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This webinar had a live screening session recently and has not yet been converted into a video format.
Creating a unique, interesting character to anchor your television series is one of the most important things, if not THE most important thing, to focus on when developing a pitch or writing a pilot. Executives, agents, managers, and showrunners insist on compelling, complex and dynamic characters that leap off the page. Yet writers often get bogged down with story and plot, losing sight of the fact that it's characters we care deeply about that cause us to tune in to our favorite TV shows week after week.
But how do you create a three-dimensional character that audiences will fall in love with, invest in and root for?
In this Stage 32 Next Level Webinar, host Tawnya Bhattacharya will teach you how to create memorable characters with drive, characters that provoke emotion and characters that stay with the audience long after they’ve disappeared from the screen. She will show you how to craft compelling and multi-dimensional characters by crafting their backstory, stage of life, flaw, core wound, dilemma and goal as well as how to design dynamic catalyst relationships and polarities, how to a unique world helps you create an interesting character, and how to design meaningful and emotional journeys and character arcs.
As points of reference, writers should familiarize themselves with the pilot episodes of Bloodline, Jane The Virgin, Unbreakable Kimmy Schmidt, and Breaking Bad which, despite the fact it’s now off air, is an excellent example of where the bar is set.
You will leave this webinar with a game plan and clear tools to use while building what just might be TV's next iconic hero or anti-hero!
Tawnya Bhattacharya is a working TV writer, writing instructor, and founder of Script Anatomy. Her teaching career began at Writers Boot Camp from 2005 – 2008.
Having seen writers struggle through the process there, it became apparent what was missing, so she created Script Anatomy, a unique curriculum to give writers practical development, writing and rewriting tools based on her own process.
She launched Script Anatomy in 2010, just as she was embarking on her own television writing career. Bhattacharya brings both a ten-year teaching background and professional writing experience to Script Anatomy’s curriculum.
She is currently a Writer/Co-Producer on NBC’s The Night Shift and formerly wrote on TNT’s Perception, Lifetime’s The Client List, and USA’s Fairly Legal, with her writing partner, Ali Laventhol. Repped by ICM Partners, they are former NBC Writers on the Verge fellows, winning one of 8 spots out of 1200 applicants and also made semi-finalists for the Disney | ABC Writing Program before getting a job that took them out of the running. Tawnya was also a FOX Writer’s Intensive fellow (FOX optioned her semi-autobiographical pilot).
Bhattacharya is a graduate of Cornish College of the Arts in Seattle.
“Tawnya’s tools for structure and story pushed me to take my work to the next level. She showed me how to channel my ideas in an organized and systematic way. Because she has worked as a TV writer for years, Tawnya brings her experience and all the lessons that she’s learned into class and gives you the tools to navigate the room. Tawnya’s approach is keenly-sharp and nurturing in a professional and enthusiastic way, all while keeping an eye on delivering the best story possible.” – April Fitzsimmons (Staff writer on ABC’s Secrets & Lies, ABC Family’s Stitchers, 2104 Disney | ABC Writing Program)
“Tawnya is a dream to work with. She is a very talented writer! I believe her creative process will take her very far in this business. Her writing is poetic, lyrical and shows depth and complexity. She is every bit as strong on the page as she is in the room. She gives excellent notes to others on their creative process. She clearly understands the craft of writing. Her writing and her ability to connect with others will take her very far in the entertainment business. I highly recommend Tawnya.” – Jen Grisanti (Story/Career Consultant Jen Grisanti Consultancy Inc., Writing Instructor with NBC for Writers on the Verge)
“As a working television writer, Tawnya understands the inner function (or dysfunction) of “the writer.” This, coupled with her innate gift for teaching, make her class stand out in the overly saturated arena of TV writing classes, books, and seminars. Not only was her class informational, enhancing both my story and structure skills, but it was inspirational, fun, and offered a supportive environment for every participant. But, what really matters is this: Tawnya made my work better.” – Eva Taylor (2015 NBC Writers On The Verge Fellow, repped by Rain Management Group)
“When I’m stuck in the writing bubble, need guidance and a fresh set of eyes on my pilots, there’s no one I trust more than Tawnya. I always walk away from our sessions with a clear plan, and solutions to the problems I couldn’t quite crack on my own. Most notably she does this without ever taking over the proceedings. My pilots still feel like my own. She helps respectfully guide the ship home, elevating the work with her effective tools and clear, cogent thought process. She has become my secret weapon and a trusted ally.” - Shannon Fitzgerald (Former Sr. VP of Scripted Development at MTV)
“In a very simple, straightforward way, Tawnya is able to demystify the overwhelmingly isolating process of pilot writing by giving you tools you can take away and use forever. It is an outstanding class for non-working and working writers. I will definitely be going back.” - Wendy Straker Hauser (The Client List and Beauty and the Beast)
“Tawnya is the real deal. When I expanded my writing to include TV as well as features, Tawnya’s class gave me the insight and expertise to elevate my craft in a medium that was foreign to me. What I like most…is that she’s a consummate pro and not afraid to tell you what you need to hear. Tawnya’s instruction is both insightful and personable – it’s the reason so many writers use her services again and again and it’s the reason I continue to use Tawnya as a coach to fine-tune whatever I’m working on”. - Chandus Jackson (Writer/Director, Repped by Verve, 2014/2015 Universal Emerging Writing Fellow)
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Tawnya Bhattacharya
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I was born for this. Started on street corners tap dancing, doing comedy, telling stories & holding an audience until they pay me J A Masters Degree from USC Film School and three decades later there hasn’t been a day when I wasn’t writing, directing, producing or managing as an executive a feature film, television, documentary, live event and/or new media program. I’ve been blessed to learn from and collaborate with some of the luminaries of sports and entertainment producing and business management. For these efforts, I picked up a shelf full of awards & trophies, maintained an upward financial trajectory and learned to enjoy the ride. A few of the collaborations in my career include: Netflix, YouTube, NBC, CBS, ABC, Univision, HBO, Showtime, TNT, MTV, VH-1, Sony Pictures, Paramount Pictures, 20th Century Fox, Lionsgate Studios, Legendary Pictures, Blizzard Entertainment The Grateful Dead, Quincy Jones, Michael Jordan & David Falk, Phil Knight/NIKE, Magic Johnson, Peter Guber/Mandalay, Dr. Dre, Snoop & Eminem, Arthur Miller, Michael Bloomberg, Laurence Fishburne, the NFL, MLB and NBA, and most of the financing entities in Hollywood. I’ve established tax incentives that spark states into profitable production while structuring large scale financing. Easier said than done, trust me! Now, I’m thrilled to join with Stage 32 to talk about my journey and share my experiences from over the years. I love to give back to up and coming filmmakers and I’ll be holding an online Q&A to talk with you, the Stage 32 community, and tell you about the things I’ve learned along the way. If you’re in the middle of your filmmaking journey, now, no matter where you live in the world, I’ll be taking questions from you live, so ask away! So relax, this opportunity to not give up on your daydream just got a lot closer. Clint Eastwood, Kip & Kern Konwiser Kip & Virginia Madsen Kenny Ortega (director/choreographer), Jim Belushi, William Levy, Emilio Estefan Kip, Ron Shelton (director/writer), Pete Rose, Kurt Soderling (DP) Pre-production at Legendary Studios "The Konwiser Bros." Kern & Kip Konwiser
Learn how to pitch your family film or TV project from a former Nickelodeon executive. Includes a case study from a real pitch deck for a produced family film. More studios, networks, streamers and production companies than ever before are looking for content that appeals to all ages. This means opportunities are plentiful for the creator who understands how to put together, pitch, and sell this family friendly genre. More than other genres, family content comes with strict mandates and specific audience demos, each with their own unique profiles and specifications. Projects that can’t easily align or fit into these already defined sections have a much harder time selling. In order to put your best foot forward and get executives to notice your family-friendly film or series, you first need to understand how the industry works and how best to adjust your project and your pitch. Mike Sammaciccia is the founder and producer at Afterglow Pictures, which specializes in family friendly content and has over 15 projects in development, including a documentary and tv series with Will Smith's Westbrook Studios. Mike also produced the action thriller SURVIVE for Jeffrey Katzenberg, which starred GAME OF THRONE’s Sophie Turner and STRAIGHT OUTTA COMPTON’S Corey Hawkins. Before creating Afterglow Pictures, Mike served as Walden Media’s first creative executive, bringing in the book HOLES and serving as the executive in charge of production for the hit family film starring Shia Labeouf and Sigourney Weaver. He also served as Senior Vice President of live-action movies and series for Nickelodeon for many years, producing 4-5 live action and animated movies per year. This content consistently broke audience benchmarks and propelled the careers of many young stars. Mike has been at the forefront of family content—both film and television—for almost 20 years and knows better than most what it takes right now to get a family project off the ground. Exclusively for Stage 32, Mike walks you through how to approach developing, pitching and selling your own family friendly series or film. He’ll lay out the different demos and what kind of content studios, networks and streamers are embracing. He’ll also point to where family content may be headed in the future. Mike will then teach you how to get your own family film or series market ready by defining your own demo, deciding if it’s better as a film or series, making your characters family-friendly, and developing necessary partnerships along the way. Next he will discuss how to get your project in front of the right studio, network or production company and how to determine which one is the right fit for your project. He’ll also speak to whether you need a manager or agent. Mike will then go through how to best pitch your family project, the documents you should have, how to pitch, and what goes into your pitch deck. Mike will even share a real pitch deck for a family film he went out to pitch and explain why he made the choices he did in assembling it.
Learn the fundamentals of structuring your 30 minute tv pilot with a writer from HBO's Emmy nominated comedy series Silicon Valley! If you want to work as a TV writer, you need a great writing sample, and these days, that comes in the form of a pilot script. Writing a pilot is hard, though, and writing a great pilot is even harder. One of the most common pitfalls is failing to write a compelling story that showcases your characters and world. But it’s that story that will get a reader to finish the script. It’s that story that can help you get a job. Figuring out the best version of your pilot story often comes down to structuring the script into an A, B and C story. This will allow you to introduce your characters, world, and plot points while still maintaining a pace and shape to the episode. Writing a great pilot script is such a tricky balancing act, ESPECIALLY for a 30-minute show. In just 30 pages, you need to establish your world, your characters, and your ongoing stories without overloading the audience with exposition all while still injecting the episode with its own story and arc. That’s a lot of plates to spin, but if you can’t nail your pilot’s structure, your characters and world won’t reach their full potential. How can you structure your own half hour pilot into an effective script with a clear A, B and C story? How can you find the balance and spin every plate so you can have a standout pilot script and writing sample that can get you the attention and opportunities you’re looking for? Meghan Pleticha is television writer with ten years of entertainment industry experience who has most recently worked as a staff writer on HBO’s Emmy Nominated comedy series SILICON VALLEY. Her work has also appeared on Cartoon Network’s POWER PLAYERS, and in Escala, AeroMéxico’s official in-flight magazine. Previous to being staffed on television shows, she worked as a writer’s assistant and script coordinator for shows like FX’s MARRIED, ABC’s CHARITY CASE, and VH1’s HIT THE FLOOR. Over two interactive sessions in this exclusive Stage 32 on-demand class, Meghan will dive deep into how to effectively structure a 30-minute TV pilot script, focusing on finding your pilot’s story and building it out with an A, B, and C story. In the first session, Meghan will dissect what makes a great A story for a pilot, discussing the goals you should have for this story as well as helpful strategies and secrets to bring it together. In the second session, Meghan will look deeper into B and C stories, how to integrate them into your A story, and how to use them to further define your series and world. Meghan’s career as a writer as well as her experience teaching other aspiring creatives has given her powerful insight into television story structure, and she’s excited to bring what she’s learned to the Stage 32 community. You will walk away from this course with a firm understanding of how you can effectively structure your 30-minute TV pilot so your script will get you noticed! Praise For Meghan's Teaching “Meghan is a wealth of knowledge and a fantastic teacher. She's truly an ally to all writers." -- Carol L. "Megan taught me so much more than just structure of an episode of TV. I feel very well versed in the craft and business of television after working with her." -- Nick M.
Taught by Director of Development at Supergravity Pictures, Mike Flavin, who's worked on films such as Sony/CBS's Faster with Dwayne Johnson and Billy Bob Thornton, and The Enivitable Defeat of Mister & Pete with Jennifer Hudson and Anthony Mackie which was screened at the White House. Hollywood has found itself looking inward at the plummeting returns from the "Blockbuster Months". Why did a relatively "starless" movie like Guardians of the Galaxy print money, while Tom Cruise's Edge of Tomorrow flopped? Why would seemingly well known Intellectual Property like Peabody and Sherman tank while another brand, Lego, do so well? (besides the world's obvious affinity for Chris Pratt!) The answer lies in one confirmed fact about the movie industry: you never, ever know what will be a hit and what won't. BUT, in saying that, there is a way in which you can give your project the absolute best chance of success by looking analytically at successful films from the past and implementing these dynamics into your project. If you've seen the film, Moneyball, you'll remember Jonah Hill's character found a way to statistically determine the best odds for his team's sucess. Our webinar host, Mike Flavin, has been able to analytically and statistically apply a method to do the same for a script or film - and he's found success as a Director of Development by doing just that. Join Mike as he teaches you his methodology to apply components in a script that make it more sellable. In this webinar, we will break down several successful movies in a number of genres and draw statistical conclusions on what made them so successful. It's the Moneyball-ization of Hollywood; let's play the house against itself!
There are many ways to forge a path toward a directing career in the film industry. But as almost any successful director will tell you, surviving and thriving takes much more than just talent. Packaging, the streaming platforms, and new and intriguing distribution channels have all but upended the independent film world. More and more filmmakers are embracing a DIY (Do It Yourself) mindset and educating themselves on the business - who's making what, what festivals matter, how a producer sees a project, what investors are looking for (and where to find those investors), who's the audience for my film, where can the film live and, most importantly, how can I use this information to build a long, lucrative, and successful career in the film industry. Director Qasim Basir exploded onto the Sundance scene with his film A Boy. A Girl. A Dream.: Love on Election Night. The film received a massive standing ovation at its Sundance premiere which led to a bidding way, a major theatrical release, and enormous critical acclaim. The film not only takes place in once location, but is filmed in single shot. It's a masterclass, and Qasim proved that he is a talent to be reckoned with. The accolades and offers haven't stopped flowing in. Up next for Qasim is to direct the NFL Biopic ‘Hawk’ based on life of Andrew Hawkins. Prior to his Sundance debut, he was nominated for the NAACP Image Award for his film Mooz-Lum, starring Nia Long, Evan Ross & Danny Glover, and premiered at the LA Film Festival with his film Destined starring Jesse Metcalf, Cory Hardrict and Margot Bingham. Qasim has had choices for all of his films as to how they got out into the world and where they were going to live after their release. He's chosen everything from theatrical to VOD releases, and he's learned much along the way. Now, exclusively for Stage 32, Qasim is bringing all his knowledge including the wealth of information he learned from the dream Sundance experience to the Stage 32 community. Qasim will dive right into the deep end of the pool to discuss how to navigate this difficult industry and how to keep yourself intact. He will teach you what you'll learn along the way as you become more successful and how to use that knowledge as fuel. He will discuss short filmmaking as a calling card or as proof of concept of something bigger. He will show you how to identify and engage financiers and production companies. Then, Qasim will delve into the filmmaking process including how casting comes down to understanding the 3 P's. He will discuss pre-production, voice, tone, story, performance & camera. He will teach you how to make decisive and confident creative choices. And he will teach you how to deal with failure and disappointment, but also how to deal with success. "People will tell you many different things in this business, but none is better than when you find what's actually right for you. Let me help get you there." - Qasim Basir PRAISE FOR QASIM'S TEACHINGS: "I saw A Boy. A Girl. A Dream. at Sundance. The movie is brilliant and watching Qasim during the Q&A it became clear that he is as well. To be able to learn from him here on Stage 32 is such a gift. Inspiration on a whole other level." - Monique T. "Genius in every way." - Tyler K. "Qasim is my hero." - Mikael F. "Another home run for Stage 32. A teacher above and beyond worthy of the subject matter. More please!" - Imani L.
Learn how to create a terrifying horror movie villain with a top horror expert who has worked on countless horror films including Rob Zombie's THE LORDS OF SALEM, 13 SINS Starring Ron Perlman, SKYLINE starring Donald Faison, and more. PLUS! Receive an exclusive handout that will help you develop your horror movie villains and monsters! Horror movies are all about the main threat - the monster lurching off the screen and into our nightmares. Ever since 1931, when Bela Lugosi swirled his opera cloak and made Dracula a movie icon, horror movie audiences have been more thrilled by the bad guys than the good. And this makes sense, as the villain is usually the catalyst in the story. The major horror franchises revolve around the villain, not the hero. A horror villain can be a slasher killer like FRIDAY THE 13th's Jason, a ghost like NIGHTMARE ON ELM STREET's Freddie, an object come to life like CHILD'S PLAY's Chucky or monsters like the creatures in A QUIET PLACE. So, how do you as a screenwriter make your monster or villain come to life - and wreak havoc - on the page? How can you create a monster that stands out from the rest, while also building off of the horror villain icons that have come before? And how can you craft an engaging story around your monster that will terrify audiences and maybe even lead to sequels? In this exclusive Stage 32 webinar, horror specialist Karina Wilson will guide you through everything you need to know to create a compelling horror movie villain for your horror project. Karina is an independent story and development consultant with a focus in horror who has worked on many films including SECRET IN THEIR EYES with Nicole Kidman and Julia Roberts, 13 SINS with Ron Perlman, and THE CIRCLE with Tom Hanks and Emma Watson. Previously the in-house story consultant at IM Global, she is considered an expert in the horror genre and her analysis of horror trends through the decades has been featured in the Wall Street Journal, on NPR, in medical textbooks and in documentaries alongside luminaries such as Jason Blum, Joe Dante, and Andy Muschietti. Karina is also the lead screenplay judge for the indie horror festival Shriekfest. Along with Rob Zombie, John Carpenter, Sid Haig, Tom Savini and many others, Karina can currently be seen on screen discussing horror in the documentary THE HISTORY OF METAL AND HORROR and in the Blumhouse TV series COMPENDIUM OF HORROR. In this webinar, you will learn the essential monster/villain categories and how to shape your story around the type of monster you are working with. Karina will assess the ways in which your villain can put your protagonist through the fire (both metaphorically and literally), while simultaneously terrifying your audience. You will learn how to put a fresh spin on classic villains, tapping into fears specific to the 2020s where successful horror movie antagonists are often nuanced with complex character arcs. Whether you’re tapping into psychological evil in the form of a serial killer, exploring a traditional haunted house, crafting a creature feature, or working with a monster from outer space, this webinar will provide you with everything you need to elevate your horror movie villain or monster to the next level! PLUS! Karina will provide you with an exclusive handout that will help you develop your horror movie monsters in your own screenplays. If you're working on a horror project or simply interested in learning more about the genre and how to craft terrifying horror villains that keep audiences coming back time and time again, Karina's webinar is a must! Praise from Karina's Previous Stage 32 Webinars: "Her presentation was well organized, her slides contained the right amount of information to digest and takes notes from. Her delivery was excellent." - Martha C. "I was so impressed!" - Loretta C. "Karina is a master of all things horror and story! She knows more about crafting an effective horror story - from the plot to the villain and the scares - than anyone I've ever worked with or learned from. I can see why she's in high demand in the industry!" -- Mark L.