This is more a thought than an actionable item.
We see someone get a shock from an outlet as a child. Perhaps we are scared of that room, or of holding a fork. Because the shock happened in a particular room and the person stuck a fork in the socket.
But that is an understanding based purely on observation. But what we learn is that electric can be dangerous and must be treated with caution.
So when we read some bad writing and it is full of stupid errors. Just removing those perceived errors doesn’t means it is good. It was bad with errors, it is now bad without those errors.
Look at the cause of things. Like people say “look at the note under the note”. What made someone feel that way? What makes this story crap, I guarantee it isn’t the existence of a phrase or wording in a sentence.
Look at the underlying things, not the surface level things. This is very hard and what learning the craft actually is.
Like said, not directly actionable, like removing words ending in “ing”, which isn’t a thing.
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Westworld comes to mind.
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Even though it only lasted two seasons Jericho had that structure.
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You might also check out how they executed the first 3 seasons of LOST which dealt a lot with multiple time lines and backstories. A lot of flashbacks and flashforwards were used to give us perspectiv...
Expand commentYou might also check out how they executed the first 3 seasons of LOST which dealt a lot with multiple time lines and backstories. A lot of flashbacks and flashforwards were used to give us perspectives on characters set in the series present.
If you're looking for more thoughts on how to execute it, hit me up at success@stage32.com and I will be happy to give more insights.
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Hi B Lmb, while it may not strictly fit your parameters (or maybe it does in some ways), the German series DARK is worth a look.
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Thank you for such helpful suggestions! I'm especially interested in finding shows that use memories intersecting with the present in inventive or surprising ways - moving away from your typical flash...
Expand commentThank you for such helpful suggestions! I'm especially interested in finding shows that use memories intersecting with the present in inventive or surprising ways - moving away from your typical flashback or flashforward-heavy techniques. I've seen LOST and DARK - the latter is probably more structurally interesting, though the time-travel element is, of course, an entirely different genre - might be one to revisit. I haven't seen WESTWORLD or JERICHO, so I will check out both pilots to see what techniques they use. Thank you :)