I was thinking about on how to set up a series of POVs at a Technical script, so The Script says something like this:
EXT. SPACESHIP/SECTOR WEIDER2000 - SPACE
An old sapaceship with some marks of hits and oxid, navigate doging space junk in the middle of nothing.
INT. SPACESHIP - SPACE
ALEX drive´s the space ship trhoug space junk, dodging some remnants of satellites, meteorits and abandoned spacecraft.
TOM as co-pilot, try´s to stabilizate the controls.
A remmant of a satellite almost hit the spaceship.
P.O.V. ALEX
Alex driving the spaceship dodge the space trash.
ALEX
(worried)
It almost hit us.
RETURN TO SCENE
P.O.V. TOM
Tom holding on the seat.
TOM
(afraid)
We are not going to make it, there is a
lot of trash and we don´t have
enought plasma to arrive to the
space platform.
RETURN TO SCENE
Alex look at Tom and laught.
ALEX
(lauging)
Are you serious? You do´nt kwow
the power of this baby, she´s georgous.
P.O.V. TOM
A meteorit goes trough the space.
TOM
(terrified)
Carefull!
RETURN TO SCENE
Tom try´s to look at Alex, he is holding the seat with more streange.
The light at the controls and the BEEP´s intermitent anounce a issue in the spaceship.
My Q is on How many camera moves should I have to put at the shooting? Should I use a basic system of General shoot/POV/Close up´s/Inserts. Is there an other type of sytem to make it more efficient with less camera moves? I always prefer more camera movements per scene, achieving a scene with more action.
Cheers!!!
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Why POV? This looks like a "talking heads" case to me (only a bit more shaking heads looking at the spacecraft windshield).
Anyways, check intro in the Alien script for exterior/interior shots of the space ship
It's s exactly what I need from a technical script, thanks for the advice, I will take into consideration the angles and sizes to translate them into the description of the scenes where I think it is really necessary.