Learn how to pitch your work so you can build a profitable career in film and television with the Vice President of the company behind Finding Ohana (Netflix), Saving Private Ryan, Transformers: The Last Knight, Almost Famous, The Boys (Amazon), Preacher (AMC), and more! Do you ever feel like your great ideas go unnoticed by producers, directors, agents, and managers alike, and that you don’t get the shot you're looking for as a result? This isn’t because these decision makers don’t care; it’s because you may not have pitched or sold your ideas the right way. The reality is, successful screenwriters are as much storysellers as they are storytellers. Whether you like it or not, your primary goal as a writer must be to stand out in a sea of competing projects. The bottom line: Whether you're a screenwriter, filmmaker, producer, or any creative or industry professional looking to gain representation, sell their material, attract talent, raise financing, or simply looking to find work, you will have to pitch. Further, you will be in competition with others pitching as well. You've put so much time and effort into your work and building your reputation, you don't want to have it all undermined with a terrible pitch. And the truth of the matter is that most people that pitch make the same fatal mistakes over and over. They don't know how to tell a concise, riveting story. They don't know what to put in, what to leave out, and what elements really and truly sell someone on their story. This webinar will give you insight and tools to pitch better and get ahead of the pack. Will McCance is the Vice President of Production for Ian Bryce, producer of blockbusters like SAVING PRIVATE RYAN, ALMOST FAMOUS, the TRANSFORMERS franchise, and most recently Michael Bay's SIX UNDERGROUND for Netflix. At Ian Bryce Productions, Will oversees the company's entire development slate. Before working with Ian Bryce, Will worked in development at Original Film's TV department, working on hit shows such as THE BOYS (Amazon) and PREACHER (AMC), as well as on SWAT (CBS) and HAPPY! (Syfy). Independently, Will has produced films such as the upcoming LOLA JAMES, starring Nicola Peltz and Oscar-Nominee Virginia Madsen, BERNARD AND HUEY, starring Jim Rash, David Koechner, and Mae Whitman, as well as Belarus's 2018 Oscar selection for Best Foreign Film, CRYSTAL SWAN, along with Vice. Through his years working as an executive, Will has deep experience with working with writers and choosing to work with them or not based on their pitch, and is prepared to share what he’s learned with the Stage 32 community. In this exclusive on-demand Stage 32 webinar, Will will equip you with all the tools you'll need to elevate your next script to the top of the reading stack. He will discuss the various techniques of pitching, from finding the right words and unique style, to understanding which type of pitch to use and when. He will also analyze sample TV and feature film pitches and break down the hidden power of the perfectly-worded logline. He will teach you tactics, strategies, and even books that will make you a stronger storyseller, and in turn, a stronger storyteller. Will will even deliver a pitch of his own to use as an example and will share other film and TV pitches to analyze what works and what doesn’t. Through Will’s presentation, you will not only learn how to better understand and explain your story, but to also instill a newfound sense of confidence that you can take with you to your next meeting or pitch session. PRAISE FROM WILL'S PREVIOUS STAGE 32 TEACHING: "I would not have been able to advance in my writing career without Will McCance and the pitching lab. I highly recommend Will as an instructor and the pitching lab itself for Stage 32 writers. Thank you." -- Sean M. "Will's credentials speak for themself. He is an incredibly knowledgable executive with the passion to help writers get their projects moving forward. Thank you for all your help on my pitching for my feature!" -- Morgan M. "Will has been hands down the best teacher for pitching I've ever had!" -- Chase R.
This script breakdown has a 100% satisfaction rating! The hit HBO show SUCCESSION has shattered Emmy history with a record-breaking 27 nominations for the 2023 Emmy Awards alone! Add that to the 13 Primetime Emmy Awards they've already won, as well as the dozens more nominations over its 4 seasons, it is safe to say that SUCCESSION is one of the greatest shows of all time. As a creative, it's important for you to understand WHY it's so successful. In an exclusive Stage 32 Script Breakdown Webcast the Vice President of Production for Ian Bryce, Will McCance, will break down the first episode of the Emmy award-winning series SUCCESSION using excerpts from the pilot episode. Will McCance is currently Vice President of Production for Ian Bryce, producer of blockbusters like SAVING PRIVATE RYAN, ALMOST FAMOUS, the TRANSFORMERS franchise, and most recently Michael Bay's SIX UNDERGROUND and FINDING 'OHANA for Netflix. Will has worked on hit television shows including THE BOYS and I KNOW WHAT YOU DID LAST SUMMER for Amazon, PREACHER for AMC SWAT for CBS and MAX TILT for HBO Max. During this FREE Stage 32 Next Level Webcast Will will take you through the SUCCESSION pilot as he examines the main story engine introduction and themes, how character arc intros and drama is teed-up for the season, managing the script's pacing in an ensemble cast and exploring it's tonal elements, and much more! Plus, everyone who registers for the webinar will receive a copy of the pilot script of SUCCESSION to study after the webinar is over!
Learn how you can craft the perfect sitcom from a writer who has developed and produced content for VH1, Comedy Central, Funny or Die, Adult Swim, and more. You’ve done it! You’ve come up with the brilliant idea for the next juggernaut hit comedy. Now comes the hard part: Deliver a story with a fresh point of view and have every reader laughing on every page. It’s an overwhelming process but this Stage 32 exclusive on-demand class will walk you through, step-by-step, from concept to outline, with the guidance of a professional comedy writer. Many writers don’t invest in the world of their sitcoms. Through this class, you’ll learn to understand world-building in situation comedy, how to create memorable characters that fit in that world, and how the humor comes out of the premise of your show. You’ll examine successfully produced sitcoms and examine different structures to find out which fits your script best. Walking you through how professionals craft and develop their own scripts is Michael Sokol, a screenwriter and producer whose pilot, TACO TUESDAY, was optioned by PopTV (SCHITT’S CREEK) and Drew Barrymore’s Flower Films. His other credits include CAKE for FXX, MANDY for SpectreVision, and executive producing the feature film POSTAL. If you want to get into the TV comedy writing industry this class is for you. Testimonials from Michael's previous Stage 32 Education: "While incredibly knowledgeable in comedy and writing and structure in general, [Michael] is never trying to impose his own sensibilities on new writers. Instead, he has an innate sense for how to allow that writer to bring out their own sensibilities, even if they've never written a single page before" - Madison H. "Michael is an incredible comedy teacher. Not because he’s hilarious and a really experienced writer, but because he’s such a good listener and mentor. He encouraged me to better understand my point of view and then up the ante on the funny based on that. And my work got so much better with every pass because of his methodology." - Loretta C.
In this Executive Hour we speak with screenwriter Lorien McKenna! Lorien is a former Pixar Story Manager who worked on such features as Oscar-winning UP, Oscar-winning BRAVE, Oscar-winning INSIDE OUT, and THE GOOD DINOSAUR. She also served as a producer for Paramount Animation where she oversaw development for WONDER PARK. Lorien, along with Oscar-nominated writer Meg LeFauve, sold their romantic comedy anthology, THIS THING CALLED LOVE to Hulu with Dan Lin producing; as well as a half hour sitcom, POOG to NBC and WBTV. Lorien also wrote HOW TO SET A FIRE AND WHY, based on the book of the same name by Jesse Ball, for Straight Up Films. Previously, she served as the Co-EP for Hulu's CURIOUS GEORGE series, and has developed projects for Disney Jr., Funko, and Netflix. She is the co-host of the podcast The Screenwriting Life with fellow screenwriter Meg LeFauve. During the webcast, Lorien discusses her unusual career trajectory, working in the "Brain Turst" on Oscar-Winning animated films at Pixar, battling "Imposter Syndrome", tackling adaptations, writing for television vs. features, how hard it is to take notes even as an established writer, and much more!
If you hang a gun on the wall in the first act, it better go off. In this webast, we took a look at the "Chekhov's guns" in the Winchester of Shaun of the Dead, the rock hammer in Shawshank, the coins in In Bruge, and more!
Learn directly from Morgan Long, a coordinator from one of the big six Hollywood agencies in the TV literary department! She'll give you specific insider knowledge of the agency system and what it takes to get their attention. There is a cloud of mystery surrounding one of the biggest and most fundamental components of the Hollywood industry – and that’s the agency. Whether you’re a writer, director, non-writing producer, actor – and the list goes on to cover even the most obscure type of talent imaginable– it’s pretty basic knowledge that representation is necessary to launch your career. In this jam-packed Stage 32 Next Level Webinar, Demystifying the Agency World, Morgan will take you inside the walls of a premier Hollywood agency to shed light on the inner workings of how deals get made, how agents think and ultimately, how you can take steps in your career towards securing the holy grail that is representation. You will leave the webinar knowing: The types of representation The different departments within an agency and how they work together and function independently. The types of jobs for TV clients Identify the players we sell to What sells in the marketplace? What is packaging? An agent's day-to-day What agents want in potential clients (the brutal, honest answer) Finding representation Moving forward without representation