Here’s my mate Rog, talking, briefly, about lenses.
(I’ll have to find the whole of this conversation). I always find he has a great way of talking about the technical and aesthetic side of his work.
Here’s my mate Rog, talking, briefly, about lenses.
(I’ll have to find the whole of this conversation). I always find he has a great way of talking about the technical and aesthetic side of his work.
3 people like this
Love that interview Geoff Hall. It's from the documentary "Cinematographer Style". Here's the full interview with Deakins: https://www.youtube.com/watch?v=hoLVqtU7QeA
3 people like this
There are few better in the history of the craft that Deakins. 1917 was a masterpiece and he waste best thing in Blade Runner 2049. His every word is worth listening to.
4 people like this
His website and forum is a wealth of knowledge from him and other greats like David Mullen.
1 person likes this
It's incredible how changing lenses can change the mood of a scene and have a different impact on the audience, Geoff Hall. I think screenwriters can benefit from learning about lenses for those reasons.
3 people like this
Love hearing his talk about lenses. He is a master of his craft!
1 person likes this
Gareth Taylor thank you Gareth. I meant to look for it. Thanks for the link.