I’m an experienced entertainment person that was recently paid off from my 17-year job as Senior Purchasing Manager at PRG (by an algorithm, along with 300 of my colleagues — how dehumanizing) and so here I am, networking for a new job.
Ideally, I’d like to work at a major studio as their “finder of impossible things”; that one piece of equipment, prop, set piece, paint color, flavor of gum, or whatever that must be found or the show cannot go on. I’m great under pressure — I’m at my best when I’m inundated with weird requests, at the last minute, with a live studio audience in the house.
