Has anyone ever mixed super16 with GH4/5 (or other digital sources) before on a project? We've been planning this film for a while and we're shooting in 3 weeks but it's looking like we won't have enough film stock to shoot the whole thing. Our options are either scrap the idea and shoot entirely digitally (either fs7, Red Scarlet) or mix super16 with a GH4. We'll be able to use the same glass so that already helps get the image to look the same, does anyone have any post/coloring experience doing something like this? Can they be easily matched or will the difference always be jarring. Any input?
Post-Production : Mixing film and digital footage by Garrett Adams
Mixing film and digital footage
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1 person likes this
Buying more film stock is out of the question? Do you have a DP who know how to get a "filmic" look from a digital camera? Really it's a fools errand.
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Crisis averted, my producer round up some more money + Kodak gave us a big discount so we got all the stock we need!