I find that having a solid logline when I start a project helps me to focus on its initial direction. However, loglines can -- and often should -- evolve along with the story. As you make progress you might find that your central conflict isn't what you originally thought it was, and that will probably affect your logline.
Start with a logline that's for your eyes only - don't sweat the details. It's just a guideline for you. It will change as the story plays out - that's okay. When you think you finally have a finished/worthy script - then write a killer logline that is a strong marketing tool.
You should be able to at least summarise the story concept into a rough logline before you start developing/drafting. Wether or not you sit down and write a nicely worded one is up to you. I do but that's partly because I start with building a development document to share with other producers.
I find that having a solid logline when I start a project helps me to focus on its initial direction. However, loglines can -- and often should -- evolve along with the story. As you make progress you might find that your central conflict isn't what you originally thought it was, and that will probably affect your logline.
2 people like this
Start with a logline that's for your eyes only - don't sweat the details. It's just a guideline for you. It will change as the story plays out - that's okay. When you think you finally have a finished/worthy script - then write a killer logline that is a strong marketing tool.
4 people like this
You should be able to at least summarise the story concept into a rough logline before you start developing/drafting. Wether or not you sit down and write a nicely worded one is up to you. I do but that's partly because I start with building a development document to share with other producers.
2 people like this
I write loglines to help me suss out ideas. Decide if one has narrative legs or not. ;)