THE STAGE 32 LOGLINES
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THE FINAL DECISION
By Jed Power
- In the dead of night, a dementia-stricken U.S. President faces a harrowing decision: launch nuclear missiles or risk annihilation in this heart-pounding thriller with a chilling twist.
SYNOPSIS:
- Amidst the chaos of a mistaken missile alert, a vulnerable President struggles to discern reality from delusion, leading to a spine-tingling showdown with the specter of war.
- A riveting psychological thriller unfolds as a frail leader confronts his own mortality and moral ambiguity when a false alarm threatens to unleash catastrophic consequences.
- As tensions escalate in the War Room, an ailing President must navigate the labyrinth of his deteriorating mind to avert disaster in this gripping, edge-of-your-seat political thriller.
- When a terrifying mistake sends the world teetering on the brink of nuclear war, a frail President's battle with dementia becomes a race against time in this pulse-pounding thriller with an electrifying twist.
THE FINAL DECISION
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1 person likes this
Sounds thrilling, Jed Power!
I suggest changing "In the dead of night" to the inciting incident. I don't think "In the dead of night" adds anything to the logline.
I also suggest taking out "in this heart-pounding thriller with a chilling twist." That sounds like it belongs in the pitch instead of the logline.
Something like: "After/when _________________ (inciting incident), a dementia-stricken U.S. President faces a harrowing decision: launch nuclear missiles at ___________ or risk annihilation."
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