THE STAGE 32 LOGLINES

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GRAMMATICAL IDENTITIES
By James Mulcahy

GENRE: Comedy
LOGLINE:

A traditional English professor with a passion for grammar at a prestigious university finds his meticulously planned lessons on syntax and punctuation constantly hijacked by his students' fervent discussions on gender studies, queer theory, and LGBTQ+ rights.

SYNOPSIS:

The quiet order of Dr. Emerson's English classroom at a prestigious university is upended when discussions on grammar and punctuation unwittingly morph into impassioned debates on gender studies, queer theory, and LGBTQ+ rights. Dr. Emerson, a traditionalist with a deep reverence for the rules of the English language, finds his meticulously planned syllabus hijacked by students, led by the outspoken Jamie, who challenge him to view language through the lens of identity and inclusivity.

As the semester unfolds, these classroom confrontations spark a wider conversation across the campus, drawing in Charlie, the empathetic head of the Gender Studies department, and Morgan, a conservative linguistics professor, towards a debate that reflects the broader societal struggle to reconcile tradition with progress. Dr. Emerson, initially resistant, is coaxed into exploring the intersection of language and identity, marking a tentative step towards bridging the chasm between grammatical precision and the expressive needs of a diverse student body.

This journey is documented by students Taylor and Alex, whose project becomes a microcosm of the university's grappling with these issues. However, a miscommunication leads to a public fallout between Dr. Emerson and Jamie, culminating in a silent protest that underscores the deep divisions and challenges inherent in navigating these conversations within academic spaces.

When it’s over Dr. Emerson finds himself alone in his classroom, reflecting on the protest and a letter from the students that lays bare the missed opportunities for understanding and growth. This moment of introspection leaves the future of the English department—and Dr. Emerson's place within it—shrouded in ambiguity.

Marcos Fizzotti

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