A blind sculptor is witness to a string of gruesome murders by a deranged, love-obsessed serial killer, who murders his victims to bring homage to her name. 

SYNOPSIS:

In the vein of Bones meets Silence of the Lambs.

Mary Tudor (mid 20s), a blind sculptor orphaned as a child, lives with her caregiver and longtime family friend, Dr. John Foster. The story arc opens with the abduction of John then continues with the capture or murder of other people in Mary’s life, thus isolating her further: a friend, officers, a priest—among other individuals.

After each disappearance, the kidnapper returns to the scene of the crime leaving horrific, nursery rhyme clues written in the blood of his victims. (The rhymes comprise of classic works connected to Mary Tudor: Three Blind Mice, Mary! Mary! Quite Contrary, and other bodies altered to fit the needs of the serial killer.)

Jackson Maxwell (early 30s), the lead SAPD Homicide Detective assigned to the case, escorts Mary to a safe house. Some of Maxwell’s team are systematically captured, tortured, and killed, forcing Maxwell to take Mary off grid to protect her from the killer.

Benjamin Wyatt (late 20s), the serial killer, snatches Maxwell’s partner, Adam Zorich. He sends identifiable body parts (taken while the victim is alive) and sends them to the police station with clear video instructions for Maxwell—return to the city with Mary, or continue to receive segments of Zorich’s body in pieces. As the story unravels, Wyatt's paternal connection to Mary is revealed (siblings/same father) layer by layer. Living in a distorted reality of his making, Wyatt seeks to cleanse the world of the unworthy. Keeping in line with King Henry the VIII's daughter, Mary Tudor, Wyatt sets out to remove 'Protestant Influences' in his younger sister's life and seeks to usher in a new Tudor reign.