How to Plan and Shoot Action Sequences - Learn From a SAG Award -Nominated Stunt Performer (THE MEG, AQUAMAN)

Hosted by Philippe Deseck

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Philippe Deseck

Webinar hosted by: Philippe Deseck

SAG-nominated Stunt Performer & Coordinator,

Philippe Deseck has been involved in the film industry for over twenty years as a Stunt Performer and Stunt Coordinator earning him a Screen Actors Guild Nomination for outstanding performance by a stunt ensemble in motion picture Shang-Chi and the Legend of the Ten Rings. Having worked on nearly 50 films & TV shows, some of his notable credits include Street Fighter, The Chronicles of Narnia: The Voyage of the Dawn Treader, Killer Elite, Spartacus, San Andreas, Kong Skull Island, Pirates of the Caribbean: Salazar’s Revenge, The Meg, Aquaman, Mortal Combat, The Tidings for Netflix and his SAG Nomination for Shang-Chi and the Legend of the Ten Rings and many more. He is regularly commissioned for major motion pictures to create the Previs where he recreates the live action sequences required in the script of the movie. He has hosted stunt workshops around the world for actors and is dedicated and passionate about a life in film and televison. Full Bio »

Webinar Summary

Learn everything you need to know about how prep and shoot a world-class action sequence in your films or TV shows from a SAG-nominated stunt performer and coordinator on THE MEG, AQUAMAN, MORTAL COMBAT, STREET FIGHTER, KILLER ELITE, SPARTACUS and more!

Action is a universal language in film.

A well designed and well shot action scene in a movie can define a film and be the most memorable part, whether its Steve McQueen's car chase in BULLITT or Tom Cruise's motorcycle jump in MISSION IMPOSSIBLE - DEAD RECKONING PART ONE. However, film schools tend to shy away when it comes to teaching students on how to shoot an action sequence. It’s either too dangerous, too expensive, stunt coordinators are required, insurance does not cover action sequences, or a myriad of other. reasons. As such, many filmmakers only focus on drama as they do now know how to craft and execute an action sequence in a professional and safe manner. The result is most filmmakers miss out on the opportunity to expand their film making skills when it comes to shooting action. On independent films, more often than not, action is usually the first thing producers will cut out of a script in order to meet their budget criteria.

In this exclusive Stage 32 webinar, stunt performer and coordinator Philippe Deseck will take you through the fundamentals of how to shoot an action sequence like a pro. Philippe has been involved in the film industry for over twenty years as a Stunt Performer and now Assistant Stunt Coordinator. Some of his films include THE MEG, AQUAMAN, MORTAL COMBAT, STREET FIGHTER, KILLER ELITE, SPARTACUS, SAN ANDREAS, KONG SKULL ISLAND, PIRATES OF THE CARIBBEAN: SALAZAR’S REVENGE, THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER, SHANG-CHI, and many more… In addition to his credits as a Stunt Performer, Philippe is gets involved in directing and editing, giving him expert perspective on how to create masterful action sequences from all sides. His skill has also taken him to performing safety on set and writing safety reports for action sequences. Philippe has also taught action workshops for actors and has taught stage combat at the New York Film Academy in Australia. 

Philippe will teach you everything you need to know about shooting action sequences. He will demonstrate the basic fundamentals which can be applied to any action sequence and he will show you how to bridge the gap between a stunt coordinator and a director so they get the most out of every opportunity together. Building productive, effective and trusting relationships is an important part in any filmmaking process and it is critical when it comes to filmmakers and stunt coordinators.

In this information-packed webinar you will learn how to design an action sequence from script to final print on film and how you can collaborate with all relevant departments in order to get the shots required and piece them together to take your audience on a ride they will never forget. You will walk away with a comprehensive understanding of the different filming styles that are used in Hollywood and around the world, and you will get a true sense of how to create the illusion of action safely.

This webinar is a rare opportunity to educate yourself and open your mind to new possibilities of how to design your action sequences, shoot them and have them shown on the silver screen.

What You'll Learn

An Introduction to Stunts/Action

  • What is the function of a Stunt Coordinator
  • What is the function of a 2nd Unit Director
  • What is the function of an Action Director
  • What is the function of a Stunt Double
  • What is the function of a Choreographer

What are the different hierarchy systems used in Hollywood and Asia

  • What is the difference between Hollywood and Asia
  • Where does the Stunt Coordinator fit in
  • Where does the 2nd Unit Director fit in
  • Where does the Action Director fit in
  • Who are the most renown Action Directors in the film industry
  • Recommended movies to watch

Designing your Action Sequence from Script to Final Product

  • What’s your interpretation of the Script
  • Deciding what System is going to be used in order to hire the right people
  • Hiring a Stunt Coordinator, 2nd Unit Director, Action Director
  • Using Insurance indemnity
  • Thought pattern of the Stunt Coordinator
  • Designing the Action with the Stunt Performers
  • Designing the Action with the Actors
  • Collaborating with the different HODs (Head of Departments) such as Art Department, Props Department, Costume Department, Make-Up Department, Special FX, Visual FX, DOP, Writers, Directors
  • Creating a Pre-Set Design and demonstrating your Action Sequence

Filming an Action Sequence

  • First Rule of Film Making
  • What are the different filming Styles – Master Shots vs Sequential Shooting, Docu Drama Action, Symmetric Shots, Shakey Camera vs Steady shots on a tripod
  • Story line of an Action Scene: Beginning – Middle and End, Protagonist, Antagonist
  • Filming of Time within an Action Scene: Long Span of Time, Short Span of Time
  • How to create the Illusion of Action: How to make things look real in an unreal manner
  • How to Film an Action Sequence using Stunt Doubles
  • How to Film an Action Sequence with Visual Effects in mind
  • The Rule of Three shots per action
  • Using a Stunt Lens
  • Framing of an Action Shot
  • The benefits of using Variable Frame Rates in your Action Scene

Previsualization

  • Benefits of using Live Action Previsualization AKA Previs
  • Examples of Previs with animation and without animation
  • Different kinds of Previs used e.g. audience rating Previs
  • What to look out for when presenting your Previs to Directors/Producers

Editing an Action Sequence

  • Principles of Editing an Action Sequence
  • The use of Sound FX
  • The Difference of editing Master Shots vs editing Sequential Shooting Shots

How to Practice Shooting Action Sequences

  • Find a simple action scene and recreate it shot for shot
  • Create a storyboard of the action sequence
  • Splice the action sequence and duplicate each shot
  • Rehearse with your performers
  • Use a camera with variable frame rates
  • Use a camera with interchangeable lenses
  • Start experimenting with your own shots

Q&A with Philippe

About Your Instructor

Philippe Deseck has been involved in the film industry for over twenty years as a Stunt Performer and Stunt Coordinator earning him a Screen Actors Guild Nomination for outstanding performance by a stunt ensemble in motion picture Shang-Chi and the Legend of the Ten Rings.

Having worked on nearly 50 films & TV shows, some of his notable credits include Street Fighter, The Chronicles of Narnia: The Voyage of the Dawn Treader, Killer Elite, Spartacus, San Andreas, Kong Skull Island, Pirates of the Caribbean: Salazar’s Revenge, The Meg, Aquaman, Mortal Combat, The Tidings for Netflix and his SAG Nomination for Shang-Chi and the Legend of the Ten Rings and many more.

He is regularly commissioned for major motion pictures to create the Previs where he recreates the live action sequences required in the script of the movie. He has hosted stunt workshops around the world for actors and is dedicated and passionate about a life in film and televison.

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As independent creatives, most of us have probably accepted our fates as “struggling artists” until we “get our break.” Still, even getting our break isn’t a guarantee for success and financial stability. There’s so much hustle and wait in this industry, but what if it didn’t have to be that way? What if you could take control of opening the golden door to success? This is an industry full of opportunities for those who are willing to engage in the entrepreneurial grind of building a profitable entity within the film industry. If you’re willing to bet on yourself, you can no doubt lead a fulfilling life as an independent artist. The two greatest challenges preventing people from fulfilling their dreams though, are often undervaluing themselves and quitting early. It’s important to learn and own your value and what you bring to the table if you want to set yourself up for success. There are strategic steps you can take towards monetizing your skills and creative ways to find revenue (trust us, it is out there!), but you have to be honest with yourself, be willing to put in the work and stand by your worth. Through iteration, practice, and time, you can even scale your skill(s) into your own business. With the right tools, resources, and motivation, you too can set yourself up for success as an independent artist. Jacob Matthew is the producer of the hit Netflix film LESS IS NOW. He is also the co-owner of the global production company and film agency Booklight. At Booklight he has expanded the agency's global reach in international film production by working with creatives and brands such as Netflix, Open Table, Comedy Central and Twilio. Jacob believes that when creatives are given permission to work in an environment that is as healthy and encouraging as it is disciplined and detailed, their creative ceiling can have no bounds. Booklight’s explosive growth is due, not only, to its co-founder Chris Newhard’s obsession for quality, but also to Jacob's own unwavering pursuit of organizational health and clarity. In this unique webinar, Jacob will share his story of success as an independent producer, and teach you how to find your value while accepting some brutal truths. He’ll also give you a realistic look at the industry today, and guide you on establishing your brand, what and how to charge clients based on your value, and train you on how to build your wealth while managing risk and growing your client list. This course will give you the basic, high level tools to propel you on your journey to leaving your day job and carving out a space for yourself in this industry. PRAISE FOR JACOB'S TEACHINGS: "We all make the mistake of thinking that the term “filmmaker” is a noun, a title to be achieved. We are wrong. A filmmaker is a verb. We film-make everyday that we wake up and decide to do something that moves our film forward. We film-make everyday we look in the mirror and tell ourselves we are on the right path. We film-make every time we encounter an obstacle in our way and choose to get creative. I look forward to teaching you how you can get creative and make a profitable career for yourself." - Jacob Matthew  

They Said "No" - Why Did They Pass On My Material?

Stage 32 is extremely excited to exclusively present They Said "No" - Why Did They Pass on My Material taught by Dan Wiedenhaupt, former Creative Executive of Atlas Entertainment (WONDER WOMAN, JUSTICE LEAGUE, SUICIDE SQUAD, AMERICAN HUSTLE, THE DARK KNIGHT TRILOGY) Many filmmakers and writers look forward to that exciting moment when they get their work in front of executives. Once in front of an executive, it's exhilarating waiting for the decision makers to view a reel, hear a pitch, or read a script. Then, when the call comes and the decision has been made, sometimes it's a "pass" or "no" and the only question left on a filmmaker or writer's mind is "Why?" Why did they pass on my material? Says Dan, "After reading thousands of scripts and hearing hundreds of pitches, I found that there are many common problems and red flags in scripts and presentations that nearly everyone makes - problems which will immediately make me, or another executive, pass on the script or idea. This is something that affects every single director or writer at any stage of the process - whether you're a first-time filmmaker or a Hollywood veteran. I have spent several years working in all aspects of film, television, and commercials - from both a physical production and development angle. I've seen the best of the best and I've seen some of the worst. After this time of cultivating my taste and my thick skin, I'm ready to pay the wisdom forward. I will be brutal, direct and to the point, and hopefully a little funny, pulling back the curtain of the development process." Dan will teach you why you are not receiving the response you are looking for from your film or screenplay pitch and how to fix those issues immediately. He will show you the do's and don'ts related to introductions and openings of a pitch or submission. He will teach you the red flags within your pitch including your story, presentation and personality. He will dive into what execs are looking for, how to assure you're tailoring your pitch to who you're pitching and navigating the "Culture of No" (and giving them a reason to say "Yes".) Dan will even show you examples of pitches he's passed on and pitches that had him begging for more. That's just some of what Dan will tackle, and rest assured, he'll leave you not only with a wealth of actionable information, but a ton of inspiration as well!  Please note Dan elected to not to not be on camera, but you will see his full presentation. Dan will explain to you exactly what it looks (and sounds) like from an executive's side of the table. He'll give you the tips and tricks to assure that your film or screenplay pitch is on point and attractive to representation, buyers, producers, financiers and development execs.   PRAISE FOR DAN'S TEACHINGS: "There's nothing like learning at the feet of an expert in their field. I was inspired from the beginning to the end!" -Marla O. "There's nothing worse than being rejected. Except now understanding WHY I've been rejected. Thank you, Dan, for making me see the error of my ways and helping me course correct." - Terry G. "Worth 10 times the price. Gold." - Thom P. "I can't believe I'm saying this, but thanks to Dan, I can't wait to pitch. What was pure horror in my mind has now turned to an abundance of hope."- Tasha P.

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