BUY NOW
How to Plan Your Film Release Window & Strategy: VOD, SVOD, AVOD, Broadcast
How to Plan Your Film Release Window & Strategy: VOD, SVOD, AVOD, Broadcast
Taught by Mark Padilla
President of Worldwide Sales and Acquisitions
On Demand
$49.00
Buy Now with Shop Pay

Summary

Learn from expert Mark Padilla, who has overseen the release of more than 100 films in international markets!

Get a curated Film Distribution Strategy Cheat Sheet, practical tips on navigating VOD, SVOD, and AVOD platforms, and insider advice to help you craft a release strategy that maximizes both revenue and exposure for your film!

 

In today's world of independent filmmaking, the VOD, SVOD, and AVOD distribution strategy has become a more substantial option for many filmmakers. We've brought in 20-year executive Mark Padilla, who has worked in the worldwide distribution side of the independent film industry and has overseen the distribution and release of more than 100 films during his career. 

 

The world of film distribution has dramatically changed in just the last few years.  During the pandemic, we saw the closure of major cinema chains and independent theaters throughout the US, which led to the rise of consumers staying home to watch movies.  As a result, fewer movie theaters are booking independent films with very few exceptions.  The cost of properly releasing a film theatrically doesn’t seem worth the marketing spend to promote the movie.  What is a filmmaker to do?  Video On Demand (VOD) has become the new normal for the world to watch movies.  But is all VOD created equal?  Is there a path that filmmakers should take as they approach VOD?  What are the differences between TVOD, SVOD, AVOD, Fast Channels, OTT platforms, and is there now something called LVOD?  A filmmaker should understand the difference between a Pay Television channel vs an SVOD platform and Free TV vs Fast channels or AVOD.  For filmmakers or investors to maximize the potential revenue of their projects, they need to understand the different ways films are being distributed in today’s market.

 

Your Stage 32 educator, Mark Padilla, is a seasoned expert with over 20 years of experience in global film distribution and a proven track record of guiding independent filmmakers to success. As the President of Worldwide Sales and Acquisitions at Jackrabbit Media, Mark has overseen the release of more than 100 films across international markets. His deep expertise in negotiating deals and navigating the ever-changing landscape of digital platforms makes him the perfect leader for this exclusive webinar.

 

In this exclusive webinar, you’ll gain insider insights into how windowing works, how to differentiate between VOD, SVOD, and AVOD platforms, and how to time your release to maximize revenue. Through case studies and real-world examples, you’ll learn how to tailor your distribution plan to fit your film’s unique needs and ensure success. By the end, you’ll be equipped with the tools and knowledge to confidently navigate the evolving landscape of film distribution and take control of your film’s release strategy.

 

PLUS! You'll receive: 

  • A curated Film Distribution Strategy Cheat Sheet
  • Practical tips on navigating VOD, SVOD, and AVOD platforms
  • Insider advice on crafting a release strategy
  • Strategies to maximize both revenue and exposure for your film

 

Testimonial from your Stage 32 Educator:

"Stage 32 is a great organization that educates and builds communities of media and entertainment professionals.  I am excited to be working with Stage 32 and bringing my 20 plus years of distribution knowledge to new artists entering the industry.  I want to help them avoid costly mistakes, and instead build a strong plan for their film’s sales and distribution success. " -Mark Padilla

What You'll Learn

  • Understanding the Various Film VOD Platforms & Windows

    • What does “window” mean

    • How a window effects the customer and content creator

    • The differences between VOD/TVOD, SVOD and AVOD

    VOD/TVOD: Video On-Demand/TV On-Demand

    • Understanding what Transactional Video-On-Demand (across cable/sat/telco & OTT platforms) is and who are all the platforms

    • How & why different platforms charge different prices for the exact same content.

    • Why different platforms have different lengths for their availability windows

    SVOD: Subscription Video-On-Demand 

    • Understanding what SVOD is and who are all the platforms

    • Why are there different pricing by the primary SVOD platforms.

    • The differences in content options on the various SVOD platforms.

    AVOD Advertising Supported Video-On-Demand 

    • Understanding the wide variety of Advertising approaches (front loaded, interspersed, directed).

    • How AVOD is different than TV

    • Breaking down Hulu & Amazon’s new AVOD platform

    • Why Apple does not have an SVOD platform (yet). 


    How the windows work as a whole

    • The new role of the “exclusive” window

    • The variances in the way a title is presented in each of the distribution windows

    • Understanding the evolution of the Windowing strategies

    • How to blend windowing models and understanding which is best for your film

    • When shrinking windows is an issue

    Your strategy

    • DIY distribution vs aggregators/distributors. 

    •  Why & when it makes sense to break with the traditional windowing strategies

    • What can you expect for revenues in each window?

    • The timeline of revenues expected for each window

    Negotiating your team

    • Defining the Revenue split and the many variations that can have

    • What are realistic deal terms

    • Understanding International Distribution options

    • The windows- what you can request and expect

    Case Studies

    • Films that have found success in the On Demand marketplace and what that means in the world of VOD/SVOD/AVOD.

    • A scale of monthly new releases in just the TVOD films marketplace and the ripple effect of SVOD & AVOD licensing because of the volume of new releases.

    • Will “Premium VOD” ever become a reality?

    Q&A with Mark

Who Should Attend

  • Independent filmmakers looking to understand distribution strategies.
  • Producers aiming to optimize release windows and revenue.
  • Film students eager to learn about VOD, SVOD, and AVOD platforms.
  • Content creators wanting to maximize exposure for their projects.
  • Film distributors seeking deeper insights into platform-specific strategies.
  • Investors interested in understanding how to maximize returns on film projects.
  • Marketing professionals working with film distribution and release strategies.
  • Film executives tasked with negotiating distribution deals and contracts.

Executive

Mark Padilla
Mark Padilla
President of Worldwide Sales and Acquisitions at Jackrabbit Media

Mark Padilla has over 20 years of experience in the independent film and television industry. He is currently the President of Worldwide Sales and Acquisitions at the Arizona-based company Jackrabbit Media. Mark oversees all acquisitions and worldwide sales rights to their projects. Mark also produces and executive produces select projects at Jackrabbit Media. Most recently, he was a producer on the film GHOSTS OF RED RIDGE.

Previously, Mark was SVP of Sales and Acquisitions at DDI (Double Dutch International), a Toronto-based company. At DDI, Mark produced and was the executive producer of several films. Including the action film THE DOORMAN, the hitman thriller THE VIRTUOSO, and the exciting horror film ESCAPE THE FIELD.

Before joining DDI, Mark was the VP of sales and acquisitions at Myriad Pictures. Mark was responsible for selling both new and library titles. He also managed a team of sales, marketing, and publicity executives. Before Myriad, Mark was VP of International Sales at Essential Entertainment; before Essential, he was the marketing manager at Arclight Films.

Mark started his career working as an international acquisitions consultant for multiple distribution companies worldwide, including international broadcasters such as Mediaset (Italy), Telecinco-Mediaset (Spain), and ProSeiben (Germany).

Mark has spoken on several industry panels discussing the international distribution market, including being a regular panelist for New Filmmakers Los Angeles and IFTA (the Independent Film and Television Alliance), and has been featured in several industry trade publications regarding the global independent film market. Mark has also served as a jury member for independent feature films and short film festivals.

Testimonials

Testimonial from your Stage 32 Educator:

"Stage 32 is a great organization that educates and builds communities of media and entertainment professionals.  I am excited to be working with Stage 32 and bringing my 20 plus years of distribution knowledge to new artists entering the industry.  I want to help them avoid costly mistakes, and instead build a strong plan for their film’s sales and distribution success. " -Mark Padilla