Screenwriting

From structure to content to representation to industry trends, this is the place to discuss, share content and offer tips and advice on the craft and business of screenwriting

Bring Your Questions: Join Us for the FREE Stage 32 Community Open House

Bring Your Questions: Join Us for the FREE Stage 32 Community Open House

Wednesday, September 23rd at 12:00pm PT

You have questions. You're curious about how to actually make the most of your time on Stage 32, how to use the resources here successfully, how to build genuine relationships that lead somewhere meaningful, and how to move forward with real intention. How to find the right collaborators, producers, financiers, reps, distributors, etc.

That's exactly what this FREE event is designed for.

Our Community Open House is a live, fully interactive conversation hosted by me, Ashley Smith, Head of Community here at Stage 32. It's a genuine gathering where you get to show up, share what you're working on, ask the questions that have been on your mind, and get direct guidance tailored to where you actually are in your journey.

Whether you've attended one before or this is your first, the conversation is different every single time. It's shaped by the members who take the time to join, be present, and bring their real questions to the table. Your voice, your goals, and your curiosity make each Open House uniquely valuable.

Free Registration: https://www.stage32.com/education/products/stage-32s-september-2026-community-open-house-webcast

We'll cover the tools and features on Stage 32 that most consistently create momentum for members, and we'll talk about what's happening on the platform that you don't want to miss out on. September lands us in a genuinely exciting stretch of the year. We're coming off Venice and Toronto International, in the middle of New York Film Festival, heading into Austin Film Festival, and gearing up for our annual November Write Club campaign. There's real opportunity to position yourself for what's ahead, and we'll talk about how to do exactly that.

We'll close with a live Q&A focused entirely on you, your questions, your projects, and your next steps. And if you can't join us live, don't worry! Registering guarantees you the full recording so you can watch it anytime, from anywhere.

Come as you are. Bring your questions. Let's have a real conversation.


Orxan Kərimov
New Sci-Fi/Horror Feature Script: THE GLOW (Looking for Producers/Directors)

Hi everyone,

I just finished my new feature-length Sci-Fi/Horror screenplay titled "THE GLOW", inspired by a vivid, subconscious dream. It’s a high-concept, contained survival thriller with strong body horror elements.

Logline: During a sudden apocalypse where anyone who looks at a mysterious yellow-r...

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Liked by Maurice Vaughan

Heather Jacks
Testing loglines in the wild (and cutting that last word!)

I tested my logline by carrying it around on paper and pitching it out loud to waiters, people in line at the coffee house, and random strangers on the street—whoever would listen!

By testing it on real people, two questions kept coming back: Is JJ still alive? and What did Hazel actually do? Those q...

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Maurice Vaughan

That's a great idea, @Heather! The logline is the first thing or one of the first things I come up with in the outline. I try out different protagonists, inciting incidents, etc. in the logline to see...

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Liked by Jim Boston and one other

Gregory Barone
Not certified for this.

I'm posting this about the pickle I found myself in. I helped this guy from africa, he's a Zambian writer and filmmaker, and I helped him with his script and wished him luck with it and just a few days ago I got an email from him asking to help him and be an agent or manager and act as representatio...

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Mike Boas

If Laila wants his script, what does he need a manager for? Sounds fishy.

Also, he can go on IMDb Pro and research managers himself.

Gregory Barone

Mike Boas I don't know.

Donna Hoke
My script was on Scriptnotes!

If you listen to the show, my prizewinning script, DYING TO LOVE YOU, was featured on the three-page challenge. The Hacks co-creators were the guest stars, which was pretty cool. Even better, they didn't tear it apart!

Liked by Michael Dzurak and 2 others

Tamara Green
What Can You Share About *The Art of Writing*

I think novelists and essayists tend to be taught more about the art of writing. In screenwriting, I've learned a lot about structuring and developing the character and world of your screenplay over the past several years, but I've been taught practically nothing outside of that on the actual craft...

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Jim Boston

Tamara, I've learned to write dialog so that it's no more than six lines long...and if a character has to give a speech, I break it up with action lines. (Anything to help those who read the script......

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Mike Boas

Some things are best learned in high school English class.

Michael Dzurak

Screenplays in a genre you don't like can be very instructive. I almost never watch (or read) rom-coms, but I gave When Harry met Sally a read and had several screenwriting epiphanies.

David Taylor

I use five and three/four

Lindbergh Hollingsworth

As long as it makes sense, that's all the matters.

Liked by Tomás Daniel and 3 others

Tomás Daniel
How I Write a Scene

How I Write a Scene

One thing I’ve learned about my writing process is that I don’t always begin with dialogue or even words.

I begin with the scene.

I close my eyes and visualize it like I’m watching a film:

Where are the characters?

What are they doing?

What do they see?

What changes during the scene?

Wha...

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Tomás Daniel

Maurice Vaughan Thank you, Maurice! That’s exactly how I like to develop my stories as well — I first visualize the scene in my mind as if I’m watching the film, and then I translate that vision into...

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Tomás Daniel

Nicolas Lavoie Absolutely. I agree that every scene needs a clear purpose. When I visualize a scene, I also try to understand what needs to happen emotionally and narratively before moving forward. Kn...

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Tomás Daniel

Jim Boston I really like that approach. I also find it helpful to work out the scenes before writing the full script. Having the scene list gives me a clear roadmap of where the story is going, and wh...

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Jim Boston

Tomas, I like how you think! Great post you've come up with!

Maurice Vaughan

You're welcome, Tomás Daniel. I also visualize the trailer. It helps me think of scenes and ideas for the script.

Liked by Jim Boston

Vincent Paterno
Questions on a potential producer's process

I recently emailed a producer who I met via Stage 32. Checking his IMDb page (which he suggested I do) proved he was legit (although to be honest, his background really isn't in my genre), but that's neither here nor there.

Anyway, he filled me in what I'd need to do in order to work with him -- aft...

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GJ Harvey

No, that's not how it works. I would politely decline.

Eric Christopherson

Not how it works. Scam.

Robert Zwerneman

It appears the Nigerian Prince has branched out into faux-film making. Your so-called producer is a complete fraud.

Colin Mummery

I had a similar approach a while back from a person pretending to be someone else with an impressive imdb page. The words 'facilitation fee' and 'reimburse' can be roughly translated to 'scam'.

Göran Johansson

The scammer appears to have stolen the name of a legit producer. If possible, tell the legit producer that there has been an identity theft. So the legit producer can tell the police.

Liked by Alex Tasioulas and one other

Alex Tasioulas
My new movie logline

Three People. One Mission. One Last Chance.

Three people, three different lives, and one common goal: to finally make their lives mean something.

Ethan Bennett, Tom Hayes, and Jake Wilson have nothing in common. Each of them has grown up through their own struggles, carrying a different past and a dif...

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Liked by Sujon Sarker and 15 others

Dwayne Williams
Low-budget screenwriting question

Hello screenwriters, I'm stepping into low-budget filmmaking, and I want to learn from your experience. What genres (or genre combinations) do you find most complex to pull off on a tight budget, and what makes them so challenging? I'm looking to avoid the pitfalls before I start, so your honest takes would be invaluable.

Dwayne Williams

Oh, that spaceship thriller example gave me a few new ideas! Thank you for this perspective Luke Kelly-Clyne.

David Taylor

Movie in a room. Difficult to keep the interest. Most movies like that are boring.

Göran Johansson

Dwayne, feel welcome to DM me.

When it comes to using a few million dollars for a movie. Here in Europe that is the ordinary situation, not a low budget alternative. And that includes the money spent o...

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Eric Christopherson

Mainly one room films don't have to be boring: 12 Angry Men, Rope, Misery, The Hateful Eight.

Göran Johansson

Yes Eric, some people have the talent to write movies in one room, but it is not very common. So I avoid it, even though I have written one act plays, with everything in the same room.

Liked by Michael David and 2 others

M. Fisher
New to Town but not really

I wrote screenplays in my twenties. A 126-page ensemble drama set over one day in Santa Monica, because that's what everyone was writing in 2008 and I have never once been early to anything. A psychological thriller with a detective, a partner, and letters written in red ink. Neither got made. Both...

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Robert Zwerneman

Well, you definitely completed the first step. Congrats! At least you aren't blaming someone else. But what would I know? Even though I wasn't here for your initial visit, welcome back.

Liked by Sydney S and 3 others

James Lagrimas
Stage 32 8-Part Screenwriting Lab: Write a Historical Fiction TV Pilot Script in 8 Weeks (August 2026) by Anna Henry

Period dramas are having a serious moment — Death by Lightning debuted as Netflix's #1 show globally, and The Gilded Age just pulled in 5 million viewers for its season 3 finale. If you've got a historical fiction TV concept you've been wanting to develop, there's never been a better time to get it...

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Sydney S

So excited for this lab, Anna is the best!

Sydney S

Historical is so hot right now!

Anna Henry

I am so excited to teach this lab once again! I actually have two historical fiction projects that I developed with Stage 32 writers I met in labs. One of them is moving forward now which is very exciting! I am really looking forward to stepping into all of your exciting worlds!

Martin Zitter

Looking forward...

David Taylor

I have three. 18th century “US” colonists; 17th century Scotland; 1980s spy/crime world. Oops - four. - first century Rome + present.

Liked by Tuğba Eryılmaz and one other

Tuğba Eryılmaz
DARK BLOOD — Fantasy Feature Film

Headline:

DARK BLOOD — Fantasy Feature Film

Post:

I’m currently developing DARK BLOOD, a fantasy mystery feature film.

Centuries ago, wizards and magicians lived together in peace — until the birth of a girl whose existence would eventually divide them.

Her mother hides the truth about her for years, but...

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David Taylor

Good. A popular type of tail. Memnun oldum.

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