From structure to content to representation to industry trends, this is the place to discuss, share content and offer tips and advice on the craft and business of screenwriting
Does anyone pay attention to “concept” anymore? Like, the kind of thing where an exec can read the script and say “You know, this is crap writing, but that idea, that idea has legs.”
Or do execs prioritize other features of the script above “concept”?
Just wondering...
Stage 32’s founder and CEO, Richard “RB” Botto, shares two videos in today’s blog.
In the first video, Every Frame a Painting explores the critical thought process behind camera placement.
In the second video, RB breaks down why embracing a multi-hyphenate mindset can be your greatest asset, how to...
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Stage 32 is giving away 55 FREE scripts from this year’s top nominated movies for The Oscars, Golden Globes, SAG Awards, and BAFTAs for you to read and study! Get the scripts here: https://mailchi.mp/stage32/oscarscripts...
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For 13 years she has served as Washington D.C’s first female diocesan bishop. She is the Bishop of Washington’s National Cathedral and as part of her dominion tradition, she held a service for the incoming President. No matter your faith or what country you live in, her words and request of that ser...
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Mariann Edgar Budde showed us what true moral courage looks like.
Howdy Peeps,
It's me, Mike, again coming in hot with my burning screenwriting questions!
I don't get the general aversion to flashbacks. Almost every article, post, book section, etc. rails against them. Trottier, in The Screenwriter's Bible is basically like, 'They almost never work, avoid them'. Yet...
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Long or short flashbacks do you use, John C. Bounds ?
Claude Gagne If I do they are short.
John C. Bounds I also enjoy writing flashbacks. My lengths are either long or short, depending on what I need to convey in order to keep the story pushing forward. Example (long): I’ve written a femal...
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The best utilization of a constant use of flashbacks was the 1972 Kung Fu series. Second place, 2012's Arrow. Use those two shows as prime examples and you can never go wrong. For a single feature fil...
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Philip David Lee Oh man I loved watching reruns of the original Kung Fu although still a bit miffed Sifu Bruce Lee didn't get the starring role. In fact when people ask what I do for a living I often...
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Hey creative family - just wanted to share my latest blog post. Thanks in advance for taking the time to read and comment...
So I’ve now made it to year two in my journey with Stage 32 and what a journey it’s been! As I mentioned in my year one post, I enjoy reflecting in order to stay positive on th...
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Thanks Mark Deuce - really means a lot. Hope you're doing great!
Doing great Leonardo Ramirez and hope that your year is off tp a great start!
It is Mark Deuce. Just put together some scripts samples for voiceover. We'll see what happens.
what a great share and blog written! appreciate your openness to how you were able to explore your horizons!
Thanks so much Sam Rivera. Means a lot!
Congratulations to the winner of this year's Search for New Blood Contest, Travis J. Opgenorth, who won with his supernatural horror script THE WHISPERERS!
Logline: When a psychic reading causes his wife to end her life, a skeptic ex-cop makes it his mission to debunk spiritualists, until he encounte...
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Congratulations, Travis!!! THE WHISPERERS sounds thrilling!
Hey friends, today is the Extended Deadline for the 9th Annual Comedy Feature Screenwriting Contest. Among this year's judges, we have execs from Hartbeat Productions, Miramax, and American High, alongside producers from movies like OLD DADS, JOY RIDE, and INGRID GOES WEST! So now is the time to bre...
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Get ready for another exciting Stage 32 Community Wrap-Up this Friday at 10:00 am PT / 1:00 pm ET with Stage 32's Head of Community, Ashley Smith, and Community Manager / Writer's Room Producer, Kay Ross!
We'll be covering all the amazing things happening right here on Stage 32 – from upcoming events...
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I'm looking forward to the Community Wrap-Up, Ashley Renee Smith! They're always fun and helpful!
If you missed today's Instagram Live, you can watch the full video HERE: https://www.instagram.com/reel/DFOE8lWyVLz/?utm_source=ig_web_copy_link&......
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Join us LIVE on Instagram today at 10:00 A.M. PST/1:00 P.M. EST. We’ll be talking industry news, creative inspiration, and how to get YOUR script sold this year!
Go to Instagram NOW to make sure you’re following the @stage32 and @stage32scripts accounts so you’re ready to join us.
If you missed today's Wrap-Up or you want to watch it again, here's the link: www.instagram.com/reel/DFOE8lWyVLz
Karina Wilson, Writer, Story Consultant, and Former Story & Development Analyst for IM Global (SECRET IN THEIR EYES, THE CIRCLE, 13 SINS), is hosting an exclusive AMA all day in the Writers’ Room Lounge, answering questions about “Important Worldbuilding Elements”!
Questions like:
What are the world...
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KNEECAP is a really great movie and on Netflix now
(https://deadline.com/2025/01/rich-peppiatt-kneecap-belfast-hip-hop-trio-...)...
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Good points above. And yet -- we humans do keep telling the same concepts over and over with different takes for different times. Researching my book and presentations on: "BEYOND THE HERO'S JOURNEY -...
Expand commentGood points above. And yet -- we humans do keep telling the same concepts over and over with different takes for different times. Researching my book and presentations on: "BEYOND THE HERO'S JOURNEY - Other Powerful Mythic Themes" made that really clear. You can find the principles with examples explained well also in mythologist Joseph Campbell's works, as well as Robert Graves and Stephen Fry. The trick is to well cover those two essential elements of effective story-telling -- Familiarity and Surprise. / Best of luck to all of you re-telling some of our fave myths in many different ways, from different perspectives, with different messages, styles, and such. We're all after better stories and "mythology is where they keep a lot of the best stories".
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I'd say don't worry about what an exec feels, wants, believes, and seeks. I believe every writer is different in the way they approach a subject, whether identical or not; just like we're all equipped...
Expand commentI'd say don't worry about what an exec feels, wants, believes, and seeks. I believe every writer is different in the way they approach a subject, whether identical or not; just like we're all equipped with a different set of finger prints, is what will make your concept different. I say write about your experience. Write about what you know, about what you see, what you feel, and think...because we're all different in our own ways; and that's when an Exec will find your concept to be different. You and I can wear the same suit, but the color shirt I wear, tie or no tie, pocket square or not, is what will make me stand apart from how we both wear the suit, and how the exec sees us both, identically, different.
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First, Nice post! In my opinion (if I may) I do not focus on anything industry when I write. My focus is on the Story/Script/Piece itself. I do not worry about opinions (That creates writer's block and disturbs the flow). In my opinion.
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Matthew Kelcourse, that's what reading the biographies really teaches you. What's revered now was typically rejected early on. The last chapter of my book is dedicated to critics that slammed the most popular films in movie making history.
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If you've been around this game long enough, you worked on duds, for whatever reasons.
Im old and I remember when Bonfire of the Vanities was considered the greatest novel of the 20th century. The writ...
Expand commentIf you've been around this game long enough, you worked on duds, for whatever reasons.
Im old and I remember when Bonfire of the Vanities was considered the greatest novel of the 20th century. The writer, Tom Wolfe, was treated like a god in New York. It was a cant miss movie...All star cast & crew...and audiences- before there was internet or rotten tomato reviews- didnt show up to buy tickets. That's show bizness :)