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Hello everyone! Delighted to join this community. I’m a Glasgow-based songwriter, producer and musician, best known as the keyboard player with Del Amitri. Alongside touring and recording six Top 40 albums, I write and produce music for a wide range of artists — from jazz singers to chart veterans — and I’m currently developing a project based on songs written with Scottish prisoners during my time working in the prison system.

I love creative collaboration, strong storytelling, and the way a great performance can bring a song to life. Really looking forward to connecting with writers, musicians, filmmakers, and anyone who enjoys bringing ideas into the world.

Hi everyone! I recently completed a course on "Producing Audio-Video Content for Film Using Artificial Intelligence" from the Film and Television Institute of India (FTII), and as I explore opportunities in the industry, I'd love to get some insight from working professionals here.

With AI tools becoming more prevalent, I'm curious how writers' rooms are adapting. Are any of you incorporating AI into your workflow for tasks like outlining, punch-up, or research? More importantly, how are showrunners and producers viewing writers who use AI as part of their process? Is it seen as a valuable skill or a red flag?

Any advice for emerging writers trying to break into writers' rooms would be greatly appreciated. Thanks in advance!

I wrote a one-page script and did some other things for Stage 32’s November Write Club this week. I was gonna use the script as a writing sample, but it’s a unique concept, so I’ll either pitch the script like it is, make it a longer short script, or turn it into a feature script.

Writing a one-page script is harder than it might sound. You have to fit a whole story in one page. Here’s some tips for writing one:

– Give the script a beginning, middle, and end

– You only have one action line/a few lines to set up the location and atmosphere

– You don’t have room for anything unnecessary

– There isn’t enough room for a lot of dialogue

– You probably only have enough room for one storyline

– Even though it’s a one-page script, add a twist

– You can fit a character arc in a one-page script

If you have any tips for writing a one-page script/a short script, share them in the comments.

And there’s still time to join November Write Club. Week 4's blog comes out Monday.

I believe that all the years I’ve spent in the “film production trenches” have given me a unique insight into finding the answer to the question: “Is there a formula, or guide, or checklist, that film directors anywhere in the world can follow, that will help them make a successful film?"

We all know there is no 100% guarantee of anything being successful in our business, but I believe there is a “formula” that any filmmaker can use to HELP them make “compelling movies with believable characters.”

In my opinion, most inexperienced, (or experienced but lazy) film directors spend the majority of their time figuring out how to shoot the film first (cool visual effects, creative shots, camera angles etc.) before they understand what the story is really about and what the characters really want.

I’m going to be bold here and state publicly that this is the wrong way to prep and direct a film because I strongly believe that to successfully direct a “visually compelling story with believable characters”, you need to first understand the following 7-step 'formula.'

STEP 1: THE STUDY OF HUMAN NATURE AND HUMAN BEHAVIOR

A. Human Nature

Human nature refers to a set of inherent and intrinsic characteristics, including ways of thinking, feeling, and acting, that are believed to be universal among humans regardless of culture or upbringing.

Studying human nature involves understanding core principles about what it means to be human. This includes exploring philosophical, psychological, and biological perspectives on inherent human traits.

These fundamental traits and tendencies encompass a wide range of attributes, such as the capacity for rational thought, emotions, social behaviors, and moral reasoning. These characteristics influence how individuals interact with each other and their environment, shaping societal norms, cultural practices, and personal identities.

Examples of human nature include emotions like love and fear, the need for social connection, and moral reasoning. These traits are considered innate, meaning they are present from birth and not significantly altered by individual experiences or the environment.

Human nature provides the foundational tendencies believed to be inherent in all humans. Understanding these basic characteristics gives you a grounding for exploring how these traits manifest in various “behaviors.”

This framework helps explain why certain behaviors occur, making it easier to analyze and interpret human actions by revealing commonalities across diverse populations and explaining patterns observed throughout history.

Once you have a good grasp of human nature, you can then see how these inherent traits interact with external factors to produce human behavior. This includes looking at how individual experiences, environmental influences, culture, and social norms shape human behavior.

B. Human Behavior

Studying human behavior allows you to see the practical applications of the principles of human nature, and understand how inherent traits manifest in real-world actions and interactions. This study spans fields like psychology, sociology, and anthropology, aiming to comprehend how and why people act in specific ways in different contexts.

Human behavior includes a range of actions, reactions, and interactions exhibited by individuals and groups. Influenced by feelings, attitudes, and the environment, our behavior is shaped by genetics, culture, personal experiences, and social norms, observable in everyday activities and interactions.

Examples of human behavior include habits, customs, rituals, communication styles, and responses to social norms. This behavior is affected by a combination of innate characteristics (human nature), personal experiences, environmental factors, culture, and social norms.

C. Why Should Filmmakers Study Human Nature and Behavior?

1. Human Nature

a. Character Depth: By understanding the inherent traits and tendencies of humans, filmmakers can create more nuanced and believable characters. This depth enhances the emotional connection between the audience and the characters.

b. Emotional Authenticity: Knowledge of human nature helps in portraying authentic emotions and reactions. It allows actors to deliver performances that feel genuine and resonate deeply with viewers.

c. Moral Complexity: Knowledge of human nature allows filmmakers to explore moral ambiguities and ethical dilemmas, creating richer and more thought-provoking narratives that challenge audiences to think deeply about human behavior and choices.

d. Predicting Audience Reaction: A deep understanding of human nature enables filmmakers to anticipate how audiences might react to certain scenes or characters, allowing them to craft more engaging and impactful narratives.

e. Universal Themes: Understanding human nature allows filmmakers to tap into universal themes that resonate with a wide audience. It helps in creating characters and stories that are relatable on a fundamental level, regardless of cultural or individual differences.

2. Human Behavior

a. Conflict and Resolution: Insight into human behavior helps in developing compelling conflicts and resolutions. Filmmakers can construct believable obstacles and the ways characters overcome them, which is crucial for engaging storytelling.

b. Cultural Sensitivity: Understanding the variability in human behavior across different cultures enables filmmakers to create culturally sensitive and accurate portrayals. This can make the film more relatable and respectful to diverse audiences.

c. Dynamic Relationships: Insight into human behavior allows filmmakers to depict complex and dynamic relationships between characters. This depth adds richness to the narrative and helps viewers connect more deeply with the story.

d. Realistic Interactions: Studying human behavior aids in depicting realistic interactions and social dynamics. Filmmakers can craft scenes that accurately reflect how people act and react in various situations

e. Social Commentary: A deep understanding of human behavior enables filmmakers to make insightful social commentary. They can address contemporary issues and societal norms in a way that resonates with and challenges the audience.

D. You MUST be a “Witness” to Human Behavior

As writers, directors and actors, we are all artists, and as artists, we must observe and report on our version of the human condition. Therefore, we must understand human emotions and feelings so we know “what makes us tick” and “why we do” certain things.

Once you know the answers to these questions, you will have a better idea of how the characters in your script should interact with each other, as well as having the proper “psychological tools” to direct actors on the set.

The good thing about human behavior is that it is observable, and as storytellers, we must first observe the way people react to different situations and circumstances to understand “How and Why” their behavior changes.

As a film director, you must be a “witness” to human behavior. You need to get into the habit of observing people going about their daily lives, so you can find out what motivates them to take action.

Once you know what motivates a person to achieve their daily needs, you will understand the story you are telling better, and you will also feel more confident helping your actors achieve believable performances.

Next Article: Part Two (STEP 2: STORY, STORY, STORY)

Hi everyone,

I’m Yusuf — Filmmaker & Producer at Bloodtasty, a horror-focused film company currently expanding operations into the U.S. (New Mexico).

We’re now preparing for our upcoming feature horror film and are looking to connect with:

- Film marketing professionals

- Casting directors / Casting managers

- Production contacts experienced in horror

- U.S.-based teams interested in collaboration

If you work in these areas — or can recommend someone — I’d love to connect and have a brief initial conversation.

You can message me or drop a comment.

Thanks,

Yusuf

Founder | Producer — BLOODTASTY

Is the next newsletter for the November writing club open yet?

P.S. I have asked many times about sites that claim they can help you meet an actor, producer, director, etc. I would like to know how many and which of these sites are legit.

shattered pieces of a glass, tortured portrait of lady, and a boy in a glass cage staring a cruel person with a dark shadow so big which can swallow u in no time; from that we only can imagine how the world would like outside. you can dream of having a perfect and a hopeful life with great family. Hello dear community members of @stage32 ; I am DJ Gautam and please do not mind the previous words somebody played with my brain like they did in Inception; sorry I am kidding .But the reality is that when our childhood looks like a thrilling and horror masterpiece so much that u don't wanna go back and in that period; Films become our just escape route, we create stories for our reinvention, it makes us feel free and also make us fallen love with us. That's what films and stories meant for me. If you read till this point, I have nothing fancy title to show like film festivals and etc, But I can assure u that this 22 your old gonna create some iconic stories, because it makes me to love me. I wanna join every fantastic people in this platform. talk to them about movies, films and love. Bye, love guys and don't forget to love yourself.

Hi everyone. Yes, everything is new for me because this is my first script. I keep working on it, and studying the following steps. I'm enjoying this adventure and hope to do a good work.

I love prologues because it gives me the opportunity to foreshadow or set the tone before I get into the story. I can’t help myself. I don’t use it as an introduction to give readers content before diving in, but I usually give them an entirely different feel (softer, stronger, or maybe funnier) than the rest of the book.

Do you use prologues? Do you read them when you start a book?