Pitching • Coverage • Consultations • Personal Attention • 500+ Managers, agents, producers and executives
Michael Wormser, Co-Founder & Producer, Cinemand Films. Michael specializes in all genres of Feature Film and TV scripts and is currently reading Comedy, Horror, Sci-Fi, Thriller, and Action.
Credits include: THE MAGICIANS, BLOOD & OIL, AQUARIUS, RICKY STANICKY, PHANTOM OF THE OPERA
Adam Rosenthal, Producer. Adam specializes in all genres of Feature Film and TV scripts and is currently reading female focused stories and thrillers.
Sierra Obioha, Director of Development. Sierra is Open to All Genres of TV Scripts and for Feature Film Scripts is Open to Holiday or True Crime Scripts.
Credits include: I Know This Much Is True, Holler The After Party, The Boardroom and a yet unreleased feature comedy film
Rachel Halilej, Creative Executive. Rachel specializes in ALL genres of Feature Film and TV scripts.
Allegra Craver, Book-To-Film (IP) Department. Allegra specializes in all genres genres of Feature Film and TV scripts and is currently reading Comedy, Romance, Action, Adventure, heartfelt Indies, and existing IP that is being adapted.
Credits include: Will & Grace, 2 Broke Girls, The Comeback, AJ & The Queen, And Just Like That
Marsy Robinson, Producer. Marsy specializes in all genres of Feature Film and TV scripts.
Dallaslyn Lamb, Literary Manager. Dallaslyn specializes in most genres of Feature Film and TV scripts including Thriller and Young Adult Features.
Mike Griffin, Manager and Producer. Mike specializes in all genres of Feature Film and TV scripts and is currently reading Comedy, Drama and Animation.
Clayton Conroy, Animation Development & VO Booth Director. Clayton specializes in all genres of Feature Film and TV scripts and is currently reading Animation.
Credits include: A PODCAST TO DIE FOR, DEADLY SURROGACY, A BET WITH THE MATCHMAKER, THE LOVE SUBSCRIPTION and THE ROYAL BAKEOFF
Catherine Slaughter-King. Catherine specializes in Feature Film and TV scripts and is currently reading Drama, Comedy, Holiday, and Thrillers.
Credits include: FLATBUSH MISDEMEANORS (Showtime), EVERYTHING’S GONNA BE OKAY (Freeform) and THE READ (Fuse)
Alexandra Kundrat, Producer (Works with HBO, Amazon, FX). Alexandra specializes in all genres in Feature Film and TV scripts and is currently reading Female-Driven and Underrepresented Voices.
Credits include: Rosewell, Jem and the Holograms, Lincoln Heights, Abby Normal, Operation: Endgame, Kickin' It,
Andrew Kersey, Manager. Andrew specializes in all genres of Feature Film and TV Pilot scripts.
Jake Martin, Head of Scripted Development. Jake specializes in all genres of Feature and TV scripts and is currently readingsub $10M genre films, horror, thrillers, and comedies.
Sarah J. Cornelius, Creative & Production Executive. Sarah specializes in all genres of Feature Film and TV scripts.
Credits include: Prisoners, Blade Runner 2049, Free Guy, Underwater, Fear Street Series, Gambit, US, Ford Vs. Ferrari
Alexandria T., Producer. Alexandria specializes in all genres of Feature Film and TV scripts and is currently reading Horror, Thriller, and Sci-Fi.
Credits include: THE SANDMAN, DOOM PATROL, SUPERGIRL
Sherice Dugan, Manager & Producer. Sherice specializes in all genres of feature film and TV scripts and is currently reading Romantic Comedy, Horror, Thriller, Action, Adventure and Sci-Fi.
Credits include: GEN:LOCK, KENAN, THE OTHER TWO, AP BIO, MIRACLE WORKERS, MACGRUBER
Emily Hughes Jackson. Emily specializes in all genres of Feature Film and TV scripts and is currently reading Comedy, Drama, Thriller, and Animation.
Rachel Polan. Rachel specializes in all genres of Feature Film and Television scripts.
Credits include: READY PLAYER ONE, OCEAN'S 8, JOKER, and WONKA
Jackson Gibbon. Jackson specializes in all genres of Feature Film and TV scripts and is currently reading Drama, Comedy, Horror, Thriller, Action, Sci-Fi, Fantasy, True Story, Biopic, and Holiday.
Vivek Kolli, Literary Manager. Vivek specializes in all genres for Feature Film and TV scripts and is currently reading Comedy, Dramedy, Sci-Fi, and Genre projects.
Cindy Villarreal, Producer. Cindy specializes in all genres of Feature Film and TV scripts and is currently reading Sci-Fi, YA, Sports, and Unscripted Content.
Luke Kelly-Clyne, Co-Head of Indie TV & Film Studio. Luke specializes in all genres of Feature Film and Television scripts and is currently reading Drama, Comedy, Thriller, True Story, Holiday, Animation and Docu/Unscripted.
If you have a script that you feel is ready to go out to the market and you've prepared a professional pitch, Stage 32 provides you a unique way to get feedback and hone your pitch (film or TV) directly with a variety of development executives, producers and managers. You will be rated by your Pitch Delivery/Format, Clarity of Pitch, Set up of Protagonist(s) & World, Obstacles & Conflict, Clarity of Tone, Originality of Concept and Strength of Voice.
You will pitch directly to the executive listed live over Skype or phone, or by way of a written pitch, and receive feedback from them.
Guidelines
Stage 32 Pitch Sessions are for educational evaluation purposes only.
You may only pitch ONE project per reservation, NOT portfolios.
You must have a completed script available for the project you pitch.
Do not reach out to the executives unless directed by Stage 32. They do NOT accept unsolicited material or appreciate being cold-called/emailed by strangers. Doing so will forfeit your right to participate in future sessions.
Missed reservations are not refundable and will not be rescheduled.
Live Pitches
Within 15 minutes of your scheduled pitch, the executive will reach out by Skype or Phone. Your pitch session will last approximately 8 minutes.
Written Pitches
Written Pitches will be no more than 2 pages submitted as a PDF or WORD document. Any written pitch uploaded past the deadline will not be shown to the executive and will result in a non-refundable forfeiture of your pitch.
Scorecards
Within 3-4 weeks of your pitch session, you will receive a Pitch Scorecard on which the executive you pitched will provide you ratings on the 7 categories, plus provide you written feedback on your pitch. So you understand where your pitch fits in the marketplace, you will also receive a standard industry PASS or REQUEST.
Sometimes, to give more comprehensive feedback, an executive may want to read your material. If so, you will see REQUEST on your scorecard.
If you see REQUEST, you will be notified via email with further instructions. The executives will have 2-3 months to review the material you submit. At the end of the review period, they will provide you a second set of written feedback about the material, plus an industry standard PASS or MEET. If a meeting is requested and they'd like to provide further feedback on your project, we will introduce you via email.
Please understand that these are working executives, and their schedules are subject to change at a moment's notice. We always strive to give you at least 24 hours of notice if a session has been cancelled, and we will recommend another executive for you to get pitch feedback from.
Need help with your pitch?
Download the Stage 32 Pitching Guidebook
Questions?
WriterHelp@Stage32.com