Kennington Groff is an attorney who launched her own firm and is now working with Lilenfeld PC focusing on entertainment and intellectual property. In addition to her legal work, Kennington worked as a clips producer on Season 4 of WEATHER GONE VIRAL for The Weather Channel. Throughout her career, Kennington gained valuable experience working with top entertainment executives at HBO, NBCUniversal, and Lionsgate in their business and legal affairs offices in Los Angeles and New York City. Full Bio Ā»
Learn from an entertainment and intellectual property lawyer who's worked with HBO, NBCUniversal and Lionsgate how to protect your film or television project's future.
PLUS! Receive Handouts Including A Production Rights Cheat Sheet and Sample Location Agreement
In today’s marketing world, your project’s title and content is its brand.
You’ll use your film or television project’s title for social media handles and the website URL. It’s one of the most vital tools for getting the word out about your project.
It can also be something that grows much bigger. For example, HARRY POTTER started as a book series, but the franchise includes movies, spin-offs, toys, clothing, theme parks, and so much more.
When determining the title for your project, you need to think of the bigger picture and how best to protect you title, and brand, to ensure it doesn’t conflict with other brands so that you can capitalize on your project from all angles.
In this exclusive Stage 32 on-demand webinar, you’ll learn everything you need to know about title clearances and how to protect your project’s title and brand. You’ll also cover script clearances to ensure that you’re safe to include the people, places, real events, and existing material and brands you want to use without fear of reshooting your project from legal issues.
Without the necessary title and script clearances, your project could receive legal notices to halt marketing because of a conflict with another project. You might have to reshoot valuable footage if the script isn’t cleared. But you can avoid these stressful legal and financial setbacks by doing the work correctly now.
Walking you through these legal processes step by step is Kennington Groff, an attorney who launched her own firm, Lilenfield PC, to focus on entertainment and intellectual property. Kennington has extensive experience with clearances and has worked with top entertainment executives at HBO, NBCUniversal, and Lionsgate.
Kennington will show you how to protect your title and the differences with the process in the US versus internationally. You’ll cover error and omission insurance (E&O), the differences between copyright and trademark protection, finding out if your title isn’t available, and more.
Save yourself the time and frustration later by joining Kennington for this invaluable webinar, and protect your project’s future.
Title Clearance: Protecting your Film/TV Title
The Importance of E & O Insurance
Difference between Copyright and Trademark protection?
Film vs. Television Series Title
Understanding Key Terms in Title Clearance
The 2 Kinds of Title Searches and the Pros and Cons of Each
Understanding Script Clearance
Q&A with Kennington
Kennington Groff
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Ever get to the post-production part of your film only to be stopped and have to do several reshoots stretching the budget way over? Ever pitch your work only to have to halt negotiations with a buyer due to chain of title? Ever show your completed project only to not be able to sell it due to legal issues it is warped with? Well look no further because this webinar is designed to help you avoid these pitfalls and make sure all your ducks are in a row legally to avoid having your film stopped in its tracks. COMMON LEGAL ISSUES Often times your Stage 32 Educator Kennington Groff receives numerous calls from individuals claiming (1) that someone stole their idea, (2) we had a verbal agreement and then a falling out and (3) I thought I could use all the materials and whole facility as I wanted. Sadly, without proper detailed agreements in place, there is not a lot that can be done for these disputes. One of the most important things an aspiring writer, producer, talent or any other job working in entertainment someone can do is make sure to get a detailed agreement in writing. While you may think this will cost a lot of money upfront and is not worth it, it will be far cheaper and more beneficial to have these agreements in place upfront than trying to recover or solve a dispute on the backend. ABOUT YOUR STAGE 32 EDUCATOR Kennington is an attorney who launched her own firm and is now working with Lilenfeld PC focusing on entertainment and intellectual property. In addition to her legal work, Kennington worked as a clips producer on Season 4 of Weather Gone Viral for The Weather Channel. Throughout her career, Kennington gained valuable experience working with top entertainment executives at HBO, NBCUniversal, and Lionsgate in their business and legal affairs offices in Los Angeles and New York City. In this exclusive Stage 32 Next Level webinar Kennington will teach you an overview of legal issues that can arise across all departments to make sure that you are protected on your project. Plus! With the purchase of this webinar you will also receive: Location Agreement A Production Rights Cheatsheet
Stage 32 + Netflix join forces to bring you an exclusive television pitch workshop Learn best practices to make your pitch work and what your pitching document should look like You do NOT want to miss this! For many, the holy grail of television has become Netflix. It’s a titan in the industry, and with over 200 million subscribers worldwide, no one can put out content quite like them. Just look at the recent hit show BRIDGERTON, which has already been seen by a massive 80 million households (!!) since its release. If you’re a writer or creator, getting your series onto Netflix’s platform can spell success in a big way. But first there’s the matter of getting your series in front of them and pitching it effectively. It should be a comfort to know that you’re not the only one who wants your series on Netflix. Netflix wants that too! Netflix execs are constantly on the lookout for exciting new voices and new series to fill their slate. Yet it takes more than just a good series or a good pilot script to get on Netflix’s radar; you need to be able to communicate it well and pitch it in a way that will get their team excited. This certainly takes some work, but it’s absolutely achievable. If you’re interested in getting your show on Netflix, it’s time to learn directly from the source what it will take to make that happen. In an effort to reach more writers and find more content, Netflix has joined forces with Stage 32 to present a FREE and invaluable workshop on what it is that they’re looking for in new shows and how you can best pitch your series to their executives. In Stage 32's continued effort to help level the playing field for content creators worldwide, we felt it's important that we help you get tools you need to be able to make sure that you can pitch effectively. Kicking off the workshop will be Stage 32 CEO, Richard "RB" Botto (@rbwalksintoabar), and hosting this presentation will be Stage 32's Managing Director Amanda Toney with Netflix’s Director of Creative Talent Investment and Development for International Originals Christopher Mack. Christopher was previously Senior Vice President of Scripted Content for Stage 13, overseeing all of the brand’s original scripted series and development slates across multiple genres, including Emmy nominated Netflix series’ SPECIAL and IT'S BRUNO. Before Stage 13, Chris headed the Warner Bros. Workshop, the writing and directing program for professionals looking to start and/or further their careers in television. Over a period of 10 years in this role, Chris curated a roster of close to 100 writers and 50 directors representing the breakthrough emerging voices working on high-profile television shows today. In addition to these responsibilities, Chris has covered hit shows such as TWO AND A HALF MEN and SMALLVILLE for the Current Programs department. Prior to joining Warner Bros., Chris spent seven years writing on various one-hour dramas including ER, THE PRACTICE and THE NEW TWILIGHT ZONE. After graduating from Loyola Law School, Chris got his start in television at NBC Studios as an associate and he quickly rose to becoming an executive. During his time at the newly created NBC Studios, he oversaw a varied list of shows including: THE FRESH PRINCE OF BEL AIR and IN THE HOUSE, among others. In this exclusive Stage 32 workshop, Christopher will delve into what exactly makes a television pitch work at Netflix. He’ll discuss the essentials you’ll need to catch Netflix’s eye and will zero in on how to write an effective pitch document. He’ll pose questions you be able to answer and communicate for your series and give you ideas on how best to communicate your show’s overview, world, tone, and characters. Christopher will then discuss how season summaries should be built and give you ideas on how to think about and present potential episodes. Finally, you will have the invaluable opportunity to ask Christopher your own questions. You will leave this presentation with the understanding of how to structure and present your series, not in theory, but directly from the source.
Ask any successful filmmaker how they got started and almost all will tell you that their success began with a short film. And today, more filmmakers and producers are making short films as a proof of concept for a feature length version of their story. This doesn't have to be a daunting task. And we're here to prove it by showing you how a 5-minute short made for $5,000 went on to become a feature, a Tribeca Film Festival darling, and get national distribution. Natalie Qasabian has produced movies for the Duplass Brothers and recently was a producer on one of the biggest indie box office successes of the last few years, Searching. The film, made for under $1MM, was acquired by Sony at the 2018 Sundance Film Festival and has gone on to gross $75MM at the domestic box office. But much of Natalie's success and her journey began with a short film. Natalie is going to take you on an educational, inspiring, and motivational ride by teaching exactly how they pulled off the short film Join the Club, the feature All About Nina, and how the two were directly connected. She will explain the path this film took, from financing to casting to filming to film festival strategies to crushing it at Tribeca to getting global distribution. But this isn't all. Natalie will discuss the importance of making your short. How you should approach the process. How you should handle rejection along the way. How to navigate all the ups and downs of pre-production and production without having it cloud your overall strategy for the film and much, much more. Like what you heard from Natalie during this webcast? Send your script to Natalie and speak with her for a full hour by clicking here. Praise for Natalie's Stage 32 Webinar: "Natalie knows how to take a film to the highest of places by committing to sound and proven strategies. Her perspective is amazing" - Doug L.
A New Exclusive Webinar! Learn how to build your screenwriting career from a professional screenwriter who's been exactly where you are and now works with Universal, Paramount, Warner Bros., M. Night Shyamalan, Brad Fuller, Andrew Lazar, and more. Many screenwriters believe that all they need to kickstart their careers is one script. But the truth is that one script is just the first thing you need. To be a successful screenwriter in today’s industry, you need to be dedicated, evolving, and able to bounce back from rejection, all while constantly generating new material and networking. In this exclusive Stage 32 webinar, accomplished screenwriter Steve Desmond will show you what it takes to become a professional screenwriter with the tools he’s learned throughout his career. Steve has had immense success in his screenwriting career. He co-wrote the upcoming feature A KNOCK AT THE CABIN from Universal Studios and director M. Night Shyamalan, he has another film in production at Paramount, and he sold his script HARRY’S ALL-NIGHT HAMBURGERS to Warner Bros. in a bidding war with Oscar-nominated producer Andrew Lazar attached. Steve also wrote and directed the short film MONSTERS, which has garnered two million views online, screened at over 100 film festivals, and won 45 awards. He’s also attached to direct his script, THE SATURDAY NIGHT GHOST CLUB, with Brad Fuller (A QUIET PLACE) producing. In this webinar, Steve will show you how to look at your career and projects in a new way so that you can evaluate yourself critically, build relationships that become long-term collaborators, bounce back when faced with rejection, and more. If you attend the live webcast, you’ll also have the chance to ask Steve any questions you have about building a career as a screenwriter in today’s industry. Set up yourself and your goals for the new year by learning from someone who’s built the career you desire. Join Steve for this fantastic webinar and give yourself the gift of this career game plan.
Learn how to supercharge your screenplays by properly using your "inciting incidents" from a writer/producer who has worked with HBO, Universal, Fox, CBS, and more! PLUS! You will receive exclusive handouts to help you in crafting your own inciting incidents to take your screenwriting to the next level! We all know that moment in our favorite films that hooks us in - the moment the status quo drastically changes for our main characters and propels our protagonists into the heart of the story. This moment is called the “inciting incident” and is arguably the most critical moment in any screenplay. When legendary filmmaker Billy Wilder said about screenwriting "if you have a problem with the third the real problem is in the first act" he was referring to a screenplay's inciting incident. However, many writers don't maximize the effect of their "inciting incident" properly leading to other issues throughout their scripts. So what constitutes an inciting incident that supercharges your screenplay and what differentiates it from other major plot points in your story? How can you create a powerful, meaningful and properly placed inciting incident in your story that will set your script apart from the rest and truly engage your reader? In this exclusive Stage 32 webinar, you’ll also learn how to craft a compelling inciting incident for your story that will set your script up for success. Teaching you this key screenwriting fundamental is veteran film and television writer and producer Brian Herskowitz. Brian has worked on over 2 dozen films and television shows (HBO, FOX, CBS, NBC, UNIVERSAL and more) and he's bringing his experience to the Stage 32 community to help you improve your craft! PLUS! You’ll receive exclusive handouts to help you in creating your inciting incident. Downloads include: Definition of terms Copies of examples from various scripts, including Avatar and Hereditary. Excerpts from the book PROCESS TO PRODUCT: From Concept to Script: A Practical Guide for the Screenwriter. Brian will teach you how to define, set, and make the most of your inciting incident by giving you tools, exercises, and examples to put your script and protagonists on the right path. This webinar will help you take your screenwriting to the next level. Testimonials for Brian's Teaching and Stage 32 Education “As a collaborator with Brian and a guest in his class, I am hugely impressed with his screenwriting knowledge. I heartily recommend him and his course.” -- Jason Alexander (Seinfeld, Pretty Woman, Listen Up) "I have a master's degree and a doctorate, Brian is by far the most caring and best teacher I have ever had." -- Alan J. "The course was everything I needed and then some. An excellent course." -- Katie R. "Mr. Herskowitz is very knowledgeable, patient, and superb at discerning problems and helping us solve them." -- Sandra O. "A solid course in which I felt I had learned a LOT by the time it was over." -- Peter L.
It is clear that this is the golden age of television with one incredible series after another coming out on cable, streaming and network. If you're interested in breaking into the world of television, there is one key position that you must know the ins and outs of in order to understand the set - a TV Executive. An TV Executive plays a huge role in a television production, serving as more than a key developer of story, but also a liaison between various departments on set. We've brought in veteran executive Stuart Arbury from Ramo Law (Ramo Law has worked on Netflix's Altered Carbon & Chef's Table, ABC's This Isn't Working, Hulu's Battleground and more). Stuart himself began his career at Captivate Entertainment, Dimension Films and Canvas Media Studios. Arbury was the on-set TV executive for MTV's Scream TV series for two seasons, which was based on the classic horror film franchise. In this webinar, Stuart will walk you through an explanation of the television eco-system and share war stories of his time during Scream. Having worked with various department heads, Stuart will also share tips on getting started in Hollywood on a television production. You will walk away with a clear understanding of a TV executive's role and how it relates to your part of the business, whether you're a writer, producer, director, actor or crew.