About a year ago, Jeffrey Katzenberg created one of his many stirs by suggesting that AI would replace most animation jobs (I think the percentage he gave was 90%) in a few years.
Two years ago, one of the developers at Open AI's Dall-E released a short where the key visuals were created in Dall-E and then sent to animation pros to compile. Just a few weeks ago, this same team took the same material and remastered it in Open AI's Sora. The side by side is here: https://youtu.be/qjuk0YCUdo8?si=a5iRk26SLjeJvyZS
Today, Variety reported the feature. https://variety.com/2025/film/global/paddington-in-peru-writers-ai-anima... - ‘Paddington in Peru’ Writers Reunite for AI Animated Feature ‘Critterz’ From Vertigo Films, Native Foreign (EXCLUSIVE)
I get it. And I can say that when I was at Disney we were always pushing the tech boundaries (just as Walt did), most animation directors I know do not shun technology, but they insist that technology is not story. This year's Oscar winning feature was made possible by Blender -- the free open source technology that used in most animation schools.
There is currently a big focus on going back to 2D animation and we will be seeing a lot more shorts and features in the near future with their roots in 2D. But the production process will absolutely leverage the technology to make those projects affordable and efficient, just as they did when 2D films were making millions at the box office. My advice to anyone is to always focus on story first and then find the right tools to convey that story. And realize that if CRITTERZ had human characters it would not be nearly as impressive.
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I am still trying to figure out where I can watch this and Flow.