Understanding Bottle Episodes: Curiosity About Storytelling in a Box

Understanding Bottle Episodes: Curiosity About Storytelling in a Box

Understanding Bottle Episodes: Curiosity About Storytelling in a Box

Jordan Smith
Jordan Smith
5 days ago

Let me start by saying, I’m not a writer. My professional world is built around cinema camera lens design and engineering (big shoutout to the Cinematography Lounge!). But when you’ve spent 17 years living with a writer and former development executive who eats, sleeps, and breathes story structure, character arcs, and prestige television… let’s just say it starts to rub off. In our house, conversations about film and television are as regular (and passionate) as debates about what’s for dinner.

Lately, one particular topic has taken center stage: "bottle episodes".

It started as a casual curiosity that led me to post a question in the Stage 32 Screenwriting Lounge: "Give me your best bottle episodes." I expected a few fun responses. Instead, what I got was a flood of passionate suggestions, sharp insights, and excellent questions about what exactly defines a bottle episode and why they work. You can check out the post here!

When Stage 32’s Head of Community, Ashley, asked if I’d write a blog expanding on that post, I jumped at the chance.

Understanding Bottle Episodes A Cinematographers Curiosity About Storytelling in a Box

So What Is A Bottle Episode?

First things first, let’s talk about where the term "bottle episode" supposedly originated. According to legend, the phrase comes from the production team behind Star Trek. In an effort to cut costs, they would film episodes entirely on standing sets aboard the Enterprise, referring to the result as a "ship in a bottle." The term stuck, and bottle episodes have since evolved into a creative staple of television storytelling.

As Stage 32's own Pat Alexander explained in my post, "A bottle episode is an episode restricted in scope, typically confined to one setting with a limited number of cast members, effects, and sets."

Traditionally, bottle episodes were written as budget-saving devices. In the world of network television, especially 20+ episode seasons, studios needed ways to cut costs and keep production moving. This meant writing an episode that reused standing sets like the hospital break room in Grey’s Anatomy or the conference room in The Office, minimized guest stars, and avoided expensive visual effects. Oftentimes, they'd lock the characters in one room (literally or figuratively) and turn the focus inward.

The best episodes didn’t just save money, they became some of the most emotionally resonant and structurally daring episodes in television history.

Some classic examples include:

  • "The One Where No One’s Ready" - Friends: The entire episode takes place in Monica’s apartment as the group struggles to get dressed for Ross’s big event.
  • "The Chinese Restaurant" – Seinfeld: The gang just waits for a table. That’s it. It’s brilliant.
  • "Room Service" – Frasier: Chaos in a hotel room, classic farce at its finest.
  • "The Conversation" – Mad About You: Paul and Jamie lie in bed after a fight. One continuous take.
  • "Ice"The X-Files: Mulder and Scully investigate a deadly parasite in an arctic base, channeling The Thing in a tight, claustrophobic setting.
  • "Lower Decks"Star Trek: The Next Generation: Follows junior officers navigating a critical mission from outside the bridge crew’s perspective.

These episodes stripped away the noise to let the characters and writing shine.

One of the things I appreciate most about bottle episodes is how they create space for the peripherals, those often-overlooked elements of a show’s visual language like tone, texture, and atmosphere, to finally take center stage. In the rush of a traditional episodic structure, so much of the setting and design work can fade into the background. But bottle episodes force the show to sit in its world. They let the environment breathe, giving the audience a richer, more immersive sense of place. You walk away not just understanding the characters more deeply but with a sharper, more nuanced perspective of the show’s overall tone, setting, and visual identity. For anyone who cares about world-building, that’s a powerful gift.

Understanding Bottle Episodes A Cinematographers Curiosity About Storytelling in a Box

How Streaming & Premium Dramas Changed What We Consider Bottle Episodes

As Ashley commented on my original post, "Over time, especially with the rise of premium cable and streaming, bottle episodes have evolved into creative storytelling showcases."

What started as a cost-cutting tool has now become a stylistic device. Writers use bottle episodes to explore characters in ways that traditional episode structure wouldn’t allow. These episodes often feel like mini-movies: self-contained, hyper-focused, and memorable. Over time, the definition has broadened, but the roots remain the same: do more with less.

In many ways, the rise of anthological series like Black Mirror, where each episode is essentially a short film, has encouraged creators to reimagine what a "bottle episode" can be. It doesn’t need to be one room. It just needs to be intimate, focused, and narratively tight.

In shows like Atlanta, the bottle episode has become more than just a one-off; it’s evolved into a recurring storytelling device. Across multiple seasons, Atlanta leaned into the bottle format to experiment with tone, structure, and theme. Some even argue that Season 3 is almost entirely composed of stand-alone episodes, each functioning like its own self-contained short film. Episodes like "Teddy Perkins", "Trini 2 De Bone", "Rich Wigga, Poor Wigga", and "FUBU" depart from the show’s core ensemble and central arc to explore deeply specific, surreal, and emotionally resonant narratives. These episodes don’t just fill space, they redefine the impact of the series.

Examples of more modern "bottle episodes":

  • "Teddy Perkins" - Atlanta: A psychological horror episode that’s tonally distinct from the rest of the series. It isolates Darius in a mansion with a masked recluse, evoking eerie themes of identity and fame.
  • "A Dark Quiet Death" - Mythic Quest: An episode entirely separate from the main cast and timeline, telling the tragic love story of a game studio’s rise and fall. It’s a bottle episode, not in the traditional sense, but in its focus and contained narrative.
  • "Kiksuya" – Westworld: Centered on Akecheta, a character rarely seen in previous episodes, this deeply emotional hour rewrites the audience’s understanding of the show's world.
  • "Pine Barrens" – The Sopranos: A botched mob hit in the snow turns into a survivalist nightmare. Equal parts comedy, chaos, and character development.
  • "Blackwater"Game of Thrones: An intense, large-scale battle confined to King’s Landing’s walls and waters.
  • "The Constant"Lost: Desmond’s consciousness travels through time, combining science fiction and emotional storytelling.

There’s been a lot of debate online about whether episodes like Game of Thrones’ “Blackwater” truly qualify as bottle episodes. At first glance, its large-scale action and high production value seem to defy the traditional constraints of a bottle episode. But that's the whole point of this modern take, isn't it? When examined through a more nuanced lens, one that prioritizes narrative focus, limited setting, and contained storytelling, a strong case can be made. “Blackwater” unfolds entirely during one night, in one location, centering exclusively on the Battle of Blackwater Bay. The episode narrows its scope to a single event, limiting the sprawling series’ usual multi-location storytelling. That intense focus and self-contained structure reflect the same core principles that define a bottle episode, even if the budget doesn’t.

Understanding Bottle Episodes A Cinematographers Curiosity About Storytelling in a Box

Animated Bottle Episodes

Bottle episodes aren’t limited to live-action television. Animation has given us some unforgettable entries in the format:

  • "Free Churro" – BoJack Horseman: A single-location eulogy delivered by BoJack in real time. A raw, emotional monologue that reveals so much with so little.
  • "Rixty Minutes" – Rick and Morty: The family watches alternate reality TV clips, never leaving the living room.
  • "Brian & Stewie" – Family Guy: The two characters are trapped in a bank vault, reflecting on life, fear, and mortality.
  • "Vision Quest" – Archer: The main cast is stuck in an elevator for the entire episode, sparking chaos, comedy, and confessions.

Bottle Episodes in the Time of COVID

When the pandemic hit, bottle episodes became a necessity again, but this time, for safety and logistics.

With production limitations forcing smaller casts, minimal locations, and tighter budgets, writers leaned into constraint. Bottle episodes reemerged as a smart workaround. Shows like Mythic Quest embraced this with the episode "Quarantine," where the entire episode plays out over Zoom. Despite the distance, the episode captured the human need for connection, blending humor with sincerity. It was a brilliant adaptation of the format, executed with heart and wit.

Pandemic-era bottle episodes reflect how the industry can adapt and how format limitations often lead to unexpected storytelling gold.

Understanding Bottle Episodes A Cinematographers Curiosity About Storytelling in a Box

If you’re looking to study great bottle episodes, here are a few that came up again and again in the Lounge, along with a few personal favorites:

  • "Fly" - Breaking Bad: Walter becomes obsessed with a contaminant in the lab, creating an introspective (and divisive) hour almost entirely between Walt and Jesse trapped in the lab. (My personal favorite!)
  • "The Suitcase" – Mad Men: Don and Peggy clash and connect in a brilliant showcase of character development. (Thank you for the recommendation, RB Botto!)
  • "Cooperative Calligraphy" - Community: A missing pen traps the study group in the study room, turning into an all-out character breakdown. (Thank you for the recommendation, Ewan Dunbar!)
  • "Midnight" – Doctor Who: The Doctor is trapped with strangers and no help. It’s claustrophobic and terrifying. (Thank you for the recommendation, Ashley!)
  • "Cause and Effect" – Star Trek: The Next Generation: The Enterprise becomes trapped in a time loop, repeatedly ending in its own destruction, as the crew slowly uncovers clues to break the cycle. (Thanks for the recommendation, Francisco Castro!)
  • "Bottled" – Horace and Pete*:* The entire episode unfolds in a single room as Horace and Alice engage in an intense, emotionally raw conversation that reveals their shared past and deep psychological wounds. (Thanks for the recommendation, E. Langley!)
  • "Window of Opportunity" – Stargate SG-1: A time loop leads to comedy and despair.
  • "Out of Gas" – Firefly: The crew is scattered, and Mal fights for survival alone on a dying ship.
  • "Baby" – Supernatural: Told entirely from the perspective of the brothers’ 1967 Chevy Impala.
  • "A Day in the Life" – The Magicians: A Groundhog Day-style time loop follows Elliot and Quentin reliving the same day over and over inside the Library.
  • "The Box" – Brooklyn Nine-Nine: Jake and Holt interrogate a suspect all night in a battle of wits.
  • "17 People" – The West Wing: Toby uncovers the President’s secret while the staff wrestles with personal dilemmas, all within the White House.
  • "Chardee MacDennis: The Game of Games" – It’s Always Sunny in Philadelphia: The gang plays their own absurd board game in the bar.
  • "Q&A" – Homeland: A tense interrogation between Carrie and Brody that breaks both characters open.
  • "Dinner Party" – The Office: A painfully awkward evening with Michael and Jan in their condo.

How the Community Inspires Creativity

One of the things I love most about being a part of Stage 32 is that a simple conversation can spark something much bigger. A casual post in the Screenwriting Lounge turned into a deep dive of one of television’s most fascinating storytelling techniques. These conversations push us to revisit great episodes, challenge our assumptions, and most importantly, spark our creativity.

Whether you’re a writer, director, actor, or camera nerd like me, the community here on Stage 32 can push you to think deeper, revisit great work, and maybe even see your own project in a new light.

Let's Keep The Conversation Going...

If you could write a bottle episode for a favorite show, what would it look like? What would the setting be? Who would be in the room? Would you trap your characters in an elevator, set it in a single room, or take a surreal detour from the main plot?

Let's hear your thoughts in the comments below!

Got an idea for a post? Or have you collaborated with Stage 32 members to create a project? We'd love to hear about it. Email Ashley at blog@stage32.com and let's get your post published!

Please help support your fellow Stage 32ers by sharing this on social. Check out the social media buttons at the top to share on Instagram @stage32 , Twitter @stage32 , Facebook @stage32 , and LinkedIn @stage-32 .

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About the Author

Jordan Smith

Jordan Smith

Cinematographer

Los Angeles based Senior Lens Assembly Technician and Assistant Engineer at a premier lens rehousing company. Repair technician, lens service technician with a drive towards mechanical design. Former lens technician at Sigma Corporation of America helping establish their Los Angeles location and ser...

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14 Comments on Jordan's Article

Kristin Johnson
Author, Dramaturge, Editor, Film/Theatre Journalist, Marketing/PR, Playwright, Publisher, Researcher, Screenwriter, Script Consultant, Story Analyst, Voice Actor
Bottle shows are invaluable especially when done right!
21 hours ago
Alexandra Stevens
Actor, Acting Teacher
Thanks for this fun invitation! My bottle episode would be for “This is Us” which is my favourite series. They did in fact have a few. One was when the three kids spent time at the family cabin in the woods. It would be Randall and Beth Pearson. It would be in an airport lounge where they are stuck for 8 hours due to a huge travel delay. They are discussing Randall’s true feelings about his daughter coming out as gay. Beth reveals she had a same sex encounter when she was 13 which she feels deep shame over. Randall is perturbed and Beth feels hurt for her and her daughter. Randall worries this means he is not enough for her sexually. Beth gets defensive. And angry he is making it about him. They have a big argument but get through it. The camera is focussed on the two of them having this intense interaction. In the background other stories are taking place with the delayed travellers in the airport lounge.
4 days ago
Alexandra Stevens
Actor, Acting Teacher
Jordan Smith that sounds like a really fun game, never heard of it before. I'll be sure to try it out next time i'm in an airport lounge!
a day ago
Jordan Smith 16
Cinematographer
Alex, thanks for the share! I love this concept. My partner and I love being delayed at an airport terminal because we like to play the, LOST game. Basically people watch and decide which type of character people around would be like, what their usefulness level would be and how a survival situation would pan out with them.
3 days ago
Anush Har
Screenwriter
Thank you, Jordan, for this insightful blog post. Earlier today, I came across your post in the Screenwriting Lounge, and thanks to the comments from the 32 Stage community members, I gained a general understanding of what a bottle episode is. However, some questions still lingered, and your blog post provided a comprehensive explanation. While trying to recall an example of a bottle episode, I remembered the movie The Translators (2019), where a group of translators is gathered to work on the final book of a bestselling trilogy.
4 days ago
Anush Har
Screenwriter
That’s an interesting question, Jordan! If I got it right, a bottle episode is about one location and a tight focus on the characters. If there’s a flashback that stays visually or narratively limited to one location—like characters recalling past events while staying in the same setting—it could still be considered part of a bottle episode. But if the flashback takes us to a different location, that would make it less of a bottle episode. What are your thoughts on this?
3 days ago
Jordan Smith 16
Cinematographer
Anush, Thank you and I'm glad you followed the breadcrumbs from the Lounge to the Blog, I love that our discussions can grown into a valuable resource for the community by the community! Interesting reference to a movie scene. I wonder if we can allow flashbacks or diversions from the narrative nature of a feature film and classify those moments in this same category or something else entirely?
3 days ago
Film Budget
Producer, Business Affairs Consultant, Creative Executive, Filmmaker, Financier, Line Producer, Production Manager
Wow, wonderful article and very good to know the details behind the term Bottle Episode and its applications, and examples. Very interesting and informative @jordansmith @stage32
4 days ago
Film Budget
Producer, Business Affairs Consultant, Creative Executive, Filmmaker, Financier, Line Producer, Production Manager
Jordan Smith When I worked on my first series (comedy)  for HBO the writers room often had many bottle episodes. These were of another form than you described. ;)
3 days ago
Jordan Smith 16
Cinematographer
@Film Budget, thank you! I was hoping to pull resources and g3et to the heart of a format we've all known about but have never really been able to Label very well!
3 days ago
Sandra Isabel Correia
Screenwriter, Executive
Thank you Jordan for sharing with us about the Bottle episodes, I saw them, but I didn’t know the term. Thanks to you and Stage 32 we learn new things and it’s amazing what this community can do. Your blog is amazing :))
4 days ago
Sandra Isabel Correia
Screenwriter, Executive
It’s funny because my new character has ADHD as you and I believe that can be so good for creativity :)) I am visual also and I needed to learn to root and not lose my focus :)) Thanks God you don’t have patience and discipline, it’s what makes your success:)) Thank youuu
3 days ago
Jordan Smith 16
Cinematographer
Thank you Sandra, I appreciate that as I always have thought provoking debates with my partner that I'd love to chare with the community. I'm very visual and ADHD so I tend not to have the patience and discipline for the format. I'm glad it worked out!
3 days ago
i e. Reference to the little ship within a bottle (to float). For our purposes, (yes) the entire ship is there just to block and stage the upper deck seen there. (So then) Contained as a set. Imagine from that point (or set) having a VFX / CGI screen changes (per episode). A back drop(s) travel similar to what has been done on the (e.g.) Mandalorian (of Star Wars "origins," or back stories). Just some insights here; surely content a screenwriter could expound upon. Cheers!
4 days ago
Jordan Smith Exciting
3 days ago
Jordan Smith 16
Cinematographer
Kenneth thank you! I agree with the modern filmmaking we see from some projects like The Mandalorian where a studio is trying battle budgetary constraints and film on the Volume soundstages I think we may see more of this to stretch the series in new ways!
3 days ago
Doug Kayne
Actor, Comedian, Director, Screenwriter, Studio Teacher
I kind of want to write a bottle episode of my sci-fi comedy series where the main crew is being held in a bottle to be transported to an intergalactic zoo. A literal bottle episode.
4 days ago
Doug Kayne
Actor, Comedian, Director, Screenwriter, Studio Teacher
Oh, the stuck-in-an-elevator situation makes total sense in that way.  However, I'd have them trapped in an actual bottle.  To really hang a lampshade on it being a "bottle episode".  Just like I wrote two female lead characters having a conversation and an "Ensign Bechdel" approaching them.  Works on its own in the context of the scene, but if you're a fan that knows the background, then it works on another level.  In another series I wrote, I had an over-powered character named "Marisu".  A little something for the fans of the genre...
3 days ago
Jordan Smith 16
Cinematographer
That's great! I think is Sci-Fi I'm used to it being a contained isolated, "elevator" situation since the pressure of a confined space really amplifies drama.
3 days ago
Jordan Smith 16
Cinematographer
Thank you all again! This has been a very fulfilling and exciting discussion and community contribution. If you have any other filmmaking concepts that you wish were defined better or would just love to know more about, I think I might be inspired to keep up the format in the future! Appreciate the support!
3 days ago
Maurice Vaughan
Screenwriter
You're welcome, Jordan. That's a great idea! If I think of any filmmaking concepts, I'll let you know.
3 days ago
Maurice Vaughan
Screenwriter
Terrific blog, Jordan! As soon as I read the title, I thought, “Jordan wrote this.” :D I’m outlining a TV series, and I’m planning on putting in a bottle episode(s) now. This blog is gonna really come in handy. Thanks. If I could write a bottle episode for a favorite show, it would be S.W.A.T. The team would be trapped inside a warehouse that’s surrounded by a big group of criminals. The S.W.A.T. team would only have a few ammo clips and resources, but there would be a lot of normal stuff inside the warehouse. They would have to figure out how to use the stuff against the criminals.
4 days ago
Maurice Vaughan
Screenwriter
I just figured out how to use this bottle episode in my own series, Jordan. I'll change some of the details though. Thanks for writing this blog. I wouldn't have thought of the bottle episode without it.
3 days ago
Jordan Smith 16
Cinematographer
Maurice! I'm already seeing the scene in my head. I love the "elevator" or 'confined-spaces' concept of Bottle-episodes. I think it amplifies tension, really relies on solid dialogue and performance and is very intimate. I look forward to seeing your process!
3 days ago
Thank you, Jordan
4 days ago
Jordan Smith 16
Cinematographer
@Wendy Kay, You are quite welcome!
3 days ago
David Veal
Actor, Screenwriter
This is a new term for me as well. I love the simplicity, and dive into the worlds of these shows. I'm writing a lot of one act plays, that turn out to be one or two scenes. And on stage, simplicity rules, dialogue rules. It's a sweet spot for me. Now I know it's a bottle as well. I took the plunge into the Artists Way with several fellow acting students. We all lasted through the first 10 weeks. One word that came up a lot was synchronicity. I joked that I don't believe in it. I would rather see the world as an aquarium. And everyone you will ever know or meet are in the same aquarium because of shared interests, of being family, living in the same area, friends of friends, etc... No coincidences, nothing by chance, since everyone you will ever meet is in the same aquarium, fish bowl, bottle. Anyway. I love the term. It seems I write within it's parameters very often. And now, I am sure I will recognize and apply it everywhere.
4 days ago
Jordan Smith 16
Cinematographer
David, thank you! I love this, I felt exactly the same way! I think a lot of us kind of knew and recognized the concept but did not have a central reference for the style and progression it has had in media and entertainment. I love the visual outline of the Aquarium and look forward to seeing more on this project! Thanks for sharing!
3 days ago
Ashley Smith 23
Creative Executive, Script Consultant, Producer
Jordan, thank you so much for sharing this amazing piece and for putting it together so quickly! I absolutely love this topic and was so excited to see your original post in the Screenwriting Lounge. Bottle episodes are something most TV fans are aware of, but they rarely get the spotlight when we talk about structure or common writing techniques. Coming from the perspective of an avid viewer who clearly notices and appreciates these patterns, I really hope this blog inspires more writers in our community to consider how they can be both economical and creative when building out their bibles or season arcs. And honestly, it’s just a fun topic to geek out on! If I were to write a bottle episode spec, I’d probably take a stab at one for Paramount+’s School Spirits. The cool thing about that show is that half the cast, the ghost characters, are already trapped at the school and can’t leave. I’d flip it and have the human characters get locked in during a school lock-in event, forcing them to spend the night in close proximity to the ghosts. Teachers, students, and parent chaperones would be wandering the halls, unaware of the ghosts, while our human leads try not to look like they’re talking to thin air. They’d be on a time-sensitive mission to find something, or someone, before sunrise, all while tensions between the two groups rise. It’d be a tight, atmospheric episode with character drama, ghostly antics, and a healthy dose of ticking-clock tension.
4 days ago
Jordan Smith 16
Cinematographer
Ashley, thank you for allowing me to post and editing my heavy hand on the writing side. I thank your comment is a great expansion on the topic. I also think if independent and economical projects embrace this format in their work, It also helps expand their world while considering expense. I think I would like to see structured 'filmmaking' programs and school courses embrace more of this modern 'liberties' modern media is welcoming.
3 days ago
Thanks very interesting
4 days ago
Jordan Smith 16
Cinematographer
Mechelle, you are welcome! Do you have a recommended B.E. that excites you?
3 days ago
Thank you for sharing, Jordan! This inspired me!
3 days ago
Jordan Smith 16
Cinematographer
I'm glad! Do you have a recommended B.E. that excited you?
3 days ago
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