You can only have one or the other: would you rather have your script be a blockbuster or academy winner?
You can only have one or the other: would you rather have your script be a blockbuster or academy winner?
Hello All, I'm coming from the world of novels and short stories, so log lines are a new beast to face. I am hoping to get your help to chisel down what I have into a lean, mean fighting machine. The screenplay is a coming of age, rock music, road trip drama.
To reach rock stardom, an adopted, punk...
Expand postHello All, I'm coming from the world of novels and short stories, so log lines are a new beast to face. I am hoping to get your help to chisel down what I have into a lean, mean fighting machine. The screenplay is a coming of age, rock music, road trip drama.
To reach rock stardom, an adopted, punk rock drummer must sacrifice her band, confront her scheming birth father, and topple a music publisher before they can steal her mother’s last song.
Any feedback/advice/criticism is greatly appreciated. Even if you're content isn't directly related to my log line, I'd love to hear about your process. douglas esper
As an adoptee, I like that premise, but that challenge, in addition to the music business struggles feels like there are 2 stories. I would pick1 of the 2 and would go with that.
Jed, thanks and yes, I probably bit off too much for my first screenplay, ha. The two storylines are intertwined and push each other forward, so it seems to have worked. Next step will be to have a fe...
Expand commentJed, thanks and yes, I probably bit off too much for my first screenplay, ha. The two storylines are intertwined and push each other forward, so it seems to have worked. Next step will be to have a few people read it and tell we what sucks about it. A sharp learning curve that maybe skipped a few steps, but...here I am. :)
dan, good call. in the screenplay her father and the people stealing the song are connected, so maybe there is a way to show that without getting too long winded.
Thanks for connecting!
Hello everyone my name is Jeion Green and I am hiring.
Good luck Jeion!
Hello, I'm interested in the opportunity. Can I know futher details?
Willem Elzenga Thank you
I'm noticing that I have a lot of people looking at my logline on inktip but it doesn't go beyond that and I'm wondering if I can get some help with my logline as I'm trying to make it concise yet attention grabbing... help!!!
This is what I have had on inktip for my script 'Dumb Broke Love': "Jessi...
Expand postI'm noticing that I have a lot of people looking at my logline on inktip but it doesn't go beyond that and I'm wondering if I can get some help with my logline as I'm trying to make it concise yet attention grabbing... help!!!
This is what I have had on inktip for my script 'Dumb Broke Love': "Jessica, a driven gamer struggling to make ends meet, finds herself navigating the ups and downs of dating in the big city while juggling a complicated job. When she meets Walter, a bartender buried in debt, their romance faces challenges as they both grapple with the harsh realities of love, trust, doing what it takes to make a living."
Probably too depressive, although that could be an idea.
In a dawning romance between a gamer clinging to her dream job and her debt-ridden bartender, a salacious side hustle tears down more than what they manage to build.
I suspect the lack of clear goal, obstacle, and stakes in the logline is actually a problem with the script itself. Make sure the screenplay has those elements, then it should be easier to sum up in a logline.
You may want to write a one page summary of the script to help you narrow down the main plot points, stakes and resolution. Here's my shot at your logline.
"A down on her luck aspiring female gamer los...
Expand commentYou may want to write a one page summary of the script to help you narrow down the main plot points, stakes and resolution. Here's my shot at your logline.
"A down on her luck aspiring female gamer loses her day job and must join forces with a broke bartender to find a way to make money before both before of them end up on the street."
Hi everyone~ hope you're so far having a good Saturday. Just curious, what are your views on love triangles in your scripts? Do you feature them? Do you enjoy reading/watching them?
I adore them and think they're lots of fun if they're written well, as well as an excellent source of character development.
Anna Marton Henry that is an excellent point and something I’ll for sure think about for future characters/stories!
CJ Walley absolutely true, they’re a part of life itself....
Expand commentAnna Marton Henry that is an excellent point and something I’ll for sure think about for future characters/stories!
CJ Walley absolutely true, they’re a part of life itself.
Eric Christopherson I can definitely relate lol
Norman Welthagen awww hehe that would make an excellent story!...
Expand commentEric Christopherson I can definitely relate lol
Norman Welthagen awww hehe that would make an excellent story!
Like any commonly used theme, it depends on how you do it. More often than not when I see a love triangle in a film I say to myself "Are you kidding? Are all three of these people so stupid they have...
Expand commentLike any commonly used theme, it depends on how you do it. More often than not when I see a love triangle in a film I say to myself "Are you kidding? Are all three of these people so stupid they have no idea this is happening?" Then, once one (or more) of them discover it they mishandle it. I've seen it done well though and when it is, it's great.
Currently working on an idea for feature screenplay based on a true story that has family connections. It takes place in 1942 England, but while I like the idea of the story, I worry that this is a time and place that has been massively overdone. There's a daemon on my shoulder saying "don't waste y...
Expand postCurrently working on an idea for feature screenplay based on a true story that has family connections. It takes place in 1942 England, but while I like the idea of the story, I worry that this is a time and place that has been massively overdone. There's a daemon on my shoulder saying "don't waste your time, no-one wants to watch old world war 2 stories."
This isn't Oppenheimer or Zone of Interest - am I right to be concerned about the commerciality of the idea, or should I forget all that and just go for it?
Your thoughts, as ever, are very welcome.
While oversaturated, the appetite seems endless for WW2 content. Try to find a new angle or "take" on the era, that always helps. I've been seeing more of that in recent years, along with the WW2 stor...
Expand commentWhile oversaturated, the appetite seems endless for WW2 content. Try to find a new angle or "take" on the era, that always helps. I've been seeing more of that in recent years, along with the WW2 stories becoming "smaller" and more personal. Not that you can't have big, wide scoping elements, but great character-grounded stories with unique perspectives on historical events will always be en vogue. Sounds like with your family connection, there's a still lot of meat on that bone for you to chew on.
Steve-As a WW2 buff (history and movies) I can only reiterate what has been said previously: If it is a unique story, told well, with characters we can relate to then write it. whether it's been done...
Expand commentSteve-As a WW2 buff (history and movies) I can only reiterate what has been said previously: If it is a unique story, told well, with characters we can relate to then write it. whether it's been done before or not.
Example: The Great Escape, Stalag 17 and The Bridge on the River Kwai are some of the best of the POW movies of WW2. However, I though about writing a script about the 70 odd German soldiers who dug tunnels to escape from a POW camp called Island Farm near Bridgend, Wales. It's a fascinating story in it's own right, even if it involves soldiers who fought for the wrong cause. POW escape stories are not new, but each one is it's own story.
Good luck on your story!
Even in the last decade, movies like Anthropoid, Phoenix, Fury, The Ministry of UnGentlemanly Warfare, The Catcher Was A Spy, Operation Mincemeat, The Exception, The Captain, Sisu, A Hidden Life, Resi...
Expand commentEven in the last decade, movies like Anthropoid, Phoenix, Fury, The Ministry of UnGentlemanly Warfare, The Catcher Was A Spy, Operation Mincemeat, The Exception, The Captain, Sisu, A Hidden Life, Resistance, etc. all took pretty cool new angles on the era focusing on stories of love, power, revenge, resistance, and cool missions across the european continent
We've gotten a lot of new community members lately on Stage 32 and I want to say welcome!
Hi Stage 32 community, I'm Amanda Toney, a feature film and TV producer. In TV, I have been fortunate to have sold a TV show to USA that went to pilot and one that was sold to E!. I am also a producer on a TV s...
Expand postWe've gotten a lot of new community members lately on Stage 32 and I want to say welcome!
Hi Stage 32 community, I'm Amanda Toney, a feature film and TV producer. In TV, I have been fortunate to have sold a TV show to USA that went to pilot and one that was sold to E!. I am also a producer on a TV show written and created by a first-time TV writer who I attached an A-list showrunner and we sold it to a mini-major studio. We are currently attaching our lead actor and a director. In film, I have been on the producing team of several short films - one Hungarian film that premiered at Raindance, as well as a feature film that premiered theatrically starring Rumer Willis and Emma Dumont. I am currently producing a feature film where we just attached a director and are now out to attach an actor and financing. I also am producing a microbudget film written by a beloved writer here in the Stage 32 community in which we are trying to raise financing after the original financing fell out during covid.
Additionally, most of you know me as Stage 32's Managing Director. I love getting to work with our incredible team every day who work around the clock to do everything we can to try and provide you with as many opportunities as possible. And, you all know how much I love this community!
This picture I attached is from Cannes this year where we had our 8th annual partnership with the Cannes Film Festival Marche du FIlm and ran 5 panels and 2 events. I just got back and this was a great memory with Stage 32ers Emily Skye, a director on a recent Tubi film, our fearless leader RB and Giulia Liupetti from Catalyst Studios who we are partners with on producing a project for a writer in our community.
For this Introduce Yourself Weekend, I would love to know what your favorite thing is about the Stage 32 community!
Thanks, Morne Patterson!
Thank you for the kind words everyone! Keep getting after it this week!
You're welcome, Amanda Toney. Keep getting after it as well! Have a great week!
Hi Nikhil. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 1,000,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like...
Expand postHi Nikhil. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 1,000,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like most things in life, the more you participate, the greater the rewards. We ask all new members to pay it forward by inviting 5 fellow creatives to the network and by spreading the word of Stage 32 through other social media sites such as Facebook, LinkedIn, and Twitter. The more creatives, the stronger the network. The stronger the network, the more opportunities.
Thanks for joining the movement and for being a part of this most talented and inspiring community. I very much look forward to your contributions.
Thanks, and have a creative day!
RB
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Hello Nikhil -
Welcome to the community! I'm Amanda Toney, the Managing Director at Stage 32. Since 2013 I've been proud to oversee Stage 32's Next Level Education, which provides you the most up-to-date tools necessary to become a better creative.
Over the years Stage 32 has worked with over 500 industry executives and professionals to teach online webinars, classes and intensive labs exclusively for you - our Stage 32 community. We bring you instructors who have worked directly on some of your favorite films, TV shows or theater productions to teach you in-the-trenches information that you w...
Expand postHello Nikhil -
Welcome to the community! I'm Amanda Toney, the Managing Director at Stage 32. Since 2013 I've been proud to oversee Stage 32's Next Level Education, which provides you the most up-to-date tools necessary to become a better creative.
Over the years Stage 32 has worked with over 500 industry executives and professionals to teach online webinars, classes and intensive labs exclusively for you - our Stage 32 community. We bring you instructors who have worked directly on some of your favorite films, TV shows or theater productions to teach you in-the-trenches information that you won't find anywhere else on producing, directing, financing, writing, packaging, acting and more.
Our Next Level Education has a 97% satisfaction rate and averages 4.5 out of 5 stars. Plus, we've had the honor to be called "LinkedIn meets Lynda.com for film, television and theater creatives" by Forbes Magazine.
I encourage you to take the next step to continue learning and expanding your career by clicking here, or clicking "education" on your top menu bar.
I'm grateful you've joined the Stage 32 community. Please let me know if you have any questions!
Amanda
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The ideal answer is both, but realistically an oscar would be the honor!
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Academy winner, because then it'll become a blockbuster with everyone wanting to view it.
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Blockbuster