It doesn't cover is arguably the MORE important part - how to get the 'decision makers' to read your work in the first place. This four year old article just seems to be a shill for professional coverage services. The article doesn't have any real useful advice that hasn't been repeatedly posted elsewhere. I agree with the general spirit, but hate how vague it is.
Film Courage clip: Traveling screenplays - how your screenplay gets to "decision makers". Hollywood is a business of favors. What have you done for me lately? https://youtu.be/_rWBA1aoc70
It doesn't cover is arguably the MORE important part - how to get the 'decision makers' to read your work in the first place. This four year old article just seems to be a shill for professional coverage services. The article doesn't have any real useful advice that hasn't been repeatedly posted elsewhere. I agree with the general spirit, but hate how vague it is.
2 people like this
Film Courage clip: Traveling screenplays - how your screenplay gets to "decision makers". Hollywood is a business of favors. What have you done for me lately? https://youtu.be/_rWBA1aoc70
I agree with Devon, getting producers to see your loglines and synopses, so that they ask for your scripts, seems to be the greatest challenge.