check myself. Breakneck speed is not the goal here, but it can make the writing feel a little go go go if you're not careful.
What about you guys? Any tips on writing a great hook? Any practice exercises you use to hone your skills for opening scenes?
As I recall the script for ALIEN is very short and did not describe the alien, just said things like "the alien reaches out." But I think you want to get to 90 pages for a feature. You can space out t...
Expand commentAs I recall the script for ALIEN is very short and did not describe the alien, just said things like "the alien reaches out." But I think you want to get to 90 pages for a feature. You can space out the language. Check out the script for HARD TIMES by Walter Hill. Admittedly he was directing it himself and could keep description to a minimum, and did not have to describe the hero Cheney (who was played by Charles Bronson in the excellent film), but it's a good example of minimal wording with lots of white space. I think Hill worked on ALIEN as well.
A 61-page script might be considered a feature, Srabon Ghosh. I watched a feature film the other week that was like 71 minutes without the end credits, and I've heard about other short feature films g...
Expand commentA 61-page script might be considered a feature, Srabon Ghosh. I watched a feature film the other week that was like 71 minutes without the end credits, and I've heard about other short feature films getting made.
I suggest checking with the contests to make sure they consider a 61-page script a feature.