Stage 32 8-Part Pitching Lab: Build Your TV Series Pitch With A Top Showrunner & Learn How To Sell Your Show
Other education that may be of interest to you:
Stage 32 4-Part Class: Your Complete Guide To Showrunning
Learn everything you need to know about television showrunning so you can become a successful showrunner from a veteran showrunner who has worked with Disney, The CW, ABC, and more! PLUS! Receive multiple production documents from the hit series SHADOWHUNTERS, which the host was the showrunner on, including an episode outline, script, shooting schedule, prep memos, casting memos, set drawings, location pictures, post-production schedule and more! A series showrunner is the most essential and complex role on a television show. The showrunner is responsible for all facets of the production - from pre-production, shooting, post-production, and even marketing. If you want to be a showrunner, you need to be able to handle both the creative and business sides of a television show. While the demands on a showrunner are quite high, there is little that first time showrunners can do to prepare themselves for the job. Until now... This intensive on-demand 4-session class will teach you how to showrun a scripted drama television show, from hiring the pilot director, casting the show, assembling your production and post-production team, hiring and managing the writing staff, managing pre-production and production, editing the show, delivering that final cut, marketing the show, doing press, and of course live tweeting the premiere. You will learn from veteran showrunner/writer/director Todd Slavkin, who will share his advice and personal anecdotes to help guide you through the process of showrunning. Todd's experiences showrunning series for Disney, The CW, ABC, and more have provided him with an arsenal of showrunning tools that he will share with you to prepare you for your own career as a showrunner. Todd has worked in all different kinds of genres and has been involved with many popular television shows, including SMALLVILLE, SHADOWHUNTERS and most recently THE MYSTERIOUS BENEDICT SOCIETY, for which he was nominated for two Emmys. He has written pilots for ABC, NBC, FOX, FREEFORM and The CW, where he developed and was the showrunner of MELROSE PLACE 2.0. Other television credits include NO ORDINARY FAMILY, ALPHAS, DEFIANCE, DOMINION and GUILT. He began his career in features, penning DARK REFLECTION and CONTROL, starring Ray Liotta, Willem Dafoe and Michelle Rodriguez. PLUS! Todd will provide you with exclusive handouts from an episode of his hit series SHADOWHUNTERS to help guide you as a showrunner. Downloads include: Episode Outline Episode Script Shooting Schedule Prep Memos Casting Memos Set Drawings Location Images Post-Production Schedule And More! This class will teach you the creative and practical aspects of the job of showrunning as well as the necessary psychology needed to manage both artists and executives while keeping yourself creatively anchored and inspired. It’s not an easy task, but through in depth learning and real-world examples you will walk away from this class with the knowledge to effectively showrun your own series. The best way to learn showrunning is from a showrunner and this is a rare opportunity for you to do just that. Praise For Todd's Teaching "Todd's experience and expertise shine through. If you've ever wanted to be a showrunner on a TV series then learn all you can from him." -- Rahime B. "I never realized how much fell on the showrunner before working with Todd. He's a fantastic educator!" - Meg L.
Stage 32 4-Part Writing Class: A Showrunner’s Guide To A Writing Career In Television
Learn the craft of writing for television and how to build and navigate a successful career as a television writer from a veteran showrunner who has worked with Disney, The CW, ABC, and more! PLUS! You'll receive exclusive handouts including series pitch documents, outlines screenplays, and screenplays from real television series including MELROSE PLACE, HE MYSTERIOUS BENEDICT SOCIETY, SHADOWHUNTERS, ADJUSTMENT BUREAU, and the pitch document for Fox's SOAR! Millions of people dream of becoming a television writer in Hollywood. You want to write the next hit television show and have high hopes of seeing your stories come to life on the screen. Sharing your creative vision with the world is one of the most rewarding experiences there is. However, becoming a Hollywood television writer is hard. Very hard. There is a craft and technique to writing a dramatic television series and working in writer's room that take time and hard work to acquire. Not to mention, navigating a career as a writer. How can you sustain your life as a writer when you don't know what you'll be working on next? How can you stay creative over years of writing and hard work? And during all of this, how can you consistently create good material that studios and networks want to buy? Stage 32 is here to help you answer all of this and more. In this exclusive Stage 32 4-part class, you will learn the craft and process of writing for scripted drama television and how to navigate a career as a television writer. Taught by veteran television/film writer and showrunner Todd Slavkin, you will learn the creative and practical aspects of writing and producing a television pilot, writing and producing on the staff of a television show where most of the work happens in the writers room, and navigating a long, illustrious career. Todd's experiences showrunning series for Disney, The CW, ABC, and more have provided him with an arsenal of showrunning tools that he will share with you to prepare you for your own career as a showrunner. Todd has worked in all different kinds of genres and has been involved with many popular television shows, including SMALLVILLE, SHADOWHUNTERS and most recently THE MYSTERIOUS BENEDICT SOCIETY, for which he was nominated for two Emmys. He has written pilots for ABC, NBC, FOX, FREEFORM and The CW, where he developed and was the showrunner of MELROSE PLACE 2.0. Other television credits include NO ORDINARY FAMILY, ALPHAS, DEFIANCE, DOMINION and GUILT. He began his career in features, penning DARK REFLECTION and CONTROL, starring Ray Liotta, Willem Dafoe and Michelle Rodriguez. Each session of this 4-part class will include industry guests, mainly successful writers with high levels of experience, all sharing their own stories and tips for success. You will have the rare opportunity to learn from a handful of industry experts how to navigate a television writing career in Hollywood so that you can make the best decisions for yourself and your career. Trust us, you don't want to miss this! PLUS! Todd will provide you with exclusive handouts to help you with the craft and business of television writing in Hollywood. Downloads include: Pitch document for SOAR Fox Pilot & Series Document for MELROSE PLACE Pilot Outline and Teleplay for ADJUSTMENT BUREAU Pilot, Outline and Teleplay for SOAR FoxPilot, Teleplay for MELROSE PLACE Pilot Outline and Teleplay for an episode of SHADOWHUNTERS & Story Area, Outline andTeleplay for an episode of THE MYSTERIOUS BENEDICT SOCIETY You will walk away from this class with a treasure trove of knowledge about the art and craft of writing professionally for television, and the insight into how you can build a sustainable career for yourself as a successful television writer. Praise For Todd's Teaching "Todd's experience and expertise shine through. If you've ever wanted to be a showrunner on a TV series then learn all you can from him." -- Rahime B. "I never realized how much fell on the showrunner before working with Todd. He's a fantastic educator!" -- Meg L. "You brought to the zoom screen the qualities I’m sure you excel at as a showrunner – humour, vulnerability, candidness, insight, patience, wisdom, respect, humility, confidence, inclusion. Each of these words have been selected specifically!" -- Jan R. "I just wanted to send a quick note to say THANK YOU for the wonderful showrunner class! The amount of information given in the 4 classes was incredible and you can tell by the stellar guest speakers that Todd you are truly admired for not only your work, but also for being a kind, thoughtful human :)" -- Sage P "Todd is an absolute angel! This was the most wonderful class I’ve ever taken! If we ever does another class, I’d love to join." -- Lauren M. "I loved Todd's class. Todd is so enthusiastic and informative, he has a true love of teaching. I would take future classes with him, no question. I really came away with an understanding of how showrunning works and the responsibilities and career paths." -- Allyson M.
Stage 32 Screenwriting Lab: Develop And Write Your TV Pilot Script With An Emmy Nominated Showrunner
Only 3 Spots Still Available To Work One-On-One With Todd Slavkin Write your television series pilot episode in 10 weeks while being mentored directly by multi Emmy nominated TV showrunner Todd Slavkin. ***Flexible Learning: if you cannot attend any of the sessions live don't worry - you will be sent the links to the recordings of each session within 48 hours of the live session and you will have direct access to Todd on email to ask him any questions about your project, craft or career so you can keep up at your own pace and schedule.*** Payment plans available - contact edu@stage32.com for details If you are ready to write your TV series pilot episode under the mentorship of one of the best showrunners working in TV then this exclusive Stage 32 screenwriting lab is for you. Over the course of this 10 week writing lab, you will develop your series idea into a professional pilot episode outline and then you will actually write your pilot episode. Guiding you on your writing journey is multi Emmy nominated television writer and showrunner Todd Slavkin. Todd will teach you about about story structure, scene structure, scene description, dialogue and everything in between and you will walk away from his lab with the first draft of your completed teleplay for your pilot episode. Todd is a showrunner/writer/director with over 35 years of experience in both film and television. Working with his writing/producing partner Darren Swimmer, Todd has worked in all different kinds of genres and has been involved with many popular television shows, including SMALLVILLE, SHADOWHUNTERS (winner of 2017 GLAAD media award for outstanding drama series, 2018 People’s Choice Award for Best Show & Most Bingeworthy Show, 2019 People’s Choice Award Best Science Fiction/Fantasy Show) and most recently THE MYSTERIOUS BENEDICT SOCIETY, for which he has been nominated for four Emmys (2022 & 2023 Outstanding Young Teen Series and Outstanding Writing for a Young Teen Program). He has written pilots for ABC, NBC, FOX, SYFY, FREEFORM and The CW, where he developed and was co-showrunner of MELROSE PLACE 2.0. Other television credits include NO ORDINARY FAMILY, ALPHAS, DEFIANCE, DOMINION and GUILT. He began his career in features, penning DARK REFLECTION and CONTROL, starring Ray Liotta, Willem Dafoe and Michelle Rodriguez. You will work with Todd and your fellow writers in a virtual class setting, with ample time for Q&A’s, and you will also have one-on-one sessions with Todd where he will give you constructive notes and share his thoughts on your story, outline and script pages. These sessions will mirror the experience you would have working with a showrunner on your pilot and allow you the opportunity to be mentored by a top professional to get your script written. This lab is a must experience for any level of writer looking to harness your talent into a strong TV pilot/writing sample that will help further your career. Praise For Todd's Teaching "Todd's experience and expertise shine through. If you've ever wanted to be a showrunner on a TV series then learn all you can from him." -- Rahime B. "I never realized how much fell on the showrunner before working with Todd. He's a fantastic educator!" - Meg L.
Showrunning 101: Everything You Need To Know From A Showrunner Who Has Worked With ABC, NBC, FOX and The CW
Learn the fundamentals of television series showrunning from a showrunner/writer/director who has worked on projects for ABC, NBC, FOX and The CW! You’ve heard the term “showrunner.” You know the showrunner is the most essential and complex role when making a television show. But what does a showrunner actually do? A television showrunner is like a writer/director/producer all rolled into one. All creative decisions for the show go through them. It’s exciting, exhilarating and creatively fulfilling in a deep, meaningful way - a job every television writer dreams of. It’s also frustrating, exhausting and totally overwhelming, especially if you’ve never done it before. Working as a first time showrunner is often a trial by fire - you’re thrown into the mix and have to figure out the job as you go. That’s why Stage 32 created this comprehensive exclusive webinar, now available immediately on-demand, to teach you all you need to know about the process and responsibilities of showrunning - what it entails from the creative, business, and logistical perspectives! This webinar will take you behind the scenes with veteran showrunner/writer/director Todd Slavkin, who will guide you through the step-by-step creative and practical process of being a showrunner, from getting your greenlight to production through the final delivery of your show, and all the essential steps in between. Todd will also share many of his personal anecdotes along the way. With over 35 years of experience in both television and film, Todd has been the showrunner on SMALLVILLE, SHADOWHUNTERS, and most recently THE MYSTERIOUS BENEDICT SOCIETY. Todd has written pilots for ABC, NBC, FOX and The CW and has a wealth of knowledge to share with you on everything a showrunner does to make a TV series. This webinar is a must for any person who dreams of running their own TV show, who wants to work for a showrunner on a series or simply wants to know what the job of a showrunner really entails. PLUS! Todd will provide you with exclude downloads to help on your showrunning journey! Downloads include: Call Sheet Template Script from SHADOWHUNTERS This webinar will prepare you to work in television in ways only an experienced showrunner can and illuminate what you should and shouldn’t do in your career to become a showrunner yourself! PRAISE FOR TODD'S TEACHINGS: "Todd Slavkin was excellent to cover so much information in so little time. In fact, the Q&A was very informative too." --Sydney S "Todd's experience and expertise shine through. If you've ever wanted to be a showrunner on a TV series then learn all you can from him." -- Rahime B.
How to Handle Guild Residual Payments For Your Film Production - with Free Agreement Downloads
If a film production is going to use talent that belongs to a guild, you will need to adhere to labor related matters when it comes to residuals. Residuals are how you pay your guild talent and a key component of any production. These payments have a strict way in which they need to be handled in order to make sure that your talent is being compensated properly - whether it's payment upfront or payment on the backend. Conversely, if you are in a guild you need to ensure that your contract lays out the correct components with residuals to make sure that you are paid properly. Whether you are the person paying or the person receiving, we're talking about money here and you don't want to get it wrong. Understanding residual payments in some of the world's key film markets (US, UK and Canada) is vital to your production. As you are putting together your budget and ensuring that your production comes in at or under your budget you have to know how residuals work. Working with guilds can be tricky, but as long as you are clear upfront on how to pay their members and how that flows into your budget you can ensure success. And, if you're talent that belongs to a guild you want to ensure that you are getting every payment that is owed to you for your service on a project. David Zannoni is an international business specialist for Fintage House in the US, Europe, Canada and Latin America territories. Fintage House, the world's most respected company for revenue and rights protection for industry professionals and companies. David negotiates agreements for films and television series and is involved in business development and relationship management globally on hundreds of productions. David is continuously present to make deals and speak at international film markets, festivals and conferences, including: the Cannes Film Festival, the European Film Market (EFM) in Berlin, the American Film Market (AFM), Ventana Sur, the Bogota Audiovisual Market (BAM), and the Toronto International Film Festival (TIFF), and travels regularly to the United States, the Netherlands, Europe, and all over Latin America. David will teach you what exactly residuals are and go over a comparison of them in the USA, Canada and the United Kingdom. He will go into a deep dive example on a US example where he will discuss options for payments of residuals and how the calculation works. You will understand how the payment for residuals is secured in security interest, the collection account or the payroll house. He will even go over the agreements you should know that are related to residual payments. He will even dive into residual and media allocation and the recoupment schedule. You will leave with a clear understanding of how residuals work and how to best protect yourself on both sides when dealing with them. With this webinar you will receive free template downloads: DGA Basic Agreement SAG AFTRA Security Agreement SAG AFTRA Standard Agreement SAG AFTRA Television Distributors Assumption Agreement SAG AFTRA Television Buyers Assumption Agreement WGA Theatrical and Television Basic Agreement Standard CAM Agreement International Multi-picture Rights Distribution License Agreement Sample Webinar Resource Sheet Praise for David's Previous Stage 32 Webinars: "David is incredible and lovely and clearly knows his stuff." - Cynthia P. "Eye-opening information. A no-brainer approach that wouldn't be so obvious to the uninitiated." - Gary O. "By far, the best class I've seen on the subject." - Kirk K. "David is a fantastic teacher. And what a voice! I could listen to him all day. More importantly, I learned so very much!" - Isabella T.
Understanding and Working With the Guilds & Unions - A Comprehensive Guide
Putting together a project can be complicated. The amount of information to sift through, from guild requirements and guidelines to union rules and even whether to go union or non-union can be overwhelming, confusing and intimidating. For filmmakers, producers and other creatives looking to control their own content, navigating the guilds and the unions can be so daunting, it pushes back production and/or any forward momentum your project might have. Allow us to help demystify, simplify the guilds and unions landscape and get you on your way to doing what you want to most, making your film, TV or digital project. With independent productions on the rise, it's more important than ever to know how to handle your budget and schedule accordingly, and that begins with understanding which guilds you'll be working with and how to deal with their rules and regulations. It also means understanding the ins and outs of the unions. Buttoning up all of these important variables early will assure that nothing falls through the cracks, your set runs smoothly, and there are no unpleasant surprises once you hit the distribution and collection phases of your project. Rosi Acosta is a Unit Production Manager, DGA, who has worked on over 75 TV and Film projects and over 100 commercials. She is a valued name in Hollywood as a top UPM who's worked on films such as DRIVEN, SPEED KILLS, IMPRISONED and many more. With over three decades of experience, Rosi has worked internationally with production companies from US, Europe, Russia and Latin America. Rosi began as a casting director 32 years ago in Puerto Rico working for director Marcos Zurinaga at Zaga Films where she became one of the top casting directors in the Island. After working as such for a few years, she wanted to expand her horizons in production moving on to work with the most important TV producer in the Island, Gabriel Suau, in Telemundo-Puerto Rico, where she worked for several years in various TV shows and telenovelas. Rosi will begin by giving you a complete, yet simplified look at the guilds and unions. She will pull back the curtain and discuss the ins and outs and pros and cons of working with the labor organizations. Rosi will go over the differences between unions and guilds and help you decide if you should go union or non-union for your project. You will learn the organizations for above the line - WGAW, WGAE, DGA, SAG/AFTRA and PGA, below the line - IATSE, Teamsters and NLRB, as well as other organizations that work closely with them - ATA, AMPTP, MPAA, ASCAP, CSATF, MPSE and more. In addition you'll learn how to become a member of a union or how to become a signatory production. PRAISE FOR ROSI'S TEACHINGS: "Rosi, your 30 years of experience shined through today. You broke down this so it's easily understandable and now I know that my production this year will be union!" - Rachel G. "Awesome explanations of the unions, guilds and organizations. Very comprehensive." - Paul F. "You made this so easy to understand. Thanks Rosi!" - Brandon C. "Putting together my first film as a producer almost made my jump off a cliff. I wish I would have seen this first! What a world of difference it would have made. Thank you, Rosi!" -Marlene D.
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