"Sound as a Character": Think of sound not just as background but as an active, suspense-building presence. Use unsettling noises—like an eerie wind, distant whispers, or even silence—to create tension. Sometimes, what's not heard can be scarier than a jump scare. Tease the audience’s senses, making them strain to hear, so every slight sound becomes a jolt.
Mentioning an item in the environment first as part of the scenery, then again, next drawing attention to it, then having the character notice it a the moment they (and the reader) realize it's significant. I did this with a recurring white van in my script Howard.
Thanks for commenting, Michael Dzurak! I do the same thing.
Speaking of items, here's a rewriting tip for anyone interested: It's easy to lose track of important items in your script when you're writing it. Do a separate rewrite where you track important items to make sure they don't disappear from your script. It'll also help you spot mistakes like a character putting down their phone in the kitchen, but they're holding it when they walk into the living room.
5 people like this
"Sound as a Character": Think of sound not just as background but as an active, suspense-building presence. Use unsettling noises—like an eerie wind, distant whispers, or even silence—to create tension. Sometimes, what's not heard can be scarier than a jump scare. Tease the audience’s senses, making them strain to hear, so every slight sound becomes a jolt.
2 people like this
Great advice, Taurai Du Plessis! Sound is something I can use more in my scripts. Thanks for sharing!
2 people like this
Mentioning an item in the environment first as part of the scenery, then again, next drawing attention to it, then having the character notice it a the moment they (and the reader) realize it's significant. I did this with a recurring white van in my script Howard.
4 people like this
Thanks for commenting, Michael Dzurak! I do the same thing.
Speaking of items, here's a rewriting tip for anyone interested: It's easy to lose track of important items in your script when you're writing it. Do a separate rewrite where you track important items to make sure they don't disappear from your script. It'll also help you spot mistakes like a character putting down their phone in the kitchen, but they're holding it when they walk into the living room.