STAGE 32 SCRIPT SERVICES

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Popular Genres

Pitch Peter McDonough (Wednesday, May 8th 2024)
Written spots sold out
8:00
Wed, May 8

Producer & Showrunner Assistant (CBS)

Peter McDonough. Peter looks for Television scripts including Comedy, Sci-Fi, Mystery, and Adventure. Please no Legal Procedurals or Family Drama.

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Pitch Rachel Paulson (Wednesday, May 15th 2024)
7 skype spots left
10:00
Wed, May 15

Rachel Paulson

Producer and Director. Rachel is open to Comedy and Drama Features and Television.

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Pitch Nadya Panfilov (Saturday, May 18th 2024)

Nadya Panfilov

Credits include: Works with Universal Studios, Amazon, and Parkes+MacDonald

9 skype spots left
2:00
Sat, May 18

Writ Large

Nadya Panfilov, Literary Manager. Nadya is open to all genres, specifically, Action features and TV pilots with female voices. Please no Faith or Unscripted/Reality/Game Shows.

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Pitch Chisom Ude (Wednesday, May 22nd 2024)

Chisom Ude

Credits include: JOY RIDE, NOW YOU SEE ME, SHADOW FORCE

4:00
Wed, May 22

Suite 06

Chisom Ude, Producer. Chisom is open to elevated stories of all genres of Film and TV. Please no Unscripted/Reality/Game Show.

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Pitch Julia Verdin (Saturday, May 25th 2024)

Julia Verdin

Credits include: The Merchant of Venice, Stander, The Breed, Two Jacks, Born of War, The Ninth Cloud, Riding the Bullet, The Least Among You

10:00
Sat, May 25

Rough Diamond Productions & Management

Julia Verdin, Producer & Manager. Julia is currently looking for social impact action thrillers, Hallmark type Holiday films, romantic comedy, woman in jeopardy action thriller, true stories that are suspenseful and engaging as well as strong TV pilot concepts.

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Pitch Christian Sosa (Sunday, May 26th 2024)

Christian Sosa

Credits include: OSIRIS, THE CHANNEL, DEADLAND, THE LONG GAME

8 skype spots left
12:00
Sun, May 26

Roosevelt Film Lab (Works with XYZ Films, SXSW, Vertical Entertainment, Saban Films, Terrence Malick, Gus Van Sant)

Christian Sosa, Producer. Christian is open to all genres of Film and TV, but specifically interested in the Action, Sci-Fi, True Story/Biopic space, Family, Sports and Arthouse-films space. Please no Unscripted/Reality/Game Show.

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I wanted to share my session with Michael (Schulman) was incredibly helpful.   I sent him a script I'd been having a lot of difficulty with. I knew it wasn't working, but I'd rewritten it too many times to see it as a whole piece rather than a collection of parts. His notes not only helped me see more clearly why it wasn't working, they also helped me uncover what it wanted to be. He had a great understanding of what I was interested in exploring thematically -- and he gave me a ton of fantastic ideas on how I could adjust both the scope of the project and its storytelling to give those themes more weight. I especially appreciate his encouragement to indulge my more personal, quirkier instincts. Unlike others I've chatted with about this project who encouraged me to mold the story to fit genre beats, he seemed to truly be invested in uncovering the heart of what wanted to be told, and in helping me craft a piece for my portfolio that I can actually do something with in the here and now.   There are a lot of voices in this industry giving advice out there, but Michael's notes really elevated the project. He discussed the script and the narrative tools I was using up to the very last minute of our hour consultation. I left that call with a renewed enthusiasm for a project I'd been thinking of giving up on. I cannot thank him enough. :)
Rebecca Benzell
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