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Script feedback is just one persons "opinion". The only opinion that matters, is a Production company with money. Send your scripts directly to a Producer, with a view to getting the film made. Skip the feedback, go straight to the source. 10 script readers my hate it, and tell you to change 50 things. 1 Producer might love it, and pay you.

The real problem is on how to approach producer directly.

Uttam Akkineni Do you mean "how" as in "what to say to him/her"? Or do you mean "How to get in contact with him/her?"

You describe yourself as a screenwriter, a script consultant, and a script coordinator, script supervisor and an author: If that's accurate, surely you are in contact with legitimate professional producers and agents or agencies on a regular basis?

Marty Howe "Script feedback is just one persons "opinion"."

It depends on the nature of the feedback.

If it's confined to subjective elements, such as story and characters, then yes, the feedback is largely opinion.

If it's related to the nuts 'n' bolts stuff of screenwriting — formatting, grammar, punctuation, spelling, etc. — then feedback can be valuable, so long as the person providing it knows what they're talking about.

You can network with producers here on Stage 32, Uttam Akkineni. www.stage32.com/blog/the-importance-of-community-and-collaboration-in-th...

You can also post your scripts on your profile. Producers search profiles on here for projects. Click the gear symbol in the top right-hand corner and select “Edit profile” in the drop-down menu. Scroll down to “Loglines” and click “Add/edit loglines” to the right of “Loglines.” You can also post your scripts on your profile this way: www.stage32.com/loglines (near the top where it says “Add a Logline”)

And you can search for producers in the Browse Members section (www.stage32.com/people) and search for jobs that producers and other members post on the Job Board (www.stage32.com/find-jobs). The Job Board gets updated regularly.

Exactly Maurice Vaughan , they can even do it because they absolutely hate the other character or otherwise don’t trust them, can be lots of things :D

A good next step after this would be to see how it plays with no dialogue at all. We can pick up a lot of social cues just by looking and with the help of editing and shot choices, you can emphasise a lot without a word being spoken.

You're right, Ewan Dunbar. I've been thinking about writing a script without dialogue. If I do, I'll rewatch movies like A Quiet Place and No One Will Save You and read the scripts.

This is the technique I always teach as well. However, a colleague recently pointed out that every once in a while an on-the-nose line can work in a script that is otherwise full of subtext: https://www.linkedin.com/posts/storyandplot_screenwriting-activity-7304869442084057089-RdsB?utm_source=share&utm_medium=member_desktop&rcm=ACoAAADPfKABXTw-LdN5Zj5QGQANnZ940EGvrwQ

A lot of writers use these sudden truths to convey themes (ex. Succession). That works when these lines are earned (the emotion leading up to it justifies it) and especially when the rest is very subtextual or full of lies/obfusations.

Hi, Anna Marton Henry. I know Tom. I talk with him on Twitter/X sometimes, and I'm subscribed to his newsletter. He has a lot of great advice and insight!

You and Tom are right about using on-the-nose dialogue every once in a while/not being afraid to use it in scripts. Sometimes characters just need to say what they mean.

"A lot of writers use these sudden truths to convey themes (ex. Succession). That works when these lines are earned (the emotion leading up to it justifies it)." Exactly!

And if a character is the direct type, I think on-the-nose dialogue is fine.

A quarter-life crisis put me back on my writing path in the 20-teens, but it was lockdown-induced existensial dread that had me looking for a new medium. Screenwriting was love at first fade in. My first scripts were adapting novels I wrote into TV pilots, but I have written a couple features and other scripts from scratch as well. No sales yet, but I hooked up with an amazing transmedia project called HOOD where I have been collaborating with other awesome creative people on audio drama, scripts, short film and more. If you are curious, check us out at worldofhood.com :)

I'm still very very new to screenwriting so not much of a journey but I have been telling stories since I was two years old and wrote them down since I was about 12 or 13, wrote my first play at 22, finally got the hang of novels around 23-24, and have been burnt out for novels since 2021/2022 but still wanted to tell stories so I figured I'd try my hand at screenwriting. Wrote my first screenplay at 32, now at 35 writing my fourth, and will probably get to my fifth when brain is done resting after this one XD

Hi, Somay Gupta. Great idea for a post! It could help new writers and experienced writers.

What inspired me to write short stories was my elementary school teacher and the movie Harriet the Spy. What inspired me to write scripts was the Office Space script.

I wrote my first script a long time ago. I don't remember how long it took me to write it. I do remember it was a feature script though. I didn't sell the script.

I've mainly negotiated contracts with indie producers. How much work I needed to do on a project, how long I had to turn in the script, how much I got paid, etc.

I improved my script formatting by reading screenwriting articles, reading scripts, and writing scripts.

One of the errors I made along the way was writing passive protagonists. I got this note the first time I bought script feedback. It's one of the best notes I've ever gotten. Passive protagonists work for some stories though.

I've only worked in the U.S. industry with indie producers, directors, actors, etc. I've networked with creatives and professionals who live in other countries though, and I sold four short scripts to a producer who lives in Belgium through Stage 32.

Alison Weaverdyck

Great story, Alison!

The 2020 pandemic was a truly unique time for the whole world. Many of us felt trapped, yet in that stillness, we found ourselves thinking outside the box, trying new things, and gaining experiences we never expected. It was a deeply transformative period, especially with the internet connecting people like never before. This hyper-connectivity allowed so many to learn, grow, and create in ways that might not have happened otherwise. It’s a time we’ll always remember.

I visited your website, and it’s really well-developed! You have a great eye for detail, and your talent is clear. Keep going with your screenwriting—you have what it takes to step into the spotlight!

Wishing you all the best.

Drongo Bum And yet, George Soros can hire as many protesters as he wants without batting anyone's eyes. Seriously, Drongo, don't you think I figured this out before I got to the final battle? Who said it was a lone protagonist? You're always out to try and make me look like a first class clown without ever having read a word of my work. You obviously have no interest in working with me so go take a hike. As you snicker at my scenarios, maybe you should ask yourself why you can't think of a scenario where this would work. I'm sure your 45 years of experience would help you think of something.otherwise I will, with your permission, snicker at your lack of imagination. In the future, please refrain from responding to anything I post unless you want to come out of hiding and have a real one to one discussion. You can DM me. I promise, my hand to God, I will not divulge your identity but if you don't care about credibility, go and troll someone else.

Philip David Lee "George Soros can hire as many protesters as he wants without batting anyone's eyes."

Wut?

"You're always out to try and make me look like a first class clown.."

Wut?

"As you snicker at my scenarios..."

Your scenario? No. That scenario. The one we've all seen countless times. John Wick, Jason Bourne, Jack Reacher, John McLean and literally thousands of other action heroes played by guys like Schwarzenegger and Stallone.

"In the future, please refrain from responding to anything I post...."

No.

The script was originally written as a pilot. Then I rewrote it as a feature. Notes from a producer said "This has possibilities as a pilot." So, I rewrote it again, as a pilot (still working on it). I have the season one bible outlined, 6 episodes. Too expensive, too many locations.

Two pages? I wrote five. Stop me before I write again!

Bet.

Love this. Thanks John. All the best to everyone. About to continue the scifi podcast script I'm working on with my friends.

Hi, Kem Charles. Welcome to the community. It's great to meet you. Here's a blog that'll help you navigate Stage 32 and connect with creatives and industry professionals: www.stage32.com/blog/how-to-successfully-navigate-the-stage-32-platform-...

I've been to New York once. Back in high school. We went to Manhattan. It was busy! I'm from a small town, and I saw NY in movies and shows, but I wasn't expecting it to be that busy. We had fun though. We wanted to go to Madison Square Garden, but it was shut down for the day.

Hey Maurice. Thanks.Yeah, New York is not for everyone. Time Square and Madison Square always feel to me like I am line dancing with people every 2 feet.

You're welcome, Kem Charles. It did feel like line dancing. Haha

You said you're interested in camera work, editing, and directing. Stage 32 has Lounges and Education for those. The blog link I put in my last comment talks about them.

Stage 32 also has Cinematography Blogs (www.stage32.com/blog/tags/cinematography-11) and Filmmaking Blogs (www.stage32.com/blog/tags/filmmaking-19).

Congratulations on getting hired, Paul!

Kudos. Write On !

Francisco Castro So why not make them ready for investors? Email me at productionbudgets@yahoo.com for info and rates if interested.

Toni D'Antonio Careful in using the word "attached". I have a detailed post regarding that word. Sounds like you've put in the work with your package, but if you're presenting to investors, make sure you have a film financing business plan (not a pitch deck as they are 2 very different things). If you don't have one and/or updated budgets/schedules, email me at productionbudgets@yahoo.com for info and rates. Best of luck...

Vic Alexander $5 million budget? Is that based on an accurate budget or a guess? Pitching a script to investors or producers you'll need an accurate budget and more. Email me at productionbudgets@yahoo.com for my info and rates if interested.

Thank you so much Patrick. Understood. Anyone who I mention who is attached is under contract or has signed an LOI that gives me express permission to use their name and likeness.. And for all our projects, we have Pitch Decks, Finance Plans, and Budgets but I'd be curious to check out your services and consulting, so I'll email you. :) Thanks again.

As a beginner screenwriter I'm always thinking of few locations/actors and focusing more on the narrative. It's nice getting the perspective of someone who's experienced in the field though.

The motivation that drives me to write, despite the real difficulty of having professional opportunities, is, if I may say so, existential. I was born into a complex family situation for a child, and reading saved me from the difficult environment in which I lived, and in this context I imagine the vision of worlds, imagination, a private place of refuge was born. This saved me and now, as my life enters the 'third act' :-), I have a financially and affectively peaceful life to be able to mentally dedicate myself to transforming this 'attitude' with a professional approach. This is a very private comment, but maybe it can be useful for someone.

My motivation always is to share with others! We all have a story to tell :)

Wonderful answers everyone! Lucy Addams loved that "I was frustrated when I finished a book and didn't want to accept the story ended." So you took matters into your own hands.

Maurice Vaughan My motivation/inspiration comes from my life. I find it very therapeutic to write. My stories are usually intertwined with what's going on around me, though the storylines differ considerably, the inner concepts match the inner struggles. I love creating worlds. I love writing that inspires and helps people who might be going through something similar. I find both fiction and self-help accomplish the same goals. Debra Holland we are in alignment here, though my writing doesn't pay the bills yet ;)

That's great, Kat Spencer! Writing is very therapeutic. I was writing one day recently, and I felt better afterward. I love creating worlds too. Sonetimes I think of the cities/towns/etc., the rules, the way characters dress, the businesses, etc.

Then go for it. Show us your "secret sauce", we all have one. Work on your craft and when it's ready, make an impact on the world

Monica, here if you need any support to recommendations for your female driven writing :) stay helpful!

Sorry forgot to include you can reach me at edu@stage32.com :-)

Welcome Monica Wolff!!

so write already! lol!

Hi Roberto Urbina Thank you for this informative answer. In particular, i'm fascinated by your observation that training relates to how each culture sees the world. It makes me wonder if what you say about reactive/improvisation-based versus methodic also applies to how directors work in different cultures?

Ashley Renee Smith Hi Ashley! Finding international opportunities is all about being proactive, having a strong online presence (IMDb, social media, etc) helps a lot.

Working with a good agent or manager with global connections is key, but networking is just as important. Film festivals, workshops, and social media can be great ways to connect with international filmmakers and casting directors.

Of course, self-tapes have made it easier than ever to audition from anywhere. Being ready with a solid reel and strong performances is crucial. That's part of the reason why I think that taking smaller roles, not only because it keeps you active, but also because you start building a portfolio or body of work that can showcase your range. who knows who might see it in the future.

Sandra Isabel Correia Hi Sandra, thanks for your question. Playing Conejo was definitely intense, one of the biggest challenges was getting into the mindset of someone who operates in such a dark and ruthless world while still finding the humanity in him. Suspending my judgement of his chosen path was not easy.

Physically, it was demanding, too, with many high-energy scenes that required both emotional and physical endurance. But honestly, the biggest challenge was making sure the character felt real and not just a stereotype. I wanted to bring depth to him, to show the layers behind his actions.

Hi, Roberto Urbina and Cristal. I have another question. Some producers and companies look at an actor or actress' follower count on social media before casting them in projects. I think it's a new thing. Does this happen in Colombia or other countries you've been to for projects?

Hi Roberto Urbina, Thanks for sharing with us. And you did that; your "Conejo" is brillant. Stepping into dark minds isn't easy; that's why you are an amazing actor, and you accomplished your biggest challenge. Congratulations for that! I wish you all the best.

Hi, Neil Jaye. Welcome to the community. Getting a “Double Recommend” as a relatively new screenwriter is really impressive! Congratulations!

Welcome Neil Jaye to the community.

I'm glad to hear your success. keep moving!

Congratulations, Amanda Toney, the member who wrote the script, and everyone who worked to get this film greenlit! So excited for you all and looking forward to seeing the movie! Thanks for sharing the news, Amanda!

Amanda Toney that is fantastic! Congratulations!

Any more deets? Who wrote it? What's it called? Who greenlit it?

That is the spirit we need , congratulations .