Screenwriting : Collaboration -- working or unworkable? by Charlie Allenson

I know, I know. It's the old working with friends thing. I guess a phone call is in order and see what happens. Thanks.

You can view the situation like this. Say you sold your script and had solo Written By credits. The WGA by contract negotiation gives you the opportunity for first rewrite. Say you get fired off the script. The producer, prod co, whoever brings in another writer. At what point do you maintain your original vision after the script is sold? Keep in mind film making is a collaborative effort. Only by becoming a producer/director/writer can you maintain your vision.

Yep, Jim's advice is what I would do. Talk with your friend. If you two are on the same page then you can write together. If he has a different version than you do, do not collaborate with him.

Thanks, Dan -- it's like I forgot the prime directive when I supervise copywriters and art directors at an ad agency. "Sometimes you have to throw out your darlings."

One other thing please. My post was about the process of collaborating on a screenplay. Not a request to be bombarded by people who want to sell me their writing services. Thanks.

Depends on what you want from the experience. I know a lot of writers who go nowhere because they "stand" by their "vision." If you've never sold anything or had anything produced it might be better to supply the first draft and be open to your friend's vision (which has gotten him sold and produced). Just my opinion.

Michael -- you're absolutely correct.

We might as well face that no matter what we write or create with limited finance it is just part of a vision we truly want to expand into something. Without that attitude I really don't think I'll ever attain success. When I let go even if not in agreement perhaps that is when I get my true revenue potential. And maybe I'm wrong about that too. IDK?

Wise words, Mitchell.

A few things to keep in mind. 1) keep your eye on the prize...ie; the film 2) your vision will change unless you Direct the film. 3) your vision will change again in post-production ie; the edit room unless you are doing it yourself. 4)Keep your eye on the prize!!!!!

That's good advice Ed. The script, if it goes into production, will likely change a bunch. As long as you know the core of the story - what it's really about - that's what you need to communicate to everyone - including your co-writer. That and the all important TONE (although that could change with the director).

All of these are great insights - thanks for sharing! I would also add that when you are considering collaborating with someone, it's important to consider if they are as committed to the project as you. I've worked with people before who are "all in" on the front end, but then when it's time to work, they're nowhere to be found! If I'm seriously committed to it, it still gets done...but I've definitely encountered needless frustration trying to collaborate with people who aren't as invested. Doesn't so much impact the business side of things, but still worth considering for the sake of your time and energy....

Hi Annie. Great point. I'm starting to feel that a bit. After not getting a few calls and emails returnedm or if they are with some "running around" excuse I'm wondering about the commitment part. Of course, life does have a habit of often being uncooperative with all. So, we'll see.

I agree with Dan, get paid, get credit, give up your vision if you must. Then write another great script.

And I agree with you. Thanks.