Acting : From Cringe to Confident by Anne Alexander-Sieder

Anne Alexander-Sieder

From Cringe to Confident

Whenever I found myself in a high-stakes meeting—be it an audition or a crucial session with an agent, manager, producer, director, or really anyone who held the keys to my acting career—I'd experience a sinking feeling. I knew they were going to start the meeting off with a big smile and the seemingly innocuous question, "Tell me about yourself.” My heart would start to race and my mind would go blank. I'd be caught between not knowing what to say and trying to figure out what they wanted to hear. I would usually ramble off stats from my resume (that they were holding in their hands).

One time, after fighting particularly nasty traffic, I used that precious time to complain. It could see their eyes going from eager curiosity to the dull stare of someone who was bored and maybe even a little disappointed.

In that moment, I felt like I had blown my chance. This setback would cast a shadow over my confidence, affecting the entire duration of my audition or our meeting. Even on self tapes, when nobody else was on the other side of my camera, I would hear myself droning on about something and imagine the light going out of the casting director’s eyes. I knew that if I could just let my true, authentic self shine through, we could connect on equal ground instead of me feeling like they had the upper hand.

The struggle to convey my essence became a roadblock in my acting journey. It was clear that I had the talent, passion, and potential to excel when I was portraying a character. After all, it was usually my acting that got me into the room in the first place, but I needed to unlock the power of authentic self-expression when it came to just being me.

---

I actually live in Germany where this nightmare question of “Tell me about yourself” has turned into a piece of marketing material that is almost as important as your showreel. It’s called, “the About Me” video. If that’s not bad enough, the trend is spreading quickly through Europe and I'm sure it won't be long before it spreads around the rest of the globe.

I get it. The powers that be want to see how you authentically act and react on screen. They want to see your true essence. They also want to make sure you’re not a psycho, and bonus if you can come across as fun to have on set.

I watched quite a lot of these “About Me” videos from my colleagues and honestly, most of them bored me to tears. It was much easier for me to objectively see where they were going wrong when I wasn’t emotionally connected to the outcome. On the other hand, I wasn’t sure what to do to fix the problem either.

That's when I began to obsessively watch other actor’s “About Me” videos to try and determine where my interest would lag and where it would peak. I also began to interview casting directors (because they’re the ones who watch most of these) to ask them what they thought made for a good “About Me” video. Lastly, I turned to my screenwriter’s group.

You see, I’d been a storyteller for years. I’ve written numerous screenplays and know how to structure them to create maximum impact but for some reason, I never applied this ability to my own “Tell Me About Yourself” answers.

My screenwriter’s group also had invaluable insights. It was through talking to all of these people and watching hundreds of videos that I began to unravel the art of storytelling and the importance of sharing one's authentic narrative. It wasn't about rehearsing lines; it was about tapping into the core of who I was and conveying it genuinely.

One mentor, Sarah, in particular, helped me understand that high-stakes interactions demanded a "Stage-Ready Version" of my story—one that could captivate at any moment, no matter the setting or the audience. She also made me realize that I needed more than one story because different situations demand different introductions. For example, I have a really funny little story that I tell about what my very first word in German was. It always makes people laugh in surprise when they hear it. (It was Fahrvergnügen (the joy of driving) in case you’re interested). I can tell this as a quick one-liner to break the ice in an elevator or as a three-minute story to entertain at a dinner party. But I definitely wouldn’t want to use that story if I was being called into a room to audition for something dramatic. I have other stories for that.

As I refined my ability to authentically express myself, auditions and meetings transformed. I started to connect with industry professionals on a personal level, which helped to level the playing field. And the best way I've found to put me on equal footing with everyone else in the room is for them to view me as a person they can relate to; not just an actor. I mean, c’mon - actors are already the lowest on the totem pole, so we’ve got to find a way to get up to eye level with other people in the industry.

Now that I’ve shared my story I’d love to hear yours. When we share our cringe-worthy moments, it's a reminder that beneath the polished surface of social media and #actorslife, we're all just human. In an industry that often demands perfection, it's these authentic, imperfect moments that connect us and make us relatable to one another. And they make us stronger when we realize we're not the only ones who struggle with these challenges!

So, what's the most challenging part of answering the "tell me about yourself" question for you? Have you ever frozen up or blown a networking opportunity?

Leonardo Ramirez

Thanks for sharing your story, Anne Alexander-Sieder . Whenever I get this question, I try to steer my mind into asking whether or not this relationship will be a positive one for me and lay the cards (or myself) out on the table. And by that I do not mean, "what can I get out of this" but instead, will this person tear me down or lift me up? It takes the edge off because if it's not that type of relationship, I don't want it to begin with. I know that sounds a little too personal for casting but in any job, you're in a working relationship. Nothing is worth giving up your peace.

Anne Alexander-Sieder

I so agree - that's why I was so glad to get some tips and tricks from Sarah. Basically, I now have a handful of stories and anecdotes ready to go. The interesting thing is, because they're not rehearsed, I can shorten them or make them longer depending on the situation. But mostly, it's really important for me not to TELL people about me. I want to paint a picture for them with my stories so they can draw their own conclusions.

Leonardo Ramirez

"I want to paint a picture for them with my stories so they can draw their own conclusions." - LOVE this.

Suzanne Bronson

I love this. That is the goal in all things in our lives' story, to be in control of our own narrative. The thing I love about theater auditions is there is none of that personal stuff. You do your monologue or scene and leave. When I have television auditions, and they want to ask questions, I have found it most helpful to myself to ask them to wait until after I do the scene. Going into the audition I am just thinking about the scene and I want to do it first thing. It's always easiest to answer questions when the stressful part is over. I think it is a great idea to have different stories at the ready based on the circumstances. That is preparation ! Acting 101. Great blog. thank you

Anne Alexander-Sieder

Thanks, Suzanne, I think they mostly ask the question to break the ice and try to make us feel a bit more comfortable (while also getting to see who we are). I'm curious, do you actually get back to answering their question after the audition, or do you just say thanks and leave without really answering? I could easily see it going both ways.

Suzanne Bronson

What was interesting to me about your post, is that you get "Tell Me About Yourself" questions from Casting Directors and your web page has an "about me" video. We don't do that in the states. Especially in major markets, Casting Directors don't have time to break the ice. They are professionals and they expect us to be professionals, it's not their job to make me feel comfortable. Being comfortable auditioning are what auditioning workshops are for. So if after I slate, and a CD asks me something, I will just say politely, "I would prefer to do the scene first and answer questions after." Advice that was actually given to me by Dennis Haysbert who had said he found it to be distracting and cost focus. Coming from the theater, that's how it's done. Audition first, then questions. I haven't had anyone say, "no questions first." And yes they will ask when I'm done. I don't leave until the CD says, "thank you." Usually it's about availability or something work related, I don't think I have ever been asked a personal question, I'm certainly not expected to provide an anecdote. And a video audition is just me on camera reading lines and an offscreen reader. No tell me about myself. That is time consuming for the casting director. I'm surprised you have to do that.

Other topics in Acting:

register for stage 32 Register / Log In