Screenwriting is such a unique craft, combining structure, character development, and dialogue into a single cohesive piece that brings a story to life on screen. For those of us in screenwriting, we know there’s no shortage of challenges, from the technical requirements to the ongoing work of honing our voice. The journey to becoming a better screenwriter often means exploring different genres, refining structure, and revisiting our characters’ depth until they feel authentic. I’d love to hear about what others are doing for professional development—are there specific workshops, books, or networking opportunities you’ve found valuable? How do you work on elevating your craft?
On a related note, one area of professional growth I think is crucial is advocating for authentic representation. I’ve noticed that including people with disabilities in storytelling can transform a story, not only by bringing unique perspectives but also by highlighting underrepresented experiences. It’s vital that we build characters with authentic representation in mind—not only to create more compelling stories but to normalize diversity in media, giving audiences a fuller understanding of humanity.
What are your thoughts on these aspects of screenwriting? Have you found any useful resources for building authentic characters from underrepresented groups? And how do you see the role of inclusion in your own work?
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Hi, Kevin Enners. I'm getting better at screenwriting from the AMAs, Lounge posts, and webinars on Stage 32. I do research (watch videos, watch movies, read articles/books, and look at photos) to help me build authentic characters from underrepresented groups.
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Maurice Vaughan Good things to do. I also do research and watch movies. Yet, inevitably, films and TV either exaggerate or underappreciate a character's thoughts, feelings and emotions in situations. That's when I turn to something else. Is this because the writer does not know enough about their characters, or did they portray the characters inaccurately because of the status quo views of the audiences?
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It could be either reason, Kevin Enners. Or both reasons.