Stage 32 is excited to welcome Brandon Gale for his upcoming webinar tomorrow! Learn the step-by-step process of how animated series get made from Brandon Gale, a Script Coordinator who has worked on LYLE, LYLE, CROCODILE for Sony Pictures and MARVEL'S HIT MONKEY!
Brandon will provide you everything you need to know so you can have success in getting your animated pilot turned into a series!
PLUS! You'll receive exclusive downloads to help in your animation journey. Downloads include:
BOJACK HORSEMAN Pilot Script
ARCHER Pilot Script
FUTURAMA S1,E13 – "Fry and the Slurm Factory" Script
"Brandon's Commandments of Writing"
https://www.stage32.com/webinars/TV-Animation-101-How-a-Hit-Animated-Sho...
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Really excited for this. I've been working in animation for over 15 years, but only been writing/scripting for a couple. With Archer and Bojack as two of my influances for writing style, looking for to digging in.
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Looks really cool! Great timing, too, with the Animation Screenwriting Contest Final Deadline at the end of the month!
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Me too. I can’t wait for this one…
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Excited for this today!
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Question: I’m developing a kids’ animated series - the target audience is girls, 6-11. It’s a sitcom with a strong musical component and a taste of some fun science. I’ve worked on pre-school shows, and my feeling is that a show for 6-11 should basically be an adult show in tone and attitude - with the obvious exception of steering clear of age-inappropriate subject matter, of course.
My question is this: would assembling a sitcom-style writers’ room under the direction of a showrunner be unusual for a kids’ show aimed at 6-11? Or is that already SOP (as opposed to one-off scripts) for a show for that age group?
Or is there another way to structure the writing team? Thanks in advance for your response!
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Thank you everyone for tuning in!