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WHAT’S LEFT OF US
By Ashraf Nahlous

GENRE: Thriller, Crime
LOGLINE:

When a once-renowned novelist, now on the brink of financial and creative collapse, becomes convinced his wife is cheating, he crafts a murder mystery to expose her, until the boundaries between his manuscript and his life vanish, forcing him to confront whether he’s uncovering a terrible truth or orchestrating his own psychological undoing.

SYNOPSIS:

David Hayes is a once-acclaimed novelist whose last hit was years ago. Now, he’s struggling—creatively blocked, financially strained, and growing increasingly paranoid. He suspects his wife, Emillie, a devoted partner turned distant provider, is hiding something. Late nights at work, secretive texts, and her evasive laughter on hushed phone calls eat away at his fragile confidence.

Desperate for inspiration and truth, David begins channeling his suspicions into a new manuscript. The story he writes follows Ethan, a troubled husband convinced his own wife, Sophie, is unfaithful. In his fictional world, Ethan’s paranoia leads him to a deadly confrontation: Sophie disappears, and detectives circle Ethan as the prime suspect. But David’s writing isn’t just catharsis—it becomes a roadmap for understanding Emillie’s behavior. The more he invents Ethan’s twisted narrative, the more he feels he’s exposing something real in his own marriage.

As David pushes deeper into the manuscript, lines blur. He hears Ethan’s voice in his head and begins mirroring the detective’s methods from the story. Reality and fiction intermingle: suspicious details he wrote for Sophie’s affair start appearing in Emillie’s life. Or is he imagining it? David’s trust erodes. Instead of talking to Emillie, he heightens the stakes, following her after work, rummaging through her belongings, and interpreting every casual interaction as proof of infidelity. His once-loving home turns into a psychological battlefield.

Meanwhile, Ethan’s world grows darker. In the manuscript, Ethan uncovers damning evidence against his wife, leading to murder and a frantic police hunt. This fictional climax reverberates in David’s psyche. He becomes convinced he must confront Emillie before something terrible happens, either he will destroy their relationship or succumb to madness.

In the final pages, David reaches a breaking point. With the manuscript nearly complete and reality slipping through his fingers, he must decide if he trusts his wife’s love over the narrative he’s created. Will he tear his marriage apart in pursuit of a truth that may never have existed? Or can he rewrite his own ending, separating fact from fiction, and salvage what’s left of them both?

“What’s Left of Us” is a psychological thriller about love, trust, and the dangerous power of storytelling. It explores how fear can distort reality, how paranoia can rewrite our memories, and asks whether we can stop the stories we tell ourselves before they become our undoing.

Marcos Fizzotti

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Maurice Vaughan

Sounds thrilling, Ashraf Nahlous! I picture this movie having a lot of conflict, suspense, and dilemma.

You almost have a solid logline. I suggest adding the main flaw that the protagonist has to overcome in the script or an adjective that describes the protagonist’s personality ("As a ______ writer"). And I suggest changing "real life" to "life."

Ashraf Nahlous

Maurice Vaughan Done! Thanks for your feedback!

Maurice Vaughan

You're welcome, Ashraf Nahlous.

Maurice Vaughan

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Tasha Lewis

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Nate Rymer

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Ashraf Nahlous

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Nathaniel Baker

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