Introduce Yourself : Stage Director At Liberty by Jonathan Warman

Jonathan Warman

Stage Director At Liberty

A very experienced stage director, I favor a vivid, expressive surrealism. I have a very wide Pop Art streak, which, I've realized, had its roots in my family's record collection. My college professor parents (of history and literature) had Leonard Bernstein's forgotten masterwork Mass: A Theatre Piece for Singers, Players and Dancers (High Art playing with Pop Art) and my sister had The Who's rock operas Tommy and Quadrophenia (Pop Art toying with High Art), all of which I was exposed to at a very impressionable age. The Pop connection entered decisively into my early theatre-making when I began corresponding with – and doing the plays of – Ron Tavel, who had been a screenwriter for Andy Warhol's films. Tavel once said “we have passed beyond the absurd: our position is absolutely preposterous” referring to a movement called Ridiculous Theatre. More recently, I have directed a late Tennessee Williams play inspired by Ridiculous Theatre, and set an opera in a punk rock subculture of post-Franco Spain. My interests in the Pop Art/High Art nexus are also forward looking. I'm currently fascinated by the sculptures of Dustin Yellin and Korean pop music (or K-Pop) – check them out! And I am working with a songwriting team to develop a musical (with a marked K-Pop influence!), So Yesterday, that is actually about seeking out the new and cool in popular culture and what that can mean to the culture at large. For more information, see: http://jonathanwarman.com/

Stage 32 Staff - Julie

HI Jonathan - glad to have you here in the Stage 32 community. I'm interested to learn more about Ron Travel and your experience with him. How unique!

Jonathan Warman

One of my mentors, Open Theater playwright Megan Terry, suggested I read Tavel's play KITCHENETTE, based on his scenario for the 1966 Warhol film KITCHEN -- said it was the funniest play she'd even seen. Read it and fell in love. Went on to find out that it had been revived countless times off-off-Broadway in the '60s and '70s, with such people as Harvey Feirstein and Taylor Mead (who was a friend of mine in his later years) in various productions (Mary Woronov was the female lead in the original production). Ever since Megan introduced me to it, KITCHENETTE has been a touchstone of mine. I've done scenes from it and workshops around it at least 10 times throughout the years, before finally directing my own off-off-Broadway revival. Tavel himself wasn't easy to find -- he had moved to Thailand, enticed by its very low cost of living. The few times he came to New York in those years, we met up and developed a warm rapport. Dazzlingly intelligent man. You can find out more about him, and find his work, at: http://www.ronaldtavel.com/

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