Bondit Media Capital + Stage 32 Launch Film Finance Master Class Series

For the last few months I have been proud to work with the CEO over at Bondit Media Capital, Matthew Helderman on a 4-part Film Finance Master Class, which we are now officially launching. Stage 32 and Bondit have partnered to develop a comprehensive series featuring top producers in the industry today including Matthew Helderman, CEO of Bondit Media Capital, Robert Ogden Barnum, Co-Founder of Fortitude International and e2b Capital, Jordan Yale Levin, President of Yale Productions and Elsa Ramo, Founding Partner of Ramo Law. The featured producers have been involved in over two hundred projects and will discuss the evolution of film financing today including everything from pre-sales, packaging, distribution, financing packages, case studies and more.   A special thank you goes out to Screen Daily for covering the launch! READ ABOUT IT HERE   You can find the Stage 32 & Bondit Film Finance Master Class here:  1 - Intro with Matthew Helderman, CEO Bondit Media Capital 2 - Part 1 with Robert Ogden Barnum, Co-Founder Fortitude International & e2b Capital 3 - Part 2 with Jordan Levine, President, Yale Productions 4 - Part 3 with Elsa Ramo, Founding Partner, Ramo Law (Ramo recently packaged Stage 32 members film    L-R (Matthew Helderman, Robert Ogden Barnum, Jordan Yale Levine, Elsa Ramo)    About Matthew Helderman – CEO, Bondit Media Capital Matthew Helderman founded Buffalo 8 Productions in 2012, as a feature film & commercial production company growing to deliver projects to clients such as Sony and Lionsgate. Under Helderman’s leadership, Buffalo 8 has built a full library of content – touting 4 premieres at the 2016 Sundance Festival – a roster of commercial directors, a talent management division and a full post-production facility. In 2013, Helderman co-founded BondIt Media Capital to solve the multitude of financing difficulties found in the entertainment & media business — by 2017 BondIt had participated in the financing over 200 feature film projects ranging from low budgets to studio level productions. Helderman graduated with a B.A. in Philosophy with a minor in English from Lake Forest College. Helderman has been a featured speaker at the Cannes, London, and Bahamas Film Festivals as well as guest speaker at the Chinese US Business Summit.   About Robert Ogden Barnum – President, Fortitude International, Co-Founder e2b Capital Recently recognized as one of Variety's "10 Producers to Watch", Robert Ogden Barnum is an Independent Spirit award-winning feature film producer whose most recent films include Miles Ahead, Don Cheadle's directorial debut about Miles Davis, starring Don Cheadle and Ewan McGregor, Daughter Of God, starring Keanu Reeves, and Elvis & Nixon starring Michael Shannon and Kevin Spacey. Other recent projects include Paul Bettany's directorial debut, Shelter, starring Academy Award winner Jennifer Connelly and Anthony Mackie, and Mike Binder's Black and White, starring Kevin Costner, both of which premiered at the 2014 Toronto Film Festival. Barnum is partnered in e2b Capital, with former head of William Morris Independent, Cassian Elwes. e2b Capital represents a variety of financiers for films, actively helping them select investments and overseeing the production and delivery of the films. Additionally, he's a partner in Fortitude International, the foreign sales and finance company that was launched in early 2014 with partners Nadine de Barros and Daniel Wagner.   About Jordan Yale Levine – President, Yale Productions Named as one of Variety's 10 Producers to Watch in 2016, a member of the Producers Guild of America, and the President of Yale Productions, Jordan Yale Levine has made a strong name for himself in the entertainment industry. Jordan has garnered a substantial list of film credits, as well as currently having several projects in various stages of production and development. Jordan is responsible for the producing, financing and/or distribution of over twenty-five feature films. These films include the recently released IFC title, King Cobra, starring James Franco, Christian Slater, Garrett Clayton & Keegan Allen, which premiered at the Tribeca Film Festival in 2016, and Jack Goes Home, released through eOne, starring Rory Culkin, Britt Robertson & Lin Shaye, which premiered at SXSW in 2016. Additional films include Petunia, starring Brittany Snow, Thora Birch, and Eddie Kaye Thomas; Addiction: A 60's Love Story, starring Ian Harding, Evanna Lynch, and Carol Kane; Black Limousine, starring David Arquette, Bijou Phillips and Vivica A. Fox; Wreckage, starring Aaron Paul, Scoot McNairy and Cameron Richardson; He's Way More Famous Than You, starring Michael Urie, Jesse Eisenberg, and Ben Stiller; and more.   About Elsa Ramo – Managing Partner, Ramo Law Elsa Ramo was recently named one of Variety’s “Hollywood New Leaders in Legal & Finance”. Elsa is an established entertainment attorney, representing producers, financiers, and production entities in film, television, and digital content. She graduated from University of San Diego School of Law in 2002, and began her career by establishing the Los Angeles office for Davis Dixon Kirby LLP (a royalty litigation firm). After several clients approached her to handle their independent productions, she founded her own firm on the Universal Studios backlot in 2005. Ramo Law PC is now located in Beverly Hills. Her law firm has seven full time attorneys, a packaging and sales executive, and a full staff who provides production, distribution and finance legal services in feature films, documentaries, scripted and unscripted television and digital content. Their television credits include series on Crackle, MTV, Netflix, Hulu, and Bravo. Some recent film credits include: Still Alice (Julianne Moore, 2015 Best Actress Oscar™ Winner), Fury (Brad Pitt), Stanford Prison Experiment (Billy Crudup) which won an award at Sundance this year, Stockholm, Pennsylvania (Saoirse Ronan), and Short Term 12 (Brie Larsen). She represents such producers as: Informant Media (Crazy Heart and Kidnapping Freddy Heineken with Anthony Hopkins), QED International (Fury with Brad Pitt), Scott Mednick (Teenage Mutant Ninja Turtles and 300), and Electric City Films (Little Birds and Mississippi Grind).   We are proud to have several Stage 32 member projects being packaged through Ramo Law including the soon to be released What Lies Ahead (starring Rumer Willis and Emmat Dumont) by Stage 32er William J. Viglione, which was found through a Stage 32 pitch session.    Like this blog post? Please share it on social media (Facebook, Twitter, LinkedIn, email etc) by using social media buttons at the top of the blog. Or post to your personal blog and anywhere else you feel appropriate. Thank you. As always, we welcome thoughts and remarks on ANY of the content above in the Comments section below...  Read More

In My 50's I Decided to Chase My Dream, Here's My Success Story

3 years ago I decided I was going to concentrate on composing music for film and I came to know about Stage 32 recently. I had been concentrating on classical pianists before that, trying to get my solo's performed by touring concert-oriented performers, and had some good luck in getting noticed by Henry Fogel, whom has been the President of both the New York Philharmonic Orchestra, and the Chicago Symphony Orchestra).   But his advice to me was simple. I was good....but for every possible commission in the classical business, there were at least 1,000 composers trying to get the commission. Still, I am a determined man, and simply moved my concentration to the love of mine, movies. My family, friends and acquaintances all thought I was crazy and gave little or no support for my endeavor.   Perhaps the glittering stories of “possible success” just seemed to far out of reach for any of them. But not to me. I only have one life on this earth, and a belief that what I do helps create peace and joy for people. 2 years into the 'move to film' I was still out of work living in a $500 a month ‘room’ on the North Side of Chicago near Wrigley Field.    Having left a fruitful career as a visual artist I thought I could make enough to get the equipment I needed for scoring films. I managed to put together an art exhibit and surprisingly all the works in my art fair exhibit sold, and with the proceeds I bought a MacBook with GarageBand, and a keyboard controller. I went into the woodshed and simply started conjuring scene ideas and scoring them musically. I let the family hear the pieces. They thought me daft and could not fathom what I was trying to accomplish.       One day, as I was on a bus going to the grocer, I passed a location shoot taking place at Ann Sathers on Broadway in Chicago. I hopped off the bus, as I always do when I see a film being made, and introduced myself to the crew. Before long, I was standing next to one of the producers and getting a little insight into the film and the production frames. Telling the producer I was once a Music Director in The Second City certainly helped. And it got me 2 minutes with the very busy Director and star of the indie film Landline, Matthew Aaron (starring Tom Arnold, James Dumont and Betsey Brandt from Breaking Bad, Tom O'Heir from Parks and Recreation).    He apparently liked what he heard, though I can't imagine him liking what he saw, I was in tattered koolots carrying my groceries, with two days growth on the face, and unkempt hair. But he gave me his email address and he sent me a script.     I began writing music and recording it with the mind set that I was already hired. I would send the director little 2 and 3 minute pieces of music, once in the morning, and once in the afternoon. I did this everyday........for two weeks.......nervously wondering if I would get a call back. Finally, he did request I come to a location shoot, where Betsy Brandt (Breaking Bad) was in a conference room in a downtown Chicago hotel site. I sat around in the crew meeting room all day, hoping to get to pitch my music.   And….nothing.   “Too busy today. Come back tomorrow.”   All the while, I heard whispers from the crew that I would never be hired to write the tunes for the movie. I came back the next day and just before lunch the PA gave me a word that the Director would like to see me. We shook hands and sat at a lunch table, and he began to talk about how he loved this movies' score or that movies’ score and told me about his vision for the film and what he wanted from me. I looked at him startled, but confident, and asked "does this mean I got the job?"   He said “yes!”   ……and sent me quickly to the production lawyer to begin signing contracts and negotiating my price.   I am 57 years old now and my insides were that of a 25 year old jumping up and down for his favorite team having won the grand prize game. I had my first "big break" into the business of scoring films. It is now almost exactly one year later. The film did very well with it’s target audience.     I have come to know some folks on Stage 32 and with my film Landline in my arsenal, I have now been fortunate enough to be requested to score another film for a member here. This one is out of Brooklyn, NY and is a comedy drama 30 minute TV Pilot. I am totally thrilled to be able to give my all to this new project and am busy in my studio. Once I got paid the money for Landline I was able to move up in the world and have state of the art equipment. The new project is called "Pigs in a Bowl" and I am grateful and blessed to be doing this.       It would never have happened had Stage 32 not been there. There is no such thing as a 'small' project' in this business. Each film means a lot to the Creators, Directors, Cinematographers, Actors, and everyone, giving their all. They can make even the smallest film something memorable, substantial, and vernacular. It is not 'glitter' to me. It is a love for the craft, and a helpful environment for all those involved.   Thank you Stage 32 for helping keep my burgeoning career going.   See some of Wesley's scores from Landline on his profile here: Scene 1 : Landline : Music & Orchestration by Wesley Lawrence Curry II Jim O'Heir, Tom Arnold, Scene from LANDLINE Opening Scene LANDLINE :Nick Searcy Scene Wrigley Field Scene     About Wesley Lawerence Curry II Former Music Director in The Second City (Red Co, Chicago) Live improvisational composing to improvised comedy sketches, worked with Neal Flynn (The Middle) Horatio Sanz (Saturday Night Live) Kevin Dorff (Writer: Conan O'Brian Show) Scott Adsit (30 Rock)Composer (LANDLINE) Indie Comedy Feature Length Film : Betsy Brandt (Life in Pieces, Breaking Bad) Jim O'Heir (Jerry in Parks & Recreation) Tom Arnold (Comedian) Nick Searcy, Jim DuMont (Jurassic World, Trumbo)Currently working on my own musical film and a commission for a concert orchestra for the Lunar Eclipse Festival in Central Illinois.Love to travel, and meeting you face to face is important to me, even if it needs to be Skype.     If you're inspired, leave your comments for Lawrence below. 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