Stage 32 Screenwriting Lab: Write Your Feature Screenplay in 12 Weeks with Expert Guidance from a Global Executive (Jan 2024)
Other education that may be of interest to you:
Stage 32 Screenwriting Lab: Write Your Feature Screenplay in 12 Weeks with Expert Guidance from a Global Executive
***Only 2 Spots Left - Grab Your Spot Now*** Write your feature film screenplay in 12 weeks while being mentored by a world-renowned development executive! ***Flexible Learning: if you cannot attend any of the sessions live don't worry - you will be sent the links to the recordings of each session within 48 hours of the live session and you will have direct access to Thomas on email to ask him any questions about your craft or career so you can keep up at your own pace and schedule.*** Payment plans available - contact edu@stage32.com for details Are you ready to write your feature film screenplay while being mentored by a world class executive? If so, this exclusive interactive Stage 32 writing lab is for you! Guiding you on your writing journey to a finished screenplay is one of Stage 32's most sought after educators, Thomas Pemberton. Thomas is the Development Executive at the global production company Mind's Eye Entertainment, which has produced over 60 feature film and television projects. Thomas has a keen eye for great material and is quick to champion material he believes in. He's discovered three writers through Stage 32 who now have their projects under option with Mind’s Eye Entertainment! Over 12 intensive weeks, Thomas will work closely with you to outline, write, and actually complete your feature film screenplay. Thomas will lead intimate group sessions where he will offer notes and guidance on specific portions of each writer’s screenplay or vision documents, incrementally and methodically working towards a completed and polished product. You will also work one-on-one over Zoom with Thomas and will have direct access to Thomas over email for the duration of the lab. You will additionally have the benefit of getting support, feedback, and perspective from the other members of the lab, as well as the opportunity to offer your own for their projects. This is a perfect time to take control of your creative career and give yourself the accountability and guidance you need to take this leap and write a screenplay that you can be proud of... and that will get you noticed. You will walk away from this 12 week lab with a completed feature film screenplay in-hand that has been vetted by a top executive that you can share with studios, financiers, agents and managers! "What I most like about working with Stage 32 is finding new writers. We have optioned three projects that have come through Stage32. The range and variety of material is amazing, so whatever you are looking for they have got something for you." -- Thomas Pemberton Praise For Thomas' Stage 32 Teaching: "Thomas was instrumental in helping me get to that glorious 'Fade Out' at the end of my screenplay. After working with Thomas I feel confident that my script is ready to be read by executives and reps!" -- Sabrina S. "I didn't realize how much I didn't know about story structure and dialogue before working with Thomas. He opened my eyes to all the nuances in writing that I apply to all my work now." -- Sam B. "Felt so good to get to the end of my script! Thank you, Thomas, for your expert guidance. This course has truly been invaluable!" -- Liam R.
How You Can Attach A-List Talent To Your Project
Do you have a project that needs a top-tier piece of talent attached to get the proper attention of buyers and financiers? Actors bring your characters and story to life, but before your film is ever seen on screen, signing the right top talent can bring financing and get your project sold. So how do you as a writer, producer or filmmaker approach A-list talent to be a part of your film? In this exclusive Stage 32 webinar, top casting director Dori Zuckerman, who has worked with director Garry Marshall and talent including George Clooney, Elijah Wood, Halle Berry, Sarah Jessica Parker, and more, will give you an insider’s view on the types of projects that attract top talent, as well as strategies to position your project, break through the gatekeepers and actually sign top talent to get your project made. You'll leave this webinar with essential information and important tools to approach difference-making talent for your own projects that can help propel your work and career. Dori has cast over 100 TV series and feature films. Dori is a member of the Casting Society of America and has twice been the recipient of their award for excellence in casting.
How You Can Make Money as a Creative: How to Establish Yourself as a Brand
As independent creatives, most of us have probably accepted our fates as “struggling artists” until we “get our break.” Still, even getting our break isn’t a guarantee for success and financial stability. There’s so much hustle and wait in this industry, but what if it didn’t have to be that way? What if you could take control of opening the golden door to success? This is an industry full of opportunities for those who are willing to engage in the entrepreneurial grind of building a profitable entity within the film industry. If you’re willing to bet on yourself, you can no doubt lead a fulfilling life as an independent artist. The two greatest challenges preventing people from fulfilling their dreams though, are often undervaluing themselves and quitting early. It’s important to learn and own your value and what you bring to the table if you want to set yourself up for success. There are strategic steps you can take towards monetizing your skills and creative ways to find revenue (trust us, it is out there!), but you have to be honest with yourself, be willing to put in the work and stand by your worth. Through iteration, practice, and time, you can even scale your skill(s) into your own business. With the right tools, resources, and motivation, you too can set yourself up for success as an independent artist. Jacob Matthew is the producer of the hit Netflix film LESS IS NOW. He is also the co-owner of the global production company and film agency Booklight. At Booklight he has expanded the agency's global reach in international film production by working with creatives and brands such as Netflix, Open Table, Comedy Central and Twilio. Jacob believes that when creatives are given permission to work in an environment that is as healthy and encouraging as it is disciplined and detailed, their creative ceiling can have no bounds. Booklight’s explosive growth is due, not only, to its co-founder Chris Newhard’s obsession for quality, but also to Jacob's own unwavering pursuit of organizational health and clarity. In this unique webinar, Jacob will share his story of success as an independent producer, and teach you how to find your value while accepting some brutal truths. He’ll also give you a realistic look at the industry today, and guide you on establishing your brand, what and how to charge clients based on your value, and train you on how to build your wealth while managing risk and growing your client list. This course will give you the basic, high level tools to propel you on your journey to leaving your day job and carving out a space for yourself in this industry. PRAISE FOR JACOB'S TEACHINGS: "We all make the mistake of thinking that the term “filmmaker” is a noun, a title to be achieved. We are wrong. A filmmaker is a verb. We film-make everyday that we wake up and decide to do something that moves our film forward. We film-make everyday we look in the mirror and tell ourselves we are on the right path. We film-make every time we encounter an obstacle in our way and choose to get creative. I look forward to teaching you how you can get creative and make a profitable career for yourself." - Jacob Matthew
TV Series Pitch Document Writing Lab (One on One Mentoring)
Only 15 Spots Available! By popular demand, we're bringing in TV executive Anna Henry (who has 100% satisfaction with her webinars!) to teach a one-on-one TV pitch document writing lab! Need help with writing your TV series pitch document? Look no further! Anna's here to help. This is the golden age of television and the appetite for content has never been greater. What does everyone network and streamer want? Fresh, unique, authentic voices with never-been-told stories. While the door is open to new writers, the competition is fierce. Of course you need a very strong finished script, but before that will be read, you need to be able to communicate what makes your show stand out from the crowd, what will make people want to watch it for years and years, and why you are passionate about writing it. You need a blueprint of what the series will be beyond one episode. That's where a pitch document (aka bible, aka treatment) comes in. Whether you are selling your show verbally, sending the pitch to a potential producer, or applying for a fellowship, this document carries the weight of your imagined world with all its inhabitants and stories. That's a tall order! So where do you begin? How do you organize your ideas? What should be in a pitch? How detailed should you get? Should you start with a summary of the pilot? Should you have ideas for future episodes? What should you say about your characters? In this lab we will delve deep into writing an effective pitch for your scripted television idea - one that will clearly communicate your intentions, excite the reader, and convey your voice and your passion. Most writers need help with switching gears and selling their story in addition to telling it - which is the purpose of this lab. Anna has spent her career developing television projects with writers and selling those show ideas as a development executive, manager and producer. What she has found is that most screenwriters have taken classes that helped them learn about story structure, writing scenes, dialogue, etc. but writing a pitch is entirely different. She will not on ly teach you how to write your document, but work one-on-one with you to make sure it's the best it can be to go to market. Testimonials from Anna's previous lab: "I thought it was a great course and really helped me understand the format. Anna is knowledgeable and quickly cuts through to what can help your story better. Her notes on my script were insightful and really demonstrated her thorough experience." - Lee L. "Anna’s class was by far the most thorough, well put together, and organized screenwriting class I’ve ever taken. I have an MFA in filmmaking and, after graduating, I still felt as if I didn’t fully understand the structure of pilot writing. Anna’s class laid it out step by step and she went through every piece in detail. She was also extremely available to her students. During our one-on-one sessions, I expected to have a quick 15 minute call with her but she ended up speaking extensively with me about my story from outline through script stages. She really, truly cares for her students and is there to answer any questions, which, given her abundant experience in the industry, is a priceless piece of her labs. Thank you, Anna!" - Jacqueline D. "Anna was concise, and detailed. I've been working on log-lines/treatments/synopsis for 2 years for my scripts and never had it nailed like Anna was able to do. She rocks!" - Cheryl Lynn S. WHAT TO EXPECT This lab is designed for intermediate writers and producers looking to get their individual television project pitch document ready. This is an in-depth, practical, and detailed lab with one-on-one time with the instructor and significantly more content than a standard 90-minute webinar. ***Only 15 Spots Available. No exceptions.*** (10 Spots Remain!) You will be given exclusive and confidential handouts that will accompany the lessons and that you will be able to hold onto after the lab ends. This lab will consist of six sessions occurring twice weekly for three weeks, each roughly 90 minutes in duration. In addition to the lessons where Raquelle teaches the class, you will have the opportunity to ask her questions during each session as well as multiple chances to speak with her directly about your specific project. Plus, to stay motivated and inspired, you will have access to a private, dedicated Stage 32 Lounge where you can communicate with your fellow classmates throughout the TV project development process. To see the full TV project development lab schedule, see below under "What You Will Learn". PLEASE NOTE: This exclusive Stage 32 lab is limited to 15 writers and will be booked on a first come, first served basis. The opportunity to work this closely and for this long with a manager and an expert in the field is an incredibly unique and valuable opportunity. If you are interested, please book quickly. Once the spots are gone, they’re gone for good. Payment plans are available - please contact Amanda at edu@stage32.com for more information
A Testament to Character - "To My Unfaithful Wife..."
They say not to speak ill of the dead. What about when the dead speak ill of you? We challenged you to deftly write a 3 page scene conveying the nuances of character reactions to getting called out for being exactly who they are, but wish they weren't.
60 Minutes With Literary Manager Spencer Robinson
Join literary manager Spencer Robinson from Art/Work Entertainment as he talks about the state of the comedy writing industry for film & TV and answers questions exclusively for the Stage 32 community!
Register / Log In
