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During this hour-long webcast, Jason explores the uses of this technique to drive plot, reveal character and deliver exposition using some of our favorite films and television series including "Fleabag", Deadpool, Spaceballs, "House of Cards", Fight Club, The Big Short and more to find out how these projects break the fourth wall without throwing us out of the narrative. We discuss the how screenwriters weave this storytelling device into scripts and Jason gives you specific types of wall breaks to consider when writing as well as tips on how to write them!
The Breakdown
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Whether musical biopics like Rocketman, historical dramas like Extremely Wicked, Shockingly Evil and Vile or The Irishman from Netflix, or films loosely based on historic events like 1917 or Once Upon a Time in Hollywood... audiences are fascinated by true stories. During this super-sized 90-minute webcast, we explore films and series including Chernobyl, The Social Network, Munich, Molly's Game, Charlie Wilson's War, and more to find out what makes a good script based on true events or real people work.
We're kicking off the first Writers' Room of 2020 with a deep dive into antiheroes - one of the most difficult character types to write. During this supersized 90 minute webcast, Director of Script Services, Jason Mirch explores the complexities of characters from some of our favorite films and television series including Joker, Kill Bill, The Social Network, The Irishman, "Fleabag", "The Sopranos", "Sherlock" and more to find out what makes them tick...and why we love them. We discuss the how screenwriters craft compelling antiheroes and I will give you specific types of antiheroes to consider when writing as well as tips on how to write them!
We’re back in the Writers’ Room for the Breakdown with Michael Kaplan. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Michael breaks down their episode of FRASIER.
We're back in the Writers' Room for the Breakdown Webcast: Writing Ensembles! An ensemble film is different from most lone protagonist-driven movies because it has a lot of main protagonists (some who are depicted as supporting characters though) that have roughly the same amount of "screen time" and importance in the screenplay. During this webcast, we discuss the challenge of giving every character in your ensemble a human turn while placing them in the context of the narrative. We examine some of our favorite projects including PRINCESS BRIDE, PARENTHOOD, "BRIDGERTON", THE LORD OF THE RINGS, THE USUAL SUSPECTS, and more to see how the characters - and their goals - come together. We also discuss tips on how you can balance all of the characters in your ensemble piece while crafting compelling obstacles for them to overcome (either together or separately).
We're back in the Writers' Room for the Breakdown Webcast: The First 10 Pages! The first 10 pages - or the opening sequence of the script - is so important and a good "First 10" will establish the tone and genre, introduce the main character, clarify the world of the story and the status quo, indicate the theme, and above all set up the dramatic question. That is why we will be breaking down some of the most memorable scenes and sequences found with the first 10 pages of our favorite film and TV series. We will also explore 7 types of openings and how they can launch your narrative - without falling into the trap of being cliche or derivative. As part of the webcast, you can download the complete scripts we discuss by clicking here. Once you have wrapped up the webcast, make sure to head on over to the Private Writers' Room Lounge to discuss your favorite opening scenes from film and television. And let us know why!
Show, don't tell! We take a look at how screenwriters use silence in the horror film A QUIET PLACE, the caper film THE DEPARTED, the action-drama DRIVE, and the adventure of LORD OF THE RINGS.