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All levels of screenwriters (advanced, intermediate and beginner) looking to learn how to develop and break the plot of their television series.
All levels of screenwriters (advanced, intermediate and beginner) looking to learn how professional television writers develop a television series.
All levels of filmmakers (advanced, intermediate and beginner) looking to learn how to develop and break the plot of their television series.
All levels of producers (advanced, intermediate and beginner) looking to learn how to develop and break the plot of their television series.
Stage 32 Next Level Education has a 97% user satisfaction rate.
Jessica is a Producer and Screenwriter who specializes in female angst stories and is currently developing “Fran Frazer” withArchie Comics. Over Jess’ career she’s not only written dozens of episodes of television but has actively produced her episodes, becoming an experienced and valued on-set producer.Jess finally made her way into television as the showrunner’s assistant on USA’s “Covert Affairs,” Disney’s “Bunk’d” and CW’s “Supergirl.” It was “Supergirl” where Jess received her big break, writing episodes for the show until she was fully staffed on season four. Jess remained on staff as an Executive Story Editor until the show’s sixth and final season before jumping onto CW’s horror-romance (and “Supernatural” prequel) “The Winchesters.” Jess started her career at the Gersh Agency and then went on to work in film sales at Preferred Content. Full Bio »
Learn how to professionally develop your television series with acclaimed television writer and producer Jess Kardos, who has written for the CW’s SUPERGIRL and the prequel to SUPERNATURAL, THE WINCHESTERS!
PLUS! You will receive examples of a writer's room "board," story outlines, and a structure cheat sheet to help you in developing your series!
Every award-winning, binge-worthy television show started out as the same thing… a great idea. So how does a show go from “great idea” to Emmy or BAFTA winning TV series? A pilot script that introduces the world and the characters in the most compelling and exciting way. Choosing what, and why, to put in your pilot is know as "breaking the pilot" - and it is the way professional TV writers start their process. But that's easier said, than done, right?
Breaking the pilot for your series can be overwhelming. Knowing where to start (and where to end!), what to include, how to tell a complete story while leaving enough to act as a springboard for future episodes, making the audience care about your characters, their wants, their needs, their struggles…it’s a lot, even for the most experienced writers. You spend hours, days, weeks (sometimes years!) thinking about the plot, the characters, and the world before you write a single scene. And the pilot is just the tip of the iceberg. What lies under the surface is much larger than you could ever imagine. So how do you get there?
In this exclusive Stage 32 webinar, you will learn how to take your kernel of an idea and turn it into an original one hour pilot that will garner the attention of agents, managers, and executives alike. Teaching you how to "break the pilot" for your one hour television series is TV writer and producer Jess Kardos. Jess has been a TV writer for ten years and has written for shows like the CW’s SUPERGIRL and the prequel to SUPERNATURAL, THE WINCHESTERS. Jess is also developing the Archie Comics property FRAN FRAZER and adapting the NYT’s bestselling series, SHANE SCULLY for television.
Jess will walk you through her personal pilot-breaking-process and share tips she learned inside the writers’ room on how to most efficiently and effectively break an episode of television. You will walk away from this webinar with the necessary tools you need to effectively develop your pilot so you can get it on the air and in front of millions of people!
PLUS! Jess will provide you exclusive handouts to help you develop your TV series and streamline the pilot breaking process to get your writing on the page and into the hands of Hollywood’s movers and shakers!. Downloads include:
"I am so excited to share with the Stage 32 community all the tips and tricks of breaking a TV pilot that have been shared with me over my ten years writing for television." -- Jess Kardos
Jessica Kardos
Jessica is a Producer and Screenwriter who specializes in female angst stories and is currently developing “Fran Frazer” withArchie Comics. Over Jess’ career she’s not only written dozens of episodes of television but has actively produced her episodes, becoming an experienced and valued on-set producer.
Jess finally made her way into television as the showrunner’s assistant on USA’s “Covert Affairs,” Disney’s “Bunk’d” and CW’s “Supergirl.” It was “Supergirl” where Jess received her big break, writing episodes for the show until she was fully staffed on season four. Jess remained on staff as an Executive Story Editor until the show’s sixth and final season before jumping onto CW’s horror-romance (and “Supernatural” prequel) “The Winchesters.”
Jess started her career at the Gersh Agency and then went on to work in film sales at Preferred Content.
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Literary Manager Jon Hersh has read thousands – yes, thousands – of screenplays in his career. Starting at CAA he was a story analyst covering screenplays, manuscripts books and television pilots, which helped him get a crash course on effective structure for a project. He moved on to be a development executive at Broad Green Pictures and helped develop feature material for their slate. Being around so much material Jon learned one thing – you MUST have solid screenplay structure to get past development and get your project greenlit. In this exclusive webinar Jon is going to show examples and break...
Only 3 Spots Still Available - Grab Your Spot Now! Develop, perfect and practice your television series pitch with Emmy-nominated showrunner Todd Slavkin, the showrunner on hit series including SMALLVILLE, SHADOWHUNTERS, MELROSE PLACE 2.0, and most recently THE MYSTERIOUS BENEDICT SOCIETY! ***Flexible Learning: if you cannot attend any of the sessions live don't worry - you will be sent the links to the recordings of each session within 48 hours of the live session and you will have direct access to Todd on email to ask him any questions about your craft or career so you can keep up at your own pace...
Join literary manager Spencer Robinson from Art/Work Entertainment as he talks about the state of the comedy writing industry for film & TV and answers questions exclusively for the Stage 32 community!
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Most Execs will toss a script if they aren't hooked in the first 5 pages. We challenged you to create or polish a teaser or opening sequence that builds a world, characters, and plot that leave us begging to read more!
THIS WEBINAR HAS A 100% SATISFACTION RATING! Network TV is dead, right? All good shows are on cable and streaming! Not so fast! Network TV is alive and well, as demonstrated by the critical success and healthy ratings of shows such as 9-1-1, Black-Ish, Brooklyn Nine Nine, The Resident, New Amsterdam, as well as powerhouse veterans such as Grey's Anatomy, Law and Order, The Simpsons and NCIS. Broadcast networks are increasingly having to compete for top talent and ideas in a crowded marketplace. While landing a series order from ABC or FOX is no easy feat, the networks’ deep coffers mean they can...
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