Stage 32 Screenwriting Lab: Rewrite Your TV Series Pilot Script In 6 Weeks

Payment plans available - contact edu@stage32.com for details
Taught by Anna Henry

$599

On Demand Class - Available for immediate viewing and unlimited access.

Sorry. This lab is fully sold out.

Who Should Attend:

All levels of screenwriters (advanced, intermediate and beginner) looking to rewrite their TV series pilot episode script.

All levels of screenwriters (advanced, intermediate and beginner) looking to learn the fundamentals of a TV pilot rewrite.

All levels of producers (advanced, intermediate and beginner) looking to learn the the fundamentals of a TV pilot rewrite and how to improve an existing draft of any pilot script.

All levels of actors (advanced, intermediate and beginner) looking to take more control of their career by learning the the fundamentals of a TV pilot rewrite and improve an existing draft of a TV pilot script.

 

Stage 32 Next Level Education has a 97% user satisfaction rate.

Projects:

Class hosted by: Anna Henry

Producer & Development Executive (Clients Worked with Netflix, AMC, Amazon, Sony, HBO and more)

Anna Henry is a Producer and Development Executive. Anna has set up projects at Sony, 20th Television, EOne, Starz, Amazon, Netflix, Corus, ITV America and more. Anna began her career as a development executive at Nickelodeon, then crossed over to prime-time television working at CBS and ABC in drama development and programming before working in management and establishing herself as an Independent Producer. She was Head of Development at Andrea Simon Entertainment, a boutique literary management and production company representing writers and directors. She has more than 15 years of experience working with writers on developing their passion projects and building their careers with client credits including Netflix's SEVEN SECONDS, Starz's VIDA, BET’s IN CONTEMPT, Showtime's THE CHI, NBC's THIS IS US, The CW's JANE THE VIRGIN, DirecTV's KINGDOM, AMC'S FEAR THE WALKING DEAD, PBS' MERCY STREET, and HBO's THE DEUCE, BIG LOVE, AND VINYL, among others. Full Bio »

Summary

Rewrite your TV series pilot script with expert guidance from Anna Henry, a producer who was worked with CBS, ABC, Nickelodeon, and more!

PLUS! You will receive multiple exclusive handouts to help in your rewriting process!

***Flexible Learning: if you cannot attend any of the sessions live don't worry - you will be sent the links to the recordings of each session within 48 hours of the live session and you will have direct access to Anna on email to ask her any questions about your craft or career so you can keep up at your own pace and schedule.***

Payment plans available - contact edu@stage32.com for details

 

Writing is rewriting… and rewriting, and rewriting. Every writer is familiar with this adage, but when you have finished the first draft of your TV pilot (congratulations!), it can be daunting to plunge into the inevitable second draft. Stage 32 is here to provide expert guidance and mentorship while you rewrite your TV pilot and get it market ready!

Maybe you know some things in your pilot aren’t working but you are just not sure where the problems lie, or how to fix them. Maybe you have received notes you don’t quite understand or aren’t sure you agree with, making them hard to address. Maybe you have submitted your pilot to contests and haven’t moved past the quarter or semi-finals or pitched and pitched only to get script requests but no development offers. This is not the time to give up - it’s time to double down, to dive into your second (or third, or fourth…) draft with the guidance of a top development executive and literary manager.

Writing may seem like a solitary occupation, but all writers need guidance. Especially TV writers. TV writers work in rooms, work with showrunners, producers, managers and executives giving them feedback. They belong to writers’ groups. If you don’t have those support systems guiding you through your rewrite (or even if you do and need a fresh perspective), this lab is for you. Let’s dive in together!

In this exclusive Stage 32 6-part screenwriting lab, you will rewrite your existing TV pilot script under the guidance of an industry leader to guarantee your next draft is not only an improvement of your work, but ready to go to market. Guiding you through the rewriting process for your pilot is Anna Henry. Anna is a producer and development executive who has set up projects at AMC, Amazon Prime, Starz, HBO, Sony, Fox, EOne, ITV America, and OddLot Entertainment, among others. She’s worked at CBS, ABC, Nickelodeon, and multiple production companies, as well as in management at Andrea Simon Entertainment where she worked with writers. Anna is also an instructor for Netflix & Stage 32 Creating Content for a Global Marketplace Program.

Over 6 interactive sessions, you will find out the most effective strategies to rewrite on a large scale, revise scene-by-scene and polish the details of your script till it shines. You will receive valuable worksheets and checklists that help you keep track of the steps you need to take to improve your script. Through virtual classroom sessions and one-on-one sessions with Anna, you will receive personalized feedback to improve your script.

PLUS! You’ll receive exclusive handouts to help in your rewriting process. Downloads include:

  • Story grid worksheet
  • Character description elements
  • Scene elements worksheet
  • Sample scenes analysis
  • Polish “to-do” checklist

If you’re looking to punch up and rewrite your pilot script and turn script problems into storytelling opportunities, this lab is for you!

**Please send your current pilot script to edu@stage32.com immediately after signing up for the course so you can receive personalized feedback from Anna.**

 

Praise For Anna's Previous Stage 32 Teaching:

"Anna's webinar was fantastic. I am writing my first one hour drama pilot so this webinar was packed with the exact information that I will be immediately putting to use in my rewrite. The slides were clear, concise and informative. The speaker was excellent at conveying the information I needed." -Bobby C.

"It was really great information. Anna was a terrific host, very knowledgeable and shared a lot of information and tips." -Marla H.

"This was by far the best webinar on pitch documents that I have experienced. I've seen others where they give certain advice that she warned not to do!" - Tiffany C.

"So informative on the structure of a pitch. What's needed and how to go about dealing with the things that will come up during a verbal pitch or simply in the relationship between those giving a pitch and those receiving one. Well organized Anna, thank you!" - Julia L.

What You'll Learn

PRE-CLASS PREP – Submit your finished first draft in advance of the first class. You will be revising this draft during the course of the lab.

WEEK 1 – Rewriting – The Big Picture

We will begin by talking about what constitutes a rewrite and how to process notes and let go of what you have already written to get ready for a fresh way to tell the story.

  • How to use reverse outlining and pulling out single story threads to check story logic and emotional logic
  • How to ensure each storyline and main character is tracked through every act
  • The importance of landmark scenes
  • Checking character wants
  • Act outs
  • How to launch your series in the pilot
  • How to use character descriptions to help with rewriting
  • Warm vs. cold reads
  • Q&A with Anna

Assignment: Reverse outline your first draft. Take apart storylines and scene structure (as needed) on index cards or using software. Create any missing or incomplete character descriptions using the character description elements checklist. Outline your second draft on a story grid worksheet, making sure you follow character wants.

 

WEEK 2 – One-on-One Consultations (No Online Class)

This week will consist of one-on-one consultations regarding the first draft of your script which you sent in at the start of the lab. We will discuss your overall intentions with the script, feedback you have received, concerns you would like to address, and general guidance on strategies for completing a second draft. Consultations will be scheduled via SignUp Genius.

Assignment: Continue with revisions from first class. Be prepared to ask questions based on the notes you receive. You will not be turning in weekly revisions of your script but using the assignments as guideposts to keep you on track to finish a revised draft for the second consultation.

 

WEEK 3 – Rewriting / Revising – Common Problems and Strategies

We will continue to talk about overall story structure addressing common problems with length, scene structure and tone. We will discuss effective strategies to use and add to what you have already written to solve story problems.

  • What is the proper length for your script and what to do if you are running long or running short
  • Combining and cutting charactersWhat is the value and drawbacks of narrative devices?
  • Scene structure
  • How to look for and find solutions in previous scenes, as well as how to find single solutions to multiple scene problems
  • Maintaining a consistent tone
  • Revisiting themes throughout the pilot and series
  • Scene study - looking at pacing, plants & payoffs, and the value of suspense and surprise. You will receive a scene elements worksheet to use in your revising.
  • Q&A with Anna

Assignment: Continue organizing your scenes and revise the structure of your script using your story grid. Use the scene elements worksheet to identify and begin to revise key / problem scenes. Consider what cuts you may need to make to your script or how you might add to existing storylines. Consider if / how to use narrative devices and specific tonal elements. Finish working through all the major notes you received in the first consultation.

 

WEEK 4 – Revising – Scene by Scene

We will continue strategies for revising individual scenes with the aim of dense writing.

  • How to convey setting in the beginning and end of scenes
  • Visualizing and timing out scenes and being concise without novelizing
  • Eliminating dead scenes
  • Strategies you should take for a dialogue pass, including on-the-nose dialogue, rationing information and avoiding obvious exposition, as well as a comedy pass.
  • The importance of the teaser and Act I scenes, perfecting the first 10 and 20 pages.
  • Identifying and eliminating “cursed scenes” (scenes you have revised many, many times but they never seem to work)
  • Why reading your work aloud is important
  • Q&A with Anna

Assignment: Check each scene in your script and problem-solve by revising or cutting scenes. Check descriptions and visually time out each scene. Read your script aloud and work on a dialogue pass. Revisit your teaser and Act I to see if any further changes are needed. Watch / read sample scenes and Anna’s analysis of why they work.

 

WEEK 5 – Polishing

The final pass/further drafts!

  • Strategies for polishing your script
  • Dialogue revisions, including fixing clunky sentences and tightening
  • How to use the active voice and evocative action verbs
  • How to ensure your writing is infused with your specific voice
  • Avoiding common formatting problems
    • How to make a title page
    • The importance of proper grammar and punctuation.
  • How to know when to stop tinkering with your script
  • Key questions to ask readers who are giving you feedback
  • The value and difference between registrations with US Copyright and the WGA
  • Q&A with Anna

Assignment: Finish your rewrite. Optional: Using polish to-do list, smooth out the details of your rewrite.

 

WEEK 6 – One-on-One Consultations (No Online Class)

You will have four weeks from the date of the Week 5 class to finish your revised draft. A final date for turning in scripts will be set. One-on-one consultations regarding your finished second draft will be scheduled individually when you turn in your draft, in which you will receive detailed feedback on how to move forward.


WHAT TO EXPECT:

PLEASE NOTE: This exclusive Stage 32 lab will be booked on a first-come, first-served basis. The opportunity to work this closely and for this long with an executive and an expert in the field is an incredibly unique and valuable opportunity. If you are interested, please book quickly. Once the spots are gone, they’re gone for good.

  • This lab is designed for beginner and intermediate writers interested in rewriting the pilot script for their TV series.
  • By the end of this 6-week lab, you will have a completed rewrite of your TV series pilot episode script.
  • This is an in-depth, practical, and detailed lab with one-on-one time with the instructor and significantly more content than a standard 90-minute webinar.
  • You will be held accountable to take the lessons from each week and move your work forward.
  • Plus, to stay motivated and inspired, you will have access to a private, dedicated Stage 32 Lounge where you can communicate with your fellow classmates throughout the length of the lab.
  • **Anna will be available to you on email during the 6 sessions to answer any questions you have about your craft, career or project.**

Payment plans are available - please contact edu@stage32.com for more information

About Your Instructor

Anna Henry is a Producer and Development Executive. Anna has set up projects at Sony, 20th Television, EOne, Starz, Amazon, Netflix, Corus, ITV America and more. Anna began her career as a development executive at Nickelodeon, then crossed over to prime-time television working at CBS and ABC in drama development and programming before working in management and establishing herself as an Independent Producer.

She was Head of Development at Andrea Simon Entertainment, a boutique literary management and production company representing writers and directors. She has more than 15 years of experience working with writers on developing their passion projects and building their careers with client credits including Netflix's SEVEN SECONDS, Starz's VIDA, BET’s IN CONTEMPT, Showtime's THE CHI, NBC's THIS IS US, The CW's JANE THE VIRGIN, DirecTV's KINGDOM, AMC'S FEAR THE WALKING DEAD, PBS' MERCY STREET, and HBO's THE DEUCE, BIG LOVE, AND VINYL, among others.

Schedule

Sunday October 8th 10am-12pm PT

Sunday October 15th 10am-12pm PT {One on Ones}

Sunday October 22nd 10am-12pm PT

Sunday October 29th 10am-12pm PT

Sunday November 5th 10am-12pm PT

Sunday November 5th 10am-12pm PT {One on Ones}

FAQs

Q: What is the format of a lab?
A: Stage 32 Next Level Classes are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.

Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the class.

Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live class. Upgrade your Windows computer / Upgrade your Mac computer

Q: What if I cannot attend the live lab class?
A: If you attend a live online class, you will be able to communicate directly with your instructor during the class. If you cannot attend a live class, you will have access to the entire recorded broadcast, including the Q&A. Plus, your instructor will be available via email throughout the lab.

Q: Will I have access to the lab afterward to rewatch?
A: Yes! After the purchase of the lab, you will have on-demand access to the video recording, which you can view as many times as you'd like!

Questions?

If you have a generic question about Stage 32 education you can take a look at our frequently asked questions section on our help page, or feel free to contact support with any other inquiries you might have.

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Learn From A Producer and Development Executive who has worked at CBS, ABC, Nickelodeon, and more! "It was amazing, enlightening - completely. I learned soooo much - especially as a feature writer who's been asked to turn a feature script into a pilot!! Thank you soooooo much." -Kristin G. The market for historical dramas is hot. Shows like The Crown, Genius: MLK/X, The Law According To Lidia Poet, The Great, Babylon Berlin, The Empress, Call the Midwife and more are dominating with controversial plot lines and riveting characters. But to sell a historical drama, you first need to know the specifics of writing this specialized genre. You need to understand what type of intellectual property makes for a compelling story and then have the skills necessary to turn this historical piece into a modern, binge-worthy series that speaks to today's audiences. In this exclusive Stage 32 on-demand webinar, industry veteran Anna Henry who has worked as a development executive and producer and has shepherded numerous projects through networks and streamers is here to show you how. Anna is a Producer and Development Executive who has worked at CBS, ABC, Nickelodeon, and multiple production companies, as well as a manager at Andrea Simon Entertainment. Her clients have worked on shows such as THE DEUCE, POWER, IN CONTEMPT, TOMMY, VIDA, SEVEN SECONDS, HUNG, CHICAGO FIRE, FEAR THE WALKING DEAD, THIS IS US, and THE FLASH, and have set up projects at AMC, Amazon, Starz, HBO, Sony, Fox, EOne, and more.   Anna has projects currently in development around the world and is incredibly familiar with what goes into a great television pilot. If you are developing a historical drama or ever want to try, this information-packed webinar is a must!   Praise for Anna's Stage 32 webinar:   "The webinar was fantastic. I am writing my first one hour drama pilot so this webinar was packed with the exact information that I will be immediately putting to use in my rewrite. The slides were clear, concise and informative. The speaker was excellent at conveying the information I needed." -Bobby C.   "It was really great information. Anna was a terrific host, very knowledgeable and shared a lot of information and tips." -Marla H.   "Comprehensive, insightful. Combined a lot of material I had heard snippets of on character, world dev, etc. but artfully stitched together in one presentation." -James F.      

How to Write A One-Page Synopsis For Your Television Project

Learn how to create an essential one-page synopsis for your television series pitch from a top TV executive and manager who has taught for Netflix and whose clients have worked with HBO, Amazon, Starz, ABC, CBS, and Nickelodeon! PLUS! You will receive exclusive handouts to help you create your synopsis including a one-pager worksheet and series pitch documents for HOUSE OF CARDS, RECTIFY, and SIX!   The most important part of the pitch bible for your TV series is your one-page synopsis. However, if you have ever written a pitch deck or bible, you know that the one-page synopsis is oftentimes the hardest part to create.  You keep going back to it, trying to revise and perfect it, not quite able to get it all down on the page. Sometimes it's more efficient to make the rest of the pitch document first and then come back to your synopsis, but even then it is tricky to summarize your story into one page. How do you summarize an entire TV series in one page anyway? And yes, it needs to be one page, because when you start to pitch, you will find again and again that busy executives, managers, and producers just want to read a “one-pager” first. It is an established and expected format.  So Stage 32 is here to help! In this exclusive Stage 32 on-demand webinar, you will learn how to create a compelling one-page synopsis for your television series from Anna Henry. Anna has over 20 years of development experience as an executive at ABC, CBS, and Nickelodeon, and has worked as a representative helping her clients set up projects at ITV America, Sony, 20th Television, EOne, Starz, Amazon, OddLot Entertainment, Corus, and many others. Anna has a plethora of knowledge and experience to share with you to help you perfect your TV series one-page synopsis. Anna will break down the TV series overview into its component parts, giving you step-by-step guidance on what to include and how to communicate your series in a compelling, specific, yet succinct way. You will learn how to categorize your show, how to communicate the elements of your project in a nutshell, and how to hook your reader with the central conflict and stakes of your story. You will go over additional elements you might include, such as tone, themes, episode ideas and your personal connection to the material. Finally, Anna will talk about a slightly longer type of short pitch – the two-page or 8-minute pitch required for Stage 32 pitch sessions. If you are looking to get your TV series out into the world, then this webinar is a must! Plus! Anna will provide you with exclusive handouts to help you create your compelling and essential one page synopsis. Downloads include: One-pager worksheet HOUSE OF CARDS series pitch document RECTIFY series bible SIX series pitch document Testimonials from Anna's previous Stage 32 Courses: "This was by far the best webinar on pitch documents that I have experienced." - Tiffany C. "So informative on the structure of a pitch. What's needed and how to go about dealing with the things that will come up during a verbal pitch or simply in the relationship between those giving a pitch and those receiving one. Well organized Anna, thank you!" - Julia L. "I really appreciate Anna's teaching method and style. She is knowledgeable and thoughtful, and really cares about her students!" -- Matthew M.

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