Honestly speaking i am not a writer hoowever i do have a story based on a real life experience and im trying to figure out the best way to interpret because it definitely has the potential to be a blockbuster movie hit
Almost every writer you'll meet became a writer because they had stories they needed to tell... which means you're not going to meet many writers, and fewer good ones, who "need" something to write. If you're at all interested in getting coached through the writing process yourself, I've got a service I've been offering folks to get them through their rough draft in 5 weeks. Rates can vary, and I can work with people's budgets.
In general, I'd say the best options would either be to bite the bullet and take on the writing process - or to take on a producing role, pay a writer to get the script done, and take the process forward from there. As a general rule of thumb, the person who believes in a story the most should be the person pushing that story through the crazy maze of film development. Otherwise, the project will eventually run out of steam.
I should probably write a piece for Stage 32 debunking the myth of a market for ideas in Hollywood... but there really isn't one. It's all about the work, in the end.
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Almost every writer you'll meet became a writer because they had stories they needed to tell... which means you're not going to meet many writers, and fewer good ones, who "need" something to write. If you're at all interested in getting coached through the writing process yourself, I've got a service I've been offering folks to get them through their rough draft in 5 weeks. Rates can vary, and I can work with people's budgets.
In general, I'd say the best options would either be to bite the bullet and take on the writing process - or to take on a producing role, pay a writer to get the script done, and take the process forward from there. As a general rule of thumb, the person who believes in a story the most should be the person pushing that story through the crazy maze of film development. Otherwise, the project will eventually run out of steam.
I should probably write a piece for Stage 32 debunking the myth of a market for ideas in Hollywood... but there really isn't one. It's all about the work, in the end.