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With 15+ years of award-winning television and film production experience, Laura Woodworth is the Development Executive at Cooke Media Group, a production company based in Burbank, California which has produced media programming in nearly 60 countries around the world, helping some of the largest nonprofit organizations and leaders in the world use the media to tell their story in a changing and disrupted culture. A writer-producer-director, Laura’s production experience extends to award-winning film and television, radio and new media. Laura was directly involved in a television show which won 3 Regional Emmy Awards and 65 Telly Awards. Her professional strengths include project management, content development, public and media relations and traditional as well as digital marketing. Laura did her postgraduate work in UCLA’s Professional Program in Producing Film and Television. She is a member of the Alliance of Women Directors in Los Angeles. Full Bio »
We're back in the Writers Room this afternoon for The Breakdown Webcast with Development Executive at Cooke Media Group, Laura Woodworth!
The Breakdown
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"Thank you Laura, Thank you Kay / Stage 32, great discussion! Enjoy Holidays!
We love to hate them...or hate to love them! We're kicking off another month of a packed Writers' Room schedule with the Breakdown Webcast: Antagonists! During one of our character building webcasts, we noted that many of our examples of great characters, were characters who we traditionally see as antagonists! So let's dig in and really explore what makes these baddies so good. Stories need conflict, certainly, but conflict doesn't have to come at the hands of a cackling, mustache-twirling supervillain. There's more than one way to shape your story's antagonist! During this webcast we'll discuss 4 types of antagonists, 6 ways in which to develop a well-rounded and authentic antagonist, how to intrude your antagonists and explore our favorite antagonists from film and television, and a whole lot more!
In this Break Down we are seeing what it takes to build a world during the Breakdown Webcast: World Building! This comes as a request from several of our members who want to discuss how to build worlds in your writing...and pre-writing. World Building is one of most important tasks in writing - it lays the foundation for everything that occurs in your story. So how can you do it within your screenplay without feeling expository or over the top? We're going to talk about how to avoid common mistakes in World Building, key ways to get better at World Building, and even look at some examples of World Building from both script and screen to see how your favorite screenwriters and filmmakers tackled this difficult task. During this webcast, we watch clips and analyze the scripts for features including TITANIC, BLADE RUNNER, JOKER and more!
Great Characters should have Great Introductions. Join us as we breakdown how characters are introduced in features and TV scripts including Star Wars, Fargo, The Good Place, Mad Men, Pirates of the Caribbean, and Arrested Development.
If you hang a gun on the wall in the first act, it better go off. In this webast, we took a look at the "Chekhov's guns" in the Winchester of Shaun of the Dead, the rock hammer in Shawshank, the coins in In Bruge, and more!
Dark comedies intend to make light of events that would otherwise be considered too painful to discuss. The hope is that viewers will gain a cathartic experience, or simply laugh at some absurd situation. During this webcast, Jason Mirch discusses the 6 principles of how to make Dark Comedies work, while showing clips of some of the best dark comedies as examples.
We're back in the Writers' Room for the Breakdown Webcast: Tackling Tone. Tone is the most elusive element of screenwriting. Particularly because much of the tone of a project is conveyed by much more than just the script. Tone is really the culmination of every artistic and aesthetic choice made during the production process from the screenplay, the angles of the camera, the choices the actors make, cinematography, pacing of a scene, music, costume design, and more. During this webcast, we discuss how to capture tone on the page in ways that you are able to convey a vision that can be interpreted by the other artists who will come to work on the project. We examine some of our favorite films and television series to see how tone was captured on the page and then realized on the screen. We also discuss tips on how you can achieve balance and clarity in your tone.