Pitching • Coverage • Consultations • Personal Attention • 500+ Managers, agents, producers and executives
Jonny Gutman. Jonny specializes in all genres of TV scripts and is currently reading Drama, Comedy, Horror, Thriller, Action, Sci-Fi, Fantasy, True Story, Biopic and Animation.
Clayton Conroy, Animation Development & VO Booth Director. Clayton specializes in all genres of Feature Film and TV scripts and is currently reading Animation.
Lee Russell, Producer. Lee specializes in all genres in all of Feature Film and TV scripts.
Credits include: One Tree Hill, House Of Wax, Nights in Rodanthe, Hell’s Kitchen, Battlebots
Jason Bellitto, Literary Manager and Producer. Jason specializes in Feature Film and TV scripts and is Currently Reading Horror, Sci-Fi, Thrillers, and Young Adult.
Credits include: DIDI (Sundance Award Winning Film) and ALL THAT WE LOVE (Tribeca Film Festival)
Kendall Fletcher, Producer (Sundance Award-winning DIDI). Kendall specializes in all genres for Feature Film and TV scripts and is currently reading Drama, Comedy, Horror, Thriller, Action, Sci-Fi, Fantasy, True Story, Biopic, and Animation.
Michael Wormser, Co-Founder & Producer, Cinemand Films. Michael specializes in all genres of Feature Film and TV scripts and is currently reading Comedy, Horror, Sci-Fi, Thriller, and Action.
Jon Hersh, Literary Manager, Housefire Management. Jon specializes in all genres of Feature Film and TV scripts.
Nicholas Bogner, Head of Literary / Manager. Nicholas specializes in all genres of Feature Film and TV scripts.
Credits include: BATES MOTEL (A&E), MET GALA HEIST (New Line), THE GARDEN (Fox Animation)
Chris Sablan, Literary Manager and Producer (former Agent at APA & Gersh). Chris specializes in all genres of Feature Film and TV scripts.
Charlie Osowik, Literary Manager. Charlie specializes in Feature Film and TV scripts and is currently reading Drama, Comedy, Horror/Thriller, Action/Sci-Fi/Fantasy, and True Story/Biopics.
Mitchell Bendersky. Mitchell specializes in all genres of Feature Film and TV scripts.
David McInerney, Literary Manager and Producer. David specializes in all genres of Feature Film and TV scripts.
Credits include: Snowden, Looper, Freeheld, Lord of War, A Walk Among the Tombstones, Elvis & Anabelle, Self/less
Producer. Kristy specializes in all genres of Feature Film and TV scripts and is currently reading Biopic, Drama, Romantic Comedy, Horror and Thriller.
Credits include: MONKEY MAN, SILENT MAN, KANDAHAR, JOHN WICK: CHAPTER 4, GREENLAND, BALLERINA (John Wick spinoff film), and RELAY
Danny DiMaso, Creative Executive. Danny specializes in all genres of Feature Film and TV scripts and is currently reading Drama, Thriller, Action, Sci-Fi, True Story, and Biopic.
Credits include: MACHETE KILLS, SIN CITY: A DAME TO KILL FOR, and FROM DUSK TILL DAWN: THE SERIES
Producer & Development Executive. Glenda specializes in all genres of Feature Film and TV scripts.
Credits include: Client Credits Include: "Vinyl", "House of Cards", "East Los High", "Law & Order", "Grey's Anatomy", "Lost", "The Vampire Diaries"
Producer & Development Executive (Clients Worked with Netflix, AMC, Amazon, Sony, HBO and more). Anna specializes in TV scripts and is currently reading dramas or dramedies, as well as international and diverse (BIPOC, LGBTQ) stories with the exception of feature film scripts.
Sarah J. Cornelius, Creative & Production Executive. Sarah specializes in all genres of Feature Film and TV scripts.
Credits include: REAL WOMEN HAVE CURVES, EAST LOS HIGH (HULU), STARGATE SG-1 (SHOWTIME/SYFY), HART OF DIXIE (CW),
Marilyn Atlas, Producer/Manager. Marilyn specializes in all genres of Feature Film and TV scripts and is currently reading Drama, Thriller, Suspense, Procedural, and Comedies.
Sara Elizabeth Timmins, Producer. Sara specializes in all genres of Feature Film and TV scripts and is currently reading Female-driven stories, Thrillers, Romances, Rom-coms, and True Stories.
Credits include: PLAYING WITH FIRE, BODYCAM, SPELL, AND LOVE & MONSTERS
Producer. Royce specializes in all genres of Feature Film and TV Scripts.
Dallaslyn Lamb, Literary Manager. Dallaslyn specializes in most genres of Feature Film and TV scripts including Thriller and Young Adult Features.
Credits include: THE TERMINAL LIST" for Amazon Studios, "AMERICAN CRIME STORY" and "Y THE LAST MAN" for FX, A FUTILE AND STUPID GESTURE for Netflix, and "THE GONG SHOW"
Brittany Sterrett, Film/TV Development Executive. Brittany specializes in all genres of Feature Film and TV scripts and is currently reading Comedy, Dramedy, Rom-Com, and Animation.
Credits include: THE REVENANT, BOHEMIAN RHAPSODY, THE GREATEST SHOWMAN, and HOUSE OF GUCCI
Jos Villegas, Creative Executive. Jos specializes in all genres of Feature Film Scripts and is currently looking for Horror and Thrillers to develop. She currently focusing on sourcing and developing contained high concept horror/thrillers in partnership with Anna Barbara Films.
John Thomas. John specializes in all genres in Film and TV scripts.
Allegra Craver, Book-To-Film (IP) Department. Allegra specializes in most genres of Feature Film and TV scripts and is currently reading Comedy, Romance, Action, Adventure, heartfelt Indies, and existing IP that is being adapted.
Elan Fingles, Manager of Development & Production. Elan specializes in all genres of Feature Film and TV scripts and is currently reading for Grounded High-Concepts, Grounded Horror, Sci-Fi, Thrillers, Dark Comedy, and Drama.
Credits include: Art of A Hit, What/If, Pacific Rim: The Black, Under The Silver Lake, Orphan Black
Allie MacDonald. Allie specializes in all genres in Feature Film and TV scripts and is currently reading Drama, Sci-Fi, Horror, Action, Fantasy.
If you have a script that you feel is ready to go out to the market and you've prepared a professional pitch, Stage 32 provides you a unique way to get feedback and hone your pitch (film or TV) directly with a variety of development executives, producers and managers. You will be rated by your Pitch Delivery/Format, Clarity of Pitch, Set up of Protagonist(s) & World, Obstacles & Conflict, Clarity of Tone, Originality of Concept and Strength of Voice.
You will pitch directly to the executive listed live over Skype or phone, or by way of a written pitch, and receive feedback from them.
Guidelines
Stage 32 Pitch Sessions are for educational evaluation purposes only.
You may only pitch ONE project per reservation, NOT portfolios.
You must have a completed script available for the project you pitch.
Do not reach out to the executives unless directed by Stage 32. They do NOT accept unsolicited material or appreciate being cold-called/emailed by strangers. Doing so will forfeit your right to participate in future sessions.
Missed reservations are not refundable and will not be rescheduled.
Live Pitches
Within 15 minutes of your scheduled pitch, the executive will reach out by Skype or Phone. Your pitch session will last approximately 8 minutes.
Written Pitches
Written Pitches will be no more than 2 pages submitted as a PDF or WORD document. Any written pitch uploaded past the deadline will not be shown to the executive and will result in a non-refundable forfeiture of your pitch.
Scorecards
Within 3-4 weeks of your pitch session, you will receive a Pitch Scorecard on which the executive you pitched will provide you ratings on the 7 categories, plus provide you written feedback on your pitch. So you understand where your pitch fits in the marketplace, you will also receive a standard industry PASS or REQUEST.
Sometimes, to give more comprehensive feedback, an executive may want to read your material. If so, you will see REQUEST on your scorecard.
If you see REQUEST, you will be notified via email with further instructions. The executives will have 2-3 months to review the material you submit. At the end of the review period, they will provide you a second set of written feedback about the material, plus an industry standard PASS or MEET. If a meeting is requested and they'd like to provide further feedback on your project, we will introduce you via email.
Please understand that these are working executives, and their schedules are subject to change at a moment's notice. We always strive to give you at least 24 hours of notice if a session has been cancelled, and we will recommend another executive for you to get pitch feedback from.
Need help with your pitch?
Download the Stage 32 Pitching Guidebook
Questions?
WriterHelp@Stage32.com