Fellow scribes... I'm curious. Why do so few screenwriters choose to post loglines here, but no scripts?
Fellow scribes... I'm curious. Why do so few screenwriters choose to post loglines here, but no scripts?
From 2003 through 2013, I worked as a contractor in the visual effects industry, working on such shows as Fringe, Raising Hope, Outlaw, Flash Forward, Pushing Daisies, Lost and Alias. I've also worked on a couple of movies, both made-for-TV and theatrical. Before that, graphic design was my area of...
Expand postFrom 2003 through 2013, I worked as a contractor in the visual effects industry, working on such shows as Fringe, Raising Hope, Outlaw, Flash Forward, Pushing Daisies, Lost and Alias. I've also worked on a couple of movies, both made-for-TV and theatrical. Before that, graphic design was my area of expertise. I use my screenwriting and storyboarding skills to write commercials and promotional material. I'm self-taught, using books and the Internet as my classroom. I taught myself visual effects this way and figured I could follow the same route to screenwriting. I am a lifelong fan of film. I try and watch at least one movie every week, and break down the story elements as I watch. I've probably seen thousands of films. As a kid I would make my own Super8 movies. I guess I've always thought cinematically. I often wonder what I would have done if I had access to the same kinds of technology that kids have today. I wrote my first feature script in 1997. It was quite an accomplishment at the time. Life got busy and I guess I didn't realize then how important writing was to me. Ten years pass and I dig out this screenplay and reread it. I even get some outside critique. It is terrible, as all first screenplays are. I do a page one rewrite on it and surprise myself with a much better screenplay (it's been rewritten several times since then). Yes, writing certainly is rewriting. Anyone who tells you different is not a true writer. I now have completed four feature scripts, all of which have been through the rewrite process numerous times, and have ideas for a few more. I had the good fortune to meet a professional writer/producer who has been kind enough to read and give notes on my all scripts. It's been really great. And thanks to books and Internet resources, it's finally getting to the point where I can actually see myself breaking through. I used to wonder if I was any good at this. Now I realize that I have developed real marketable screenwriting skills, and as with critique, if enough people with the right credentials say that the script was a good read, then it likely is. Do anything enough times and you get good at it. I'm closer to breaking in, but still a ways away. It's just a matter of time and screenplays.
when I decide to write something , its usually based on Impulse . I start to ponder over the issue , the story line and the characters to make my first "mind draft" . But after a chat with my friend and listening to advice of screen writers I have been confused and skeptic over the methodology sugge...
Expand postwhen I decide to write something , its usually based on Impulse . I start to ponder over the issue , the story line and the characters to make my first "mind draft" . But after a chat with my friend and listening to advice of screen writers I have been confused and skeptic over the methodology suggested . Writers suggest to read books related to the issues , documentaries , news articles and anything that may sound similar to your theme. But I certainly have a problem with this advise, according to me its like picking words from different sources and then arranging them to make it logical . What about the purity of my Idea, it just got corrupted .
Is that really about the task...and why is screenwriting, different, to writing. the core is the same. Something is not borrowed but felt. In fact. where do things begin.With you? Or are you a reitter...
Expand commentIs that really about the task...and why is screenwriting, different, to writing. the core is the same. Something is not borrowed but felt. In fact. where do things begin.With you? Or are you a reitteraator or a revsionist, a person found in the safe ground or, someone elses thinking. Personally I would rather be poor. [I have been rich. And its almost a joke to say...but i would rather be poor.] Better to die being who you know you are, [maybe you cant take it any other way? So its easy.
All writing these days is borrowed. You may not remember, but you will have seen or read it elsewhere and been influenced.
Cherie getting influenced on a sub conscious level is logical and natural . You cant just shut your mind window because of the fear of getting it corrupted or influenced . But reading or researching on someone else s matter is consciously copying .
I am at a lost. I live in the Caribbean and I have completed a feature length script, and have no idea how to proceed from here. It seems the old way of sending out query letters to producers and agents is no longer valid. I could use some advice.
Great comment Alle! Yes! Do a table read, where you hire some actors (many of them will do it for lunch and gas money) to get together and just sit around a table and read it aloud. I would also film...
Expand commentGreat comment Alle! Yes! Do a table read, where you hire some actors (many of them will do it for lunch and gas money) to get together and just sit around a table and read it aloud. I would also film it on a video recorder that is set up on a tripod. Just let the camera (iphone) roll and let the actors do their stuff. I guarantee that you will find things that you will want to improve. : )
No one will ever read my first screenplay. I consider it a right of passage. Start another one.
Hi Cleveland, My best advice to get read, assuming you have no industry contacts, is to 1) enter top screenwriting competitions - like the Nicholl Fellowship or Austin and 2) query managers, not agent...
Expand commentHi Cleveland, My best advice to get read, assuming you have no industry contacts, is to 1) enter top screenwriting competitions - like the Nicholl Fellowship or Austin and 2) query managers, not agents. Managers have fewer clients and are more inclined to read queries and submissions than agents. If you win or place highly (finalist, maybe semi-finalist) in a top screenplay competition like the Nicholl, you WILL get contacted by reps. If you enter your script in a few competitions and do not win or place highly, then you might consider getting your script read and evaluated by an industry associate or, if you don't have that, a good paid reader or service, as your screenplay might simply not be ready to be submitted professionally yet. Querying does absolutely work though, assuming your query and more specifically your logline are strong. If you are querying managers and getting no responses, your query is either too long, poorly written or your logline isn't interesting enough to attract any attention. I know some managers like to skip straight to the logline and if it interests them, then they might read the query. If you include all kinds of personal details and a long sales pitch, they will probably just hit delete. I can't emphasize this enough. Keep your query short and sweet. It's probably not worth querying major producers, prodcos or studios as almost none of them will accept unsolicited material - for legal reasons and because they simply are not set-up to review the literally thousands of screenplays they'd get if they did accept submissions. Get a manager and THEY will send out your script and get you read. My advice comes from my own experiences securing representation and from interviewing lots of agents and managers for my website/podcast. Good luck!
An ex-con with a rat phobia joins forces with his estranged son, his neighbors and a team of exterminators, to rid his apartment building of an infestation of super intelligent rats before they’re eaten alive.
Quarter finalist in the 2013 PAGE International Screenwriting Awards, representing the top 10% of all submissions....
After her newborn son is diagnosed with cancer, a mother races against time to find a cure for him, but when her husband raises questions of quality vs. quantity of life, she chooses to seek treatment options alone and risks not just the life of her baby, but her relationship with her family as well.
Production Specifics:
Shows a small selection of the work I have completed on many popular TV shows and films, such as Alias, Flash Forward, Fringe, Lost, Mammoth, Outlaw and Pushing Daisies. I have had the pleasure and privilege of working with many talented people in the industry.
Hi Lee. I'm RB, co-founder and CEO of Stage 32. As an actor, screenwriter, and filmmaker, I know first-hand the challenges all creatives face finding work and attracting attention to their projects. That's why we created Stage 32. Since our launch in September of 2011, the community has grown to 125,000+ members strong spanning 180+ countries making Stage 32 the social network uniquely populated with the most creative people on Earth. This is a network for you, built by you. Like most things in life, the more you participate, the greater the rewards. We ask all new members pay it forward and i...
Expand postHi Lee. I'm RB, co-founder and CEO of Stage 32. As an actor, screenwriter, and filmmaker, I know first-hand the challenges all creatives face finding work and attracting attention to their projects. That's why we created Stage 32. Since our launch in September of 2011, the community has grown to 125,000+ members strong spanning 180+ countries making Stage 32 the social network uniquely populated with the most creative people on Earth. This is a network for you, built by you. Like most things in life, the more you participate, the greater the rewards. We ask all new members pay it forward and invite at least 5 fellow creatives and to spread the word of Stage 32 through other social media sites such as Facebook, LinkedIn, and Twitter. You can also invite fellow creatives through the site by using the "Send Stage 32 Invites..." button on the upper right side of your profile. The more creatives, the stronger the network. The stronger the network, the more opportunities. Thanks for joining the movement and for being a part of this most talented and inspiring community. PS - Please take a moment to like us on Facebook and follow us on Twitter at @Stage32online.
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Y, al final, ellos sabrán a lo que se merecen.
Ken, USCO costs $35 and offers far more protection. http://www.copyright.gov/eco/index.html http://www.copyright.gov/help/faq/faq-general.html...
Expand commentKen, USCO costs $35 and offers far more protection. http://www.copyright.gov/eco/index.html http://www.copyright.gov/help/faq/faq-general.html
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I'm new to Stage 32, but I just posted a TV sitcom pilot and a Bible Story Epic that a director asked me to write to be shot in the vein of "300" called Samson & Delilah to my wall. Is there another s...
Expand commentI'm new to Stage 32, but I just posted a TV sitcom pilot and a Bible Story Epic that a director asked me to write to be shot in the vein of "300" called Samson & Delilah to my wall. Is there another specific place we should post? Both the director and myself believe this feature script is special and needs the backing of others with means beyond our own to do justice to the battle sequences, etc. And, I must confess my heart's desire for Paula Patton to bring Delilah to life in this story. Thank you for your time.