Pitching • Coverage • Consultations • Personal Attention • 500+ Managers, agents, producers and executives
Credits include: Laugh at My Pain, Expendables 2, The Iceman, Stolen, Texas Chainsaw Massacre, The Mechanic
Brian Stevenson. Brian specializes in all genres of Feature Film and TV scripts.
Credits include: APPLE TV+'s LADY IN THE LAKE, LUCY IN THE SKY
Producer & Executive. Aanch specalizes in all genres of Feature Film & TV Scripts and is currently reading Comedy, Drama, Animation, Holiday, Action, Sci-Fi, and Fantasy.
Credits include: Liar Liar, Battlestar Galactica, The Little Rascals, Sweet Home Alabama
Mark Finley, Manager/Owner. Mark specializes in all genres of Feature Film and TV scripts.
Shelby White, Producer. Shelby specializes in all genres of Feature Film and TV scripts.
Credits include: ALITA: BATTLE ANGEL, "The Get Down", BAD MOMS, "Texas Rising", "Stuck in the Middle"
Jonathan Taub. Jonathan Specializes In All Genres Of Feature Film and TV Scripts.
David Romero, Literary and Talent Agent. David specializes in all genres of Feature Film and TV scripts.
Brian Phares, Producer. Brian specializes in all genres of Feature Film and TV scripts and is currently reading Comedy, Horror, Thriller, Action, Sci-Fi, Fantasy, True Story, Biopic, Holiday, and Animation.
Development Executive & Producer. Corey specializes in All Genres of Film & TV Scripts
Credits include: THE KIND WORTH KILLING, GLADIATOR II
Tess McGuiness, Director of Development. Tess specializes in all genres of Feature Film and TV scripts and is currently reading Action, Sci-Fi, Fantasy, Drama, Comedy, Horror, Thriller, Romance, and Rom-Com.
Credits include: THE MIST, WACO, POORLY DRAWN LINES
Tori Casarsa, Manager of Development. Tori specializes in all genres of Feature Film and TV scripts and is currently reading Drama, Comedy, Horror, Thriller, Action, Sci-Fi, Fantasy, and Animation
Cindy Villarreal, Producer. Cindy specializes in all genres of Feature Film and TV scripts and is currently reading Sci-Fi, YA, Sports, and Unscripted Content.
Jessica Kardos, Producer / Screenwriter. Jessica is open to TV pilots in the Drama, Comedy, Horror/Thriller, and Action/Sci-Fi/Fantasy spaces and is specifically interested in genre pieces.
Iain Lawrence, Creative Development Executive. Iain specializes in all genres of Feature Film and TV scripts and is currently reading Drama and Female Driven stories.
Reni Calister, Chief Content Officer. Reni specializes in all genres of Feature Film & TV Scripts and is currently reading Drama, Comedy, Biopic, True Story, and Unscripted.
Susan Boehm, Film Executive. Susan specializes in all genres of Feature Film and TV scripts.
Credits include: Works with Apple, Hulu, Netflix, Sony Animation, Disney Live-Action & Animation, Warner Bros Animation, Illumination
Rachel Allen, Manager/Producer. Rachel specializes in all genres of Feature Film & TV Scripts and is currently reading Comedy, Animation, Thriller, Horror, Sci-Fi, and Fantasy.
Patricia Chica, Director, Producer (Diverse, queer & conscious creators). Patricia specializes in all genres of Feature Film scripts and is currently reading Drama, LGBTQ+, Canadian/Québec, LatinX, Coming of Age, Elevated Psychological Horror, Thriller, Fantasy, Socially driven stories, Musical Dramas, and Sports dramas.
Zac V., Creative Executive. Zac specializes in all genres of the Feature Film and TV scripts and is currently reading Horror.
Brandon Gale. Brandon specializes in all genres for Feature Film and TV scripts.
Michael Wormser, Co-Founder & Producer, Cinemand Films. Michael specializes in all genres of Feature Film and TV scripts and is currently reading Comedy, Horror, Sci-Fi, Thriller, and Action.
James L., Creative Executive. James looks for television pilots of all genres.
Erin Smithey. Erin specializes in all genres of Feature Film & TV Scripts
Chisom Ude. Chisom specializes in all genres for Feature Film and TV and is currently reading elevated stories.
Credits include: Ready Player One, San Andreas, Rampage, The Revenant, Truth, Rush Hour, Mad Max: Fury Road, Assassin's Creed
Agustine Calderon, VP of Features. Agustine specializes in all genres of Feature Film and TV and is currently reading Horror, Thrillers, High Concept, and big worlds in the genre space.
Royce Reeves-Darby, Producer. Royce specializes in all genres of Feature Film and TV Scripts.
If you have a script that you feel is ready to go out to the market and you've prepared a professional pitch, Stage 32 provides you a unique way to get feedback and hone your pitch (film or TV) directly with a variety of development executives, producers and managers. You will be rated by your Pitch Delivery/Format, Clarity of Pitch, Set up of Protagonist(s) & World, Obstacles & Conflict, Clarity of Tone, Originality of Concept and Strength of Voice.
You will pitch directly to the executive listed live over Skype or phone, or by way of a written pitch, and receive feedback from them.
Guidelines
Stage 32 Pitch Sessions are for educational evaluation purposes only.
You may only pitch ONE project per reservation, NOT portfolios.
You must have a completed script available for the project you pitch.
Do not reach out to the executives unless directed by Stage 32. They do NOT accept unsolicited material or appreciate being cold-called/emailed by strangers. Doing so will forfeit your right to participate in future sessions.
Missed reservations are not refundable and will not be rescheduled.
Live Pitches
Within 15 minutes of your scheduled pitch, the executive will reach out by Skype or Phone. Your pitch session will last approximately 8 minutes.
Written Pitches
Written Pitches will be no more than 2 pages submitted as a PDF or WORD document. Any written pitch uploaded past the deadline will not be shown to the executive and will result in a non-refundable forfeiture of your pitch.
Scorecards
Within 3-4 weeks of your pitch session, you will receive a Pitch Scorecard on which the executive you pitched will provide you ratings on the 7 categories, plus provide you written feedback on your pitch. So you understand where your pitch fits in the marketplace, you will also receive a standard industry PASS or REQUEST.
Sometimes, to give more comprehensive feedback, an executive may want to read your material. If so, you will see REQUEST on your scorecard.
If you see REQUEST, you will be notified via email with further instructions. The executives will have 2-3 months to review the material you submit. At the end of the review period, they will provide you a second set of written feedback about the material, plus an industry standard PASS or MEET. If a meeting is requested and they'd like to provide further feedback on your project, we will introduce you via email.
Please understand that these are working executives, and their schedules are subject to change at a moment's notice. We always strive to give you at least 24 hours of notice if a session has been cancelled, and we will recommend another executive for you to get pitch feedback from.
Need help with your pitch?
Download the Stage 32 Pitching Guidebook
Questions?
WriterHelp@Stage32.com